THE SUBWAYS – THE WATERFRONT, NORWICH – LIVE REVIEW
The Subways were mid-way through a 15 year anniversary celebration of their debut album ‘Young for Eternity’ when the pandemic hit. An album that catapulted them into the mainstream, garnered much success and gathered a dedicated fan base.
With the second half of the tour postponed, we now find ourselves at The Waterfront in Norwich to celebrate the 16th anniversary of the record!
Before The Subways grace the stage however we have the support act Art Brut. Another band to release their debut album in 2005, Art Brut are a great way to start the show. There are two types of audience member for the band; those familiar with the band and those that take a little while to jump aboard. By the end of their near hour long set however, everyone is on the hype train!
WATCH ‘ROCK & ROLL QUEEN’ 2020 VERSION ON YOUTUBE
The Subways – ‘Rock & Roll Queen’ 2020
Then it’s time for the main event and the spectacle of The Subways playing their seminal debut album in full. The band go the traditional route for this type of performance and play the album from front to back beginning with a sing-a-long of ‘I Want to Hear What You have Got to Say’.
The quality of the album is there for all to see as the likes of ‘Rock & Roll Queen’, ‘Mary’, ‘Oh Yeah’, ‘No Goodbyes’ and ‘With You’ delight the crowd. This is a band that seems criminally undervalued these days. From their songwriting to their ability to deliver those tracks live with such energy and passion, The Subways are a top tier act.
With new drummer Camille Phillips joining Billy Lunn and Charlotte Cooper the band seem to have a new lease of life. This is shown with the penultimate song of the evening, ‘Fight’. The fact that on an evening where we celebrate a 16 year old album, a new song gets one of the best reactions can only be a good thing.
After the album run through, fans are treated to ‘Turnaround’, ‘We Don’t Need Money to Have a Good Time’ and ‘Girls & Boys’ among others before the band finish with another blast of ‘Rock & Roll Queen’.
With new music on the way and the band firing on all cylinders, the future looks bright for The Subways.
When Alter Bridge and Creed guitar icon Mark Tremonti first announced his namesake band Tremonti, you could be forgiven for thinking that it would be a temporary project. A lot of so called side-projects come together and put out an album before disappearing again. Some last longer but only emerge sporadically to fill gaps of time from their main band.
Well, a decade and five albums on, it is fair to say that Tremonti has become much more than that. Given that these albums haven’t just been clear leftovers from Alter Bridge, you’d also make an argument now that Tremonti is as important to the main man as his other bands.
Another thing to note is the scepticism from day one that Tremonti himself would sing. We knew he is an incredible guitarist, but a singer? Again at this point it feels natural to hear Tremonti on vocal duty. Over the past ten years he has grown into the role with ease and ensured Tremonti the band has a unique identity.
So what can Tremonti the man and the band offer on their fifth studio album, ‘Marching In Time’? The twelve tracks have a run time just shy of an hour so this is a meaty album which isn’t ever trying to be something that it’s not. Whilst Tremonti has surpassed all expectations, they’ve never tried to reinvent the wheel.
WATCH ‘MARCHING IN TIME’ ON YOUTUBE
Tremonti – ‘Marching In Time’
There are no