Our weekly music News Report has evolved into the Full Pelt Magazine, and you can download the fourth issue now for free!
Volume four includes an update from cover stars Creeper, a review of ‘Confessions of the Fallen’ from Staind plus a special feature on Metal for Good!
We have our News Report rounding up new releases from Bruce Dickinson, Blink 182, The Dollyrots, Chelsea Wolfe, Alien Weaponry, Helmet, VEXED, The Cadillac Three, P.O.D., The Vaccines, Against The Current, The K’s, Casey, Jack Valero, Little Man Tate, The Sleeping Souls, Interlaker, The Pale White, Florence Black and North Atlas!
Plus new live announcements from Bury Tomorrow, Poppy, Hot Water Music, Jake Bugg and Grade 2.
Enter Shikari recently announced their upcoming new album, ‘A Kiss For The Whole World’, will be out April 21st, and this week saw the band share the latest taste.
You can listen to new track, ‘It Hurts’ above. Of the track, Lead vocalist and producer Rou Reynolds explains:
“It Hurts came to me in a dream. Literally. Melody, chords, and fully-formulated chorus were all part of a dream that, thankfully, remained with me when I woke up. I was hiding under the duvet at 3AM, singing it into my phone, much to the bewilderment of my girlfriend.
Lyrically, It Hurts is about perseverance, and the importance of reframing failure as a fruitful and, in fact, pivotal route to progress. Society teaches us we should avoid and criticise failure, when defeat and honest mistakes can actually present us with insights that light our way forward.
In reality, we should be taught that simply to try makes us more than enough.”
This week saw the return of Gengahr as the band shared their brand new single, ‘A Ladder’, which you can listen to above.
Frontman Felix Bushe comments: “A Ladder is a fun, trippy little song soaked in cartoon-like imagery. Essentially it’s about the power of true love and its ability to not only change the way we feel but also the way we see and interact with the whole world around us.”
Dream Wife have announced details of their next studio album with ‘Social Lubrication’ set to be released on June 9th.
This week the group preceded the release with new single, ‘Hot (Don’t Date A Musician)’, which you can check out above.
‘Social Lubrication’, in the band’s words, is “Hyper lusty rock and roll with a political punch, exploring the alchemy of attraction, the lust for life, embracing community and calling out the patriarchy. With a healthy dose of playfulness and fun thrown in.”
Vocalist Rakel says, “Dating musicians is a nightmare. Evoking imagery of late night make-outs with fuckboy/girl/ambiguously-gendered musicians on their mattress after being seduced by song-writing chat. The roles being equally reversed. Having a laugh together and being able to poke fun at ourselves is very much at the heart of this band. This song encapsulates our shared sense of humour. Sonically it is the lovechild of CSS and Motorhead. It has our hard, live, rock edge combined with cheeky and playful vocals.”
“Music is one of the only forms of people experiencing an emotion together in a visceral, physical, real way,” says Alice. “It’s cathartic to the systemic issues that are being called out across the board in the record. Music isn’t the cure, but it’s the remedy. Calling the record Social Lubrication harks to that. It’s the positive glue that can create solidarity and community.”
“The album is speaking to systemic problems that cannot be glossed over by lube,” says Bella. “The things named in the songs are symptoms of f-ed up structures. And you can’t fix that. You need to pull it apart.”
Our News Report looks now at the best festival announcements made over the past week and we start by the coast with Portsmouth’s Victorious Festival.
Jamiroquai and Kasabian are already announced to headline with one more headliner yet to be revealed.
They will now be joined in August by the likes of The Charlatans, Jake Bugg, Circa Waves, The View, Newton Faulkner, Blossoms,Alt-J, Kaiser Chiefs, Amyl & The Sniffers, The Coral, Pale Waves, Shame, The Vaccines, Sea Girls, Johnny Marr, The Enemy and Hard-Fi!
UK metallers, Electron, draw a line in the sand with their explosive new single, ‘Sick and Wrong’, which is out now!
On the single, frontman Jason Payne discusses: “The track symbolises solitude, melancholy, madness, anxiety and fear. The persona in this song (inspired by “The Scream, E. Munch”) is suffering a lot of pain. In the beginning, this person has hope that they will escape from the terror of its own mind – however, as the song evolves, they grow aware that the melancholy is eternal, and revolt with their agony.”
This Dying Hour – ‘Age of the Coward’
Modern metalcore 4-piece This Dying Hour have shared their blistering new single ‘Age Of The Coward’.
“‘Age of the Coward’ challenges the way we see ourselves – how we can either perpetuate or abolish the feelings of nihilism and guilt through the way we understand personal accountability. Over the years I have personally battled with self-identity and purpose. I don’t think these things are exclusive to me, but a journey we all must take. This is why we shouldn’t settle with your shortcomings, but instead with discipline and hard work we can lace their linings with gold. You can’t make the world a more meaningful place, until you see through who you truly are.” – Vocalist Steve Kerr.
Creature Cult – ‘poster boy’
With just one single out in the world – the powerful and rousing, ‘ughly’ – Creature Cult have shared new single ‘poster boy’ – another message delivered loud and clear: in the face of bigotry and hatred, be uncompromising in your self-expression.
Commenting on the new single, Connar says: “Poster boy is my hate letter to homophobia. It takes all the disgust and discrimination from vicious people and spits it right back at them. It’s basically saying I’m going to be the fucking biggest and loudest version of all the things you hate about me because I really don’t care what you think and I know that scares you. Being able to express yourself and love who you want to love should be treated by everyone as the basic human right that it is.”
Welcome everyone to another edition of our weekly music News Report!
We start this week by running through the best festival announcements made over the past week and up first we have Kendal Calling.
Topping the bill this year will be Kasabian, Royal Blood, Blossoms and Nile Rodgers & Chic! They are joined by the likes of Kaiser Chiefs, Frank Turner, Circa Waves, The Enemy, KT Tunstall and The Amazons.
Also across the weekend will be The Hunna, The Murder Capital, Vistas, We Are Scientists, Lottery Winners, Black Honey, Newton Faulkner, October Drift, Jack Valero and many more!
Glasgow’s TRNSMT has added some fifty new acts to the bill for this year’s festival. The events features headliners Pulp, Sam Fender, The 1975, George Ezra, Kasabian and Royal Blood.
They are joined by Paul Heaton & Jacqui Abbott, The View, The Kooks, Pale Waves, Hot Milk, Hamish Hawk, The Wombats, Nothing But Thieves, The Enemy, The Amazons, Bob Vylan, Dream Wife, Lauran Hibberd and many more.
Wales is also able to attract rocks finest with Steelhouse Festival leading the way. This week the festival announced that Black Stone Cherry will be topping the bill alongside already announced Saturday headliners Airbourne.
They are joined over the weekend by the likes of The Answer, Blues Pills, Kris Barras Band, Florence Black, When Rivers Meet, The Cruel Knives and Dead Man’s Whiskey!
Another rock event getting bigger this week was Slam Dunk Festival who have added more bands to an already packed bill. Probably a good thing then that they’ve also broken down the stage splits.
Added to the event were PVRIS, Sueco, Millie Manders and many more. They join the likes of Enter Shikari, The Offspring, Billy Talent, Bowling For Soup, Yellowcard,Creeper and far too many others to mention!
Live At Leeds: In The Park has added The Hives, DMA’s, gengahr and more to an already packed line up headlined by Two Door Cinema Club.
They join amongst others, The Big Moon, Black Honey, The Beths, Skinny Living, Deadletter, Ellur, Low Hummer and Opus Kink.
Speaking about their appearance at Live At Leeds: In The Park 2023, The Hives’ frontman Pelle Almqvist said: “Some festival names just have a ring to them don’t they? Live At Leeds. It sounds like some upper echelon rock shit and if this year’s edition wasn’t before, now it is. The Hives are very proud and happy to join this upper echelon. They are coming for your money and dignity and in exchange they will deliver however long a show you will let them of life-affirming record-breaking rock ’ ‘ roll music. If you have never seen them before. imagine a rock show but to the 3rd power. Too much of everything. If you have seen them before, you know you will have to again.”
Skinny Living said: “Live At Leeds is one of our favourite festivals in the UK! The line up is always top class, so to be able to play the main stage as a local band this year is a proper moment for us and our people.”
Looking ahead, Festival Promoter Joe Hubbard said: “It may be chilly outside, but we’re already incredibly excited about returning to Temple Newsam for an unforgettable summer festival celebration – with even more favourites and new faces joining the party at Live At Leeds: In The Park this year.
DMA’s and The Hives may just be some of the best festival bands going right now, and having phenomena like Cavetown and Crawlers join the party is truly special. At Live At Leeds, we always look to bring unmissable live titans together with fans’ next favourite bands – and this year’s In The Park is the perfect example of that. All coming together on one day at Temple Newsam, there’s nothing quite like it – and we can’t wait to see everyone this May!”
Next in our News Report is the latest single from Willie J Healey featuring Jamie T. Listen to ‘Thank You’ above now.
The track comes from forthcoming album, ‘Bunny’, which is out August 25th.
Willie comments on the new single: “I was tired and flat and didn’t know what to make & then my friend Jamie said ay willie I’ve got this drum machine it might inspire you.. I picked it up and wrote ‘Thank You’ the next day, it was my way of thanking Jamie for being a good friend. I dedicate it to anyone trying to do their own thing.”
Mimi Barks concludes this portion of our News Report with the new video for her track, ‘SAW’, which you can watch above!
The track features on their recently released mixtape, ‘DEADGIRL’.
Barks had the following to say, “SAW, the third song on the DEADGIRL Mixtape, marks the resistance, rage, and anger I experienced while seeking my identity and self-worth on an emotional, spiritual, physical, and mental level.”
She continues to mention – “Working independently on set with a micro team—just me, and my videographer, and his camera—it takes me back to my roots. No crew, no lights, and no screenplay. It’s raw, industrial and dirty – with the walls of the derelict buildings captured in the music video reflecting the wrath and backlash of my internal war.”
Blondshell will release her self-titled debut album arrives April 7th and is preceded by new single, ‘Joiner’.
Describing the new single, Blondshell explains, “I was listening to a lot of Britpop when I wrote this song. A lot of those bands like The Verve, Pulp, Suede, and Blur channelled dark subject matter, drugs, and all this dirty stuff, but with a fun acoustic guitar under it. I was listening to The Replacements, too. That’s what this song was inspired by sonically. I wanted it to feel like you’re watching HBO, where even though it’s heavy, it’s still a good time.”
BLACKGOLD – ‘Boogeyman’
Masked Misfits BLACKGOLD are back at it again with new single ‘Boogeyman’!
The band comment, “‘Boogeyman’ is about that person that haunts your dreams. They have full control over you within your subconscious and it feels like you can’t escape.”
Riyah – ‘Perfect’
Riyah is ready to unleash her first single ‘Perfect’, showcasing what is to come from her hands and lungs.
She comments, “I’m excited to see this new chapter roll out with this new EP. I’ve spent almost two years figuring out which way to go, and these songs might feel like baby steps to some, but for me it’s gigantic leap into my passion”
Welcome everyone to another edition of our weekly music News Report!
This week we begin with a handful of festival announcements including one that is always a hotly anticipation one, who is playing Reading & Leeds Festivals?
Your headliners this year are Sam Fender, Foals, The Killers, Lewis Capaldi, Billie Eilish and Imagine Dragons. They’ll be joined by the likes of Wet Leg, Nothing But Thieves, Slowthai, You Me At Six, Baby Queen, Inhaler, Don Broco and The Snuts.
DMA’s continue to tease new music from their fourth album ‘How Many Dreams?’, with the release of new track, ‘Olympia’, which you can check out above.
Guitarist Matt Mason comments on ‘Olympia’: “’Olympia’ was written for a crowd, and is a dedication to all of our fans, especially the ones who’ve been with us from the start. we can’t wait to play it for you all.”
Their new album is out March 31st, pre-order your copy here.
Levellers have announced their brand new acoustic album ‘Together All The Way’ will be released on March 10th. You can listen to new single, ‘Down By The River ‘O” above.
Of the album and recording, the Levellers say, “It was truly a fun record to make, under the rigorous guidance of Sean. Sean’s a musician himself, always bringing ideas and get out of jail free suggestions when we got stuck. It’s a stripped back, raw iteration of the collective with deep folk leanings. As energetic as the first one but definitely different.”
Blondshell explains, “I was obsessed with the [US teen drama] show ‘Veronica Mars’ as a kid and I was revisiting it around the time I wrote this song. I wanted to sing about that childhood era when I was being exposed to a lot more than I was comfortable with. ‘Gimme shelter’ refers to the song but I’m also saying please give me shelter from graphic TV and film, from New York City, overwhelming lyrics, etc. I think the song is just about having my boundaries crossed and the effects of those transgressions (for example, growing up to think men are hot if they’re assholes).”
overpass – ‘3AM’
overpass have shared their latest single, ‘3AM’.
They commented, “‘3AM’ is an innocent coming-of-age song that I think most people can relate to. It’s about the excitement you get when you’re going out, knowing you might be able to connect with that person, or at least hope that they will call you back when the night is over and done with.”
Life In Mono – ‘Blackout’
Life In Mono have just shared double A-side singles ‘Blackout/Sex To White Noise’
Speaking about the inspiration behind the singles, vocalist Sarah Clayton says, “Blackout is about people in your life that you know are no good for you but are hard to give up, whereas Sex To White Noise is about trying to find a connection that makes you feel something when you’re feeling really numb. If you’ve ever been on prozac you’ll know!”
Festival season is in full swing, the weather is warm, and the women are setting the standard for football, in many ways life is good. Of course in many other ways things are tough right now.
Music has always been an escape from reality, and we certainly need a distraction right now, so as Y Not Festival open their gates for the first time in three years, it’s time for tens of thousands of fans to let their hair down and celebrate. That is once they can actually get in, with some enormous queues upon entry dampening early spirits.
Now, the last and only time I attended Y Not Festival was the fateful 2017 event which ended in cancellation midway through. I wrote a scathing review for another publication and swore never to return.
Well, watching from a distance the festival has put out some stunning line-ups since then, and organisational changes appear to have improved things and returned the events reputation to pre-2017 levels. This year is in fact billed as their first year back as an independent festival.
Having decided to give the festival a second chance on the basis of their 2020 line-up, I’ve since witnessed the line-up change multiple times for the worse based on my personal preferences. There is no doubting however the overall quality of the line-up at a tough time for festivals.
I’m interested to see how the event will progress and whether it can change my opinion of the festival after the 2017 debacle, so the huge entry queues on Thursday and Friday aren’t the best start.
Thankfully once inside, things pick up quickly! The general layout is well thought out in the main arena, with the main stage, the second stage (The Quarry) and numerous other attractions in the main section of the arena, and the third stage (The Giant Squid) and various other stages and attractions located in a smaller area.
This almost creates two distinct festival areas, with a busy walkway connecting them. The only issue here is that later on in each day this thoroughfare does bottleneck and makes movement very difficult. At one point on Sunday night, this reaches a near dangerous level as fans flood the area trying to catch an Oasis tribute band on one of the smaller stages.
Whilst I quite liked the two separate areas concept, in future additional access would need to be installed at the other end of the second area to avoid any disastrous incidents and make crowd movements flow better.
Now on to the music! Thursday is an add-on day and those to fork out and arrive early are given a splattering of acts to enjoy.
The first such act that we catch is Lucy Spraggan who does a great job in getting the audience into the spirit of things. Spraggan has the crowd singing along to the likes of The Proclaimers cover ‘I’m Gonna Be (500 Miles)’, and fan favourites ‘Last Night (Beer Fear)’ and ‘Wait for Me’.
Next, The Hunna grace the main stage and also deliver a crowd pleasing set. The band’s momentum seems to have stalled slightly, but that upwards trajectory is set to relaunch if the reaction to new single, ‘Trash’, is anything to go by. ‘She’s Casual’ and ‘Bonfire’ serve as a reminder of what the band is capable of, and leaves the audience fully pumped up for our Thursday headliners.
WATCH ‘TRASH’ FROM THE HUNNA ON YOUTUBE
Those headliners are indie stalwarts The Kooks. The band have been celebrating their debut album, ‘Inside In/Inside Out’, whilst they have also recently released a new album, ’10 Tracks to Echo in the Dark’. It’s no surprise then that 15 out of 21 songs tonight come from those two releases.
The new tracks manage to hold up well with the hits such as ‘Ooh La’, ‘She Moves In Her Own Way’, ‘Always Where I Need To Be’ and ‘Naïve’. All in all this equates to a fun headline show which sets the standard for the weekend to come.
Friday on paper is the best day musically for me heading in with a great mix of the new and established acts that Y Not Festival has managed to book so well.
It’s a new act we start with on the main stage as Lauran Hibberd brings her charismatic indie pop to Y Not Festival. The early risers are treated to a glimpse of a star in the making and those that make the effort don’t regret it. Hibberd’s debut album, ‘Garageband Superstar’ is out this month, and based on today’s showing it will be a breakthrough record.
Hibberd has featured previously on our ‘Discover’ New Music Playlist, and next we headed to the ‘Giant Squid’ stage for the first time to catch fellow playlist alumni Daytime TV.
Daytime TV showcase their incredible debut album, ‘Nothing’s On But Everyone’s Watching’, as they quickly blast out the likes of ‘We Can’t Be Friends’, ‘Hush’, ‘Ugly’ and ‘Zombie’. This is another band with a great future, and today they deliver the goods for the early crowd.
Watch our ‘Discover’ New Music Podcast with guests Daytime TV
Continuing the run of fantastic young acts we catch MarthaGunn in the ‘Giant Squid’ and The Skinner Brothers in the ‘Allotment’. Two very different acts, but two more acts that make the very most of their time on stage, clearly winning over any fans not already converted.
We then return to the main stage for another newer act, but one that already feel established. The Snuts burst onto the scene with their debut album, ‘W.L.’, and have dominated festival stages this year. Today fans are treated to a look at what comes next with new songs ‘Burn the Empire’ and ‘Zuckerpunch’ sounding massive. Expect The Snuts to continue to climb festival bills over the next few years, and don’t be surprised when they are eventually headlining the likes of Y Not Festival.
The Pale White continue what has been a consistently brilliant day of music with a powerful set in the ‘Giant Squid’, before we head to the ‘Quarry’ for the first time this weekend.
Festival favourite and all round legend Beans On Toast assembles a huge crowd for a sing-a-long session. The heralded folk singer serenades his crowd with favourites such as ‘The War on War’, ‘M.D.M.Amazing’ and ‘On & On’. Really, there should be a law that dictates that Beans On Toast appears at every single festival.
Watch The Full Pelt Music Podcast with guest Beans On Toast
Even before the major issues struck in 2017, one gripe I had about Y Not Festival was the apparent disorganisation in relation to set times. I worry next that perhaps this issue hasn’t been fixed as Manic Street Preachers fail to appear for their advertised start time. Eventually a message appears on the screens citing technical difficulties, and the band finally arrive almost an hour late on stage.
This of course has a knock on effect to our headliners Stereophonics, and also means when the Manics do arrive, they quickly depart again only playing for half their originally scheduled time. The technical difficulties seemingly continue to dog the band throughout their short time on stage, which causes more set changes on the fly. A lesser band may have given up, but Manic Street Preachers force their way through.
Stereophonics are a safe bet as a festival headliner, guaranteed to deliver the goods and give the audience a good time. That’s exactly what they do to close out Friday night, with a set mixed of hits and deep cuts from throughout their distinguished career.
The double header of of Welsh icons Manic Street Preachers and Stereophonics was a major selling point for many fans, so it’s disappointing that the technical issues leave a sour taste in the mouth.
Saturday soon arrives and we start off on the main stage for another double header of established acts. The Futureheads and Levellers bring the crowds in early as the festival rights the wrongs of last night. Both bands deliver solid sets which the audience lap up, and the party is in full swing as we head deeper into Saturday afternoon.
We refocus next however back to the fresh new acts that help to make this festival so appealing. Do Nothing, King No-One and the excellent The Mysterines all draw big crowds to the ‘Giant Squid’ stage and all three acts are able to produce perfect festival sets to the delight of the packed tent.
Sea Girls are one of the bands leading the new wave of indie and they are next up on the main stage, where they are greeted by an army of their fans. The band and fans then reciprocate energy for the next forty-five minutes and the result is a very enjoyable watch.
Our Saturday night is then spent back in the ‘Giant Squid’ for two bands that personify the festival. First up is a hot new band on the cusp of greatness in the form of Yard Act. This is a band that has been touring solidly and making a name for themselves. Today they put the spotlight on debut album, ‘The Overload’, which gets the entire tent bouncing along.
Lastly is an established act of indie folklore, We Are Scientists! The band finish out the night with a fan pleasing set full of favourites such as ‘It’s A Hit’, ‘The Great Escape’ and ‘Nobody Move, Nobody Get Hurt’.
WATCH ‘THE GREAT ESCAPE’ FROM WE ARE SCIENTISTS ON YOUTUBE
It’s during this time that the heavens open for the first time. Back in 2017 it was the Saturday night when the festival organisers decided enough was enough, come Sunday morning the last day was cancelled and a disorderly evacuation of the site commenced.
One massive criticism of the event that year was a lack of foresight with heavy rain predicted well in advance, the site saw little or no preparation for the weather. It’s great this year then that prior to the rainfall we see straw spread at key points in the arena.
The result is that despite a night of rain, the arena is still in good nick come Sunday morning and we are able to continue with the high quality entertainment. Kudos then to the present organisers for taking proactive action rather than waiting until the horse has already bolted!
So, onto my first Y Not Festival Sunday! We again are on the hunt for new talent early on and catch both Marty and Cucamaras in the ‘Quarry’ and Baby Queen capturing the imagination of the main stage. All three showing that the future is bright.
Sunday really sinks it teeth in on the main stage with back to back performances from Amy MacDonald and Jake Bugg. Two more established acts with stacked back catalogues, two more artists that are able to deliver polished and well received sets as the shine really starts to break through.
After some sing-a-long action with MacDonald and Bugg, it’s back to the fantastic new music offerings as The Hara and Rews in the ‘Giant Squid’, and Vistas and Dream Wife in the ‘Quarry’ all deliver blistering performances which really rile up the audience.
Soon there is a great moment on the main stage where The Vaccines get to announce the incredible result of the Football mid-set. The atmosphere is electric as fans celebrate with more great music.
For us that great music sees us conclude our weekend back in the ‘Giant Squid’, firstly with Blood Red Shoes, who have released one of the albums of the year in ‘Ghosts On Tape’. Their belated set is an intense and ferocious explosion of rock which instantly enters the race for performance of the weekend.
Watch The Full Pelt Music Podcast with guests Blood Red Shoes
That honour is hotly contested as across four days of music we somehow haven’t seen a bad performance. The pure quality on offer despite the multiple line-up changes since 2020 is a testament of the work of the booking team for Y Not Festival.
The last band of the weekend for us is Black Honey, who decide that the crown for set of the weekend belongs to them. They deliver an energetic yet majestic performance that is the perfect way to end what has been a great weekend.
I must admit scepticism coming into the event, and whilst I hoped that a great weekend would be had, I wasn’t sure. The organisers have rectified the issues of 2017 and have earned themselves a clean slate from me.
Whether you just want to chill at the main stage, or go hunting for the best kept secrets in the tents, Y Not Festival had it all this year. The ghosts of the past have been put to bed by the acts of the future!
We move on now to the weeks new music releases as our News Report continues at pace.
Alongside the release of their new album, ‘Skinty Fia’, Fontaines D.C. this week shared their latest single, ‘Roman Holiday’. You can listen to the new track above.
Speaking on the single, frontman Grian Chatten says, “Roman Holiday makes me think of the wide streets of north London in the Summer and the urge to discover them at night time. The thrill of being a gang of Irish people in London with a bit of a secret language and my first flat with my girlfriend.”
The band has also added additional dates to their upcoming UK Tour!
Folk favourite Beans On Toast this week debuted his latest track, ‘Swimming In It’. The track is described as “A protest song about the heinous environmental crimes committed by Southern Water”. You can listen to the song above.
This week saw The Blinders release the video for their recent single, ‘Fight For It’. You can watch the video above.
Regarding the song vocalist and guitarist Thomas Hayward says, “It’s about waking up and seizing the day with both your hands firmly gripped round its neck, to the point where you know you’re a better person by the end of it.
“I had a lot to say about the matter, so subconsciously probably chose the song we’d worked on the least, in terms of seeing how far we could push it musically and made up for it lyrically.
“Usually, as a band, we’d rarely let a song exist in such a basic form… but upon writing the lyrics the tone was right. The words came very fast. When all was said and done it was probably over in about half an hour.
“It’s the lightest song we’ve done. Not something you’d usually expect from the band, and not necessarily a place where I’m particularly comfortable drawing from. Give me brick and barbed wire over sunshine any day. I’ve got a soft spot for it though.”
The last new release in our News Report this week comes from LIFE who have debuted their newest track, ‘Almost Home’. The track will feature on upcoming third album, ‘North East Coastal Town’.
Speaking on the new single vocalist Mez Green says: “Almost Home barks, jolts, jerks and spits with the theme of pining to be home and thus chimes with North East Coastal Town’s over-riding sense of belonging. ‘Taste the difference…feel significant…hold a lifeline, you’re almost home!” Almost Home is a song that wrestles with ego and love, with love winning; ”Recipe, I ain’t a cult recipe.”
France based pop/rock trio, Oakman debut their brand new single, ‘Night’.
“This song was written in one day,” says the band. “Marine had just learned that she might have a serious health problem. Without knowing it, Geremia sent an idea for a riff to Marine that day, who was instantly inspired by the mood. It matched so well with what she was feeling at the time that the whole song was written in one go. She was in a very special mental state that day. It was a kind of happy-sad nostalgia of life. Between the reality of losing everything and the people that you love and the strong desire to just live and exist. We spend our time complaining but when life can suddenly stop, that’s when we realise how much the smallest thing is worth. This song was like a mourning, a last night before everything stops forever. It’s the first time we wrote such a personal song and it’s one of our favourite tracks. It allowed Marine to not sink that day.”
‘Halo’ – Blue Violet
‘Halo’ will feature on the upcoming album, ‘Late Night Calls’ from husband/wife duo Blue Violet.
Ahead of the forthcoming release of ‘Late Night Calls’ Sam and Sarah Gotley explain:
“All in all, the thing we enjoyed most while recording the album was the opportunity to be experimental with sound on top of the structures we had already put in place during the writing and pre-prod processes. We got very lucky to find a like-minded team of people to work with and a beautiful location to match. Coming off the back of a good couple of years in our previous band Broken Bones Matilda, we had no idea that our goals and choice of music we wanted to make would change, but it feels like this album is the start of something long and fruitful and that we’ve found out who we are and what we want to say.”
‘The Concrete of Moulded Men’ – Eat Your Own Head’
Norwich alt-rock newcomers Eat Your Own Head feature with new track ‘The Concrete of Moulded Men’.
Commenting on the track, vocalist Ash Woolnough said: “‘The Concrete of Moulded Men’ is a sledgehammer to the slab of toxic masculinity. When writing the track, we wanted it to be fierce, hard, and unrelenting to reflect the kind of feelings and pressures that are put on men.”
“I didn’t have any friends that played music when I was growing up, and It would feel embarrassing to say no to football or something like that because I wanted to play guitar and sing. I started making up reasons and hiding it, which was obviously not the right thing to be doing. This track is basically saying don’t worry about all that nonsense”
Welcome to another edition of our weekly music News Report. This week we are starting off with the latest festival news, and first up is All Points East in London.
The Victoria Park event this week added new acts to the Gorillaz headlined day on Friday 19th August. Heading up the latest additions are Turnstile who join the likes of IDLES and Self Esteem and a packed bill.
On to the latest tour announcements now in our News Report and it was a big news week for The Subways. The band will be hitting the road later this year including a date at the Electric Ballroom in Camden.
Not only that, the band also debuted new single, ‘You Kill My Cool’, which will feature on their upcoming new album. Listen to the track below.
Australian pop punk duo 3REE have released their brand new single ‘Set This Place On Fire’, featuring guest vocals from Sleeping With Sirens frontman Kellin Quinn.
“We’re living our childhood dream!”, 3REE say about their collaboration with Kellin. “It was amazing to collaborate with such an idol of ours.”
Continuing about how the collaboration came about 3REE drummer Sean Tighe explains, “When we were writing the song, we could hear Kellin’s voice as a perfect fit with Mitch’s. I simply messaged Kellin the song and asked if he’d be interested and how wonderful it would be. Kellin’s response was fantastic, saying “WOW! This song is a banger” and “I can track my vocals by the end of the week”. We had to pinch ourselves.”
About the meaning of the song 3REE vocalist and guitarist Mitch Volcan says, “We built the song around the lyric ‘When the fire burns out we all come alive’; writing with the aim of connecting with the listener with the sense of rawness, energy and togetherness that you face during dark times.”
‘PARIS WILL BE PAID FOR’ – ANORAK PATCH
With debut EP ‘By Cousin Sam’ out at the end of this month, teenagers Anorak Patch have shared new single ‘Paris Will Be Paid For’.
On the new single, guitarist Oscar said, “Paris will be paid for is a song of ours which combines pop hooks and more off kilter music. It’s at a constant tempo however it changes time signatures multiple times throughout the song. It makes it wonky and the more melodic parts can sort of too because of that.”
He adds, “The lyrics, like the music itself, are absurd and silly. Nothing is taken too seriously and is all very tongue in cheek and a joke. We find lyrics don’t often have to be about much, as long as the syllables fit and there’s a nice melody.”
‘TENNIS’ – COURTING
Liverpool four-piece Courting have returned with a new single titled ‘Tennis’.
Speaking about the single, the band says, “Tennis is a paypig’s personal redemption narrative, set in “the city”, and told in two parts. A twisted tale of two lovers’ back and forth, bound by cricket, bodybuilding, and money. A story as old as time.
We named the song Tennis as a logical (but unrelated) sequel to our two previously released sports-related songs. To us, this felt like a natural ending to that idea. Dynamically, the second part of the song is supposed to represent a shift in tone for the character in which they realise their own worth and leave the situation that is set within the first part of the song.”
No Glasto tickets? Well, perhaps your summer lies at Beautiful Days festival who this week revealed their line-up!
Performing over the weekend will be the likes of Flogging Molly, The Specials, Levellers, The Dandy Warhols, Maximo Park, Seasick Steve, Funke And The Two Tone Baby, Billy Bragg, The Magic Numbers, Samantics, Millie Manders And The Shut Up and more.
New music releases take centre stage now in our News Report, and we start with global superstars Red Hot Chili Peppers. This week the band debuted new single, ‘Poster Child’, which you can listen to above.
The track comes ahead of new album, ‘Unlimited Love’, which arrives April 1st.
Placebo unveil new single ‘Happy Birthday In The Sky’
Another huge act readying the release of a new album is Placebo. This week they released their latest single, ‘Happy Birthday In The Sky’, which you can listen to above.
Commenting on the track frontman Brian Molko says:
“Happy Birthday In The Sky for me, is one of the more heartbreaking moments on the album. Happy Birthday In The Sky is a phrase that I’ve been using for quite some time. When I say, happy birthday to people who aren’t with us anymore, it communicates the kind of heartbreak that we’re really, really good at communicating I think. You know that sense of loss, that sense of desperation. It’s as if a part of your body and your soul has been ripped from you unfairly. And you pine and you pine, and you wait.
What I am thinking is that this is kind of so visceral and so intense emotionally that it’s really going to communicate something very powerful to the listener. And that’s basically all I’m interested in. At what cost? Who cares. As long as the song really, really moves people, then whatever sacrifices you have to make in order to get there are fine with me. It’s not such a bad thing to inhabit these emotions – you’re very, very much alive and in the moment while you’re doing so.”
Their new album, ‘Never Let Me Go’ arrives on March 25th.
A couple of bands next who we recently featured on our ‘Discover’ New Music Playlist on Spotify. Firstly October Drift who returned with new track, ‘Insects’ this week which you can listen to above.
Regarding ‘Insects’ vocalist and guitarist Kiran Roy says, “It’s a coming-of-age song, about feeling life pull you in different directions. It’s about growing up but finding yourself smaller and more up against it than ever. I wrote the lyrics after visiting the Kelvingrove museum in Glasgow and seeing all the Victorian butterflies and beetles pinned up on display.”
The latter is reflected in lyrics of the powerful chorus as Kiran sings, “We’re still insects pinned to walls, trying to crawl, trying to crawl”.
The first track added to the playlist this week is the brand new single from Guise. You can check out ‘Don’t Come Back’ now on the playlist.
The single comes ahead of their debut album, ‘Youngest Daughter’ which will be released through Xtra Mile Recordings on April 29th.
‘Lies’ – Cosmic Ninja
The next band added this week is Cosmic Ninja with their track ‘Lies’. The single features on their forthcoming new EP, ‘Dissident Transmission’ which arrives on April 8th.
Commenting on the track, the band said: “‘Lies’ is about the dishonesty and corruption rife in UK politics. The endless lies and lack of integrity has reached an extreme level—we are fearful of the consequences and the damage it is doing to society. Politics has lost sight of trying to make a better place for everyone and, instead, those with influence climb to the top and pull up the ladder by any means necessary.”
“In most lines of work, you would be held accountable for lies, but, for politicians, it seems acceptable practice; a tool that is extremely effective in misleading and wrongly influencing public opinion. This song is about calling out those lies, seeing through the misconception and positively challenging those walking blindly through corruption.”
‘Love Kills The Demons’ – Krush Puppies
Finally this week we have added the new track from Krush Puppies, ‘Love Kills The Demons’. The band will release their debut EP of the same name on May 6th.
It’s an acknowledgment from vocalist and bassist Alexa about the night terrors she had for years, where she’d be up all night seeing shapes in the darkness. Then she met someone and suddenly it all went away as if his presence made her feel safe.
Alexa explains, “This faceless shadowy figure would sit at the end of the bed and wake me by pushing on my chest so that I was gasping for air. I used to be up all night, then I met someone and suddenly I started sleeping all the way through, soundly next to him. I guess I suddenly felt safe, which feels very soppy now I’m having to write it down. But I can’t describe this overwhelming sense of peace that I felt almost instantly. I came into the studio with the chords and melody, then we all finished it that day. A few weeks later we recorded it with John Bisset, and Jenny and I sang the whole song together in unison, so our voices kind of blended to make one. It almost sounds like a whole new band member.”
Thus concludes our weekly News Report. Remember to also check out our ‘Discover’ New Music Podcast. We released two more episodes this week with recently Playlisted acts as guests. Our chats with both Daytime TV and PET NEEDS are available now.
Welcome to a bumper edition of our weekly music News Report! A plethora of festival announcements to get through this week, so let’s get start with Download Festival!
New additions this week included Skindred, SKYND, Dirty Honey, Kid Brunswick, The Velveteers and the incredible Yonaka.
They join a massive line-up headlined by Kiss, Iron Maiden and Biffy Clyro. Other highlights include A Day To Remember, Korn, Shinedown, Volbeat, Rise Against, The Pretty Reckless, Airbourne, The Darkness, Funeral For A Friend, Creeper, Boston Manor, Trash Boat, Holding Absence and many more.
This week also saw Y Not Festival reveal their second wave of acts including Thursday headliners The Kooks!
Also added this week were Jake Bugg, The Hunna, We Are Scientists, Blood Red Shoes, The Mysterines, Noisy, Daytime TV, MarthaGunn and more.
They’ll join the likes of Stereophonics, Manic Street Preachers, Nothing But Thieves, Levellers, Pale Waves, Dinosaur Pile-Up, Black Honey, Yard Act, The Futureheads, Dream Wife, Beans On Toast, Lauran Hibberd, REWS and many more.
Nottingham’s Splendour Festival this week revealed the event will stretch to two days this year with acts including Richard Ashcroft, Supergrass, Razorlight, The Magic Numbers, Ocean Colour Scene and Happy Mondays.
Bowling For Soup debut ‘I Wanna Be Brad Pitt’ and announce new album
Another band releasing new music this week was Bowling For Soup, who returned with new single ‘I Wanna Be Brad Pitt’.
That’s not it though, as the band also revealed that new album ‘Pop Drunk Snot Bread’ will arrive April 22nd!
Listen to the single above, and pre-order your album here.
Fatherson debut ‘Better Friend’
Fatherson continue to build towards new album, ‘Normal Fears’, which arrives April 1st with new single, ‘Better Friend’.
Speaking on the single, frontman Ross Leighton says, “”Better friend is about losing touch with people when you’re growing up and wishing you were better at staying in touch. Sometimes life gets in the way, but if the last few years has taught me anything life is better with the people you love.
It’s an anthem about friendship and an apology for letting it slip. It was the first song that I wrote for Normal Fears in my old bedroom in Kilmarnock and it really felt like the first normal fear I had going into the record. It became this reference point for melody and groove that the rest of the record built on.
I think everybody has felt a bit out of sorts before and gotten themselves into a space where they lose touch with people that are close to them. This song for me is a reminder to just get back in touch and start to rebuild. I love it!”
Listen to the track above and pre-order your album here.
North London singer/songwriter Louis Dunford shares brand new single ‘The Angel’ from his forthcoming second EP ‘The Popham’.
Speaking about the track Louis says: ‘I wrote this song about my home town. Anyone who’s lived in North London as long as I have will recognise the people and the places I’m talking about in the lyrics. Some that are still here and some that are not. It’s my family and friends favourite song I’ve ever written. Everyone’s London is different. I tried my best to capture ours’ .
‘GIVE IT TO ME’ – CLASSLESS ACT
Los Angeles rockers Classless Act will be joining huge tours with both Dorothy and the Motley Crue/Def Leppard/Poison/Joan Jett Stadium US Tour on their schedule. Check out recent single ‘Give It To Me’ on our Playlist.
‘IT’S ART’ – BLACKGOLD
Described as masked misfits bringing nu-metal vibes, the mysterious Blackgold emerged from the shadows this week with debut single, ‘It’s Art’.
Check out all tracks on our ‘Discover’ New Music Playlist’, and remember to also check out our ‘Discover’ New Music Podcast wherever you listen to or watch your Podcasts. We have multiple Episodes coming this week and just talked with recent Playlisted acts Youth Illusion and Scruffy Bear!
Welcome to another edition of our weekly News Report. This week features a slew of festival announcements as events prepare for the 2022 season.
For many events, they are preparing for their first event since 2019 due to the pandemic. One such event is Kendal Calling, who this week revealed their comeback line-up and it doesn’t disappoint with headliners including Supergrass and Stereophonics.
Also featuring high on the bill will be the likes of The Wombats, The Kooks, The Vaccines, Pale Waves, Sports Team and The Snuts.
It’s lower down the poster however that the line-up comes to life with The Mysterines, Lottery Winners, Valeras, Lauran Hibberd, Pigs x7, Massive Wagons, Hacktivist, Skinny Lister, Deux Furieuses, Guise and Berries all set to feature!
Slam Dunk Festival reshuffled their 2022 line-up this week with previously announced stage headliners Rancid no longer available. Added to the bill however are two new headline acts in the form of Sum 41 and Dropkick Murphys.
They are joined by new and previously announced acts such as Alexisonfire, The Interrupters, The Used, Deaf Havana, Hot Milk, Dream State and Spanish Love Songs.
Music Venue Trust reveal next set of ‘Revive Live’ dates
The incredible Music Venue Trust continue to work tirelessly to protect our vital grassroots music venues from threats pandemic related and sadly un-pandemic related. FYI, if you choose to move in next to an existing music venue, don’t complain about the noise!
Anyway, this week saw MVT announce the next slate of dates for their ‘Revive Live’ tour in conjunction with The National Lottery. Lottery playing friends can get a free ticket with each ticket buyer!
Huge acts playing this January include Bastille, The Coral, Enter Shikari, Feeder, Carl Barat, The Snuts, James & The Cold Gun, Strange Bones and many more.
Our News Report moves on now to a couple of tour announcements, and up first is Will Varley. Following the release of his superb new album, ‘The Hole Around My Head’, Varley will be hitting the road in May next year.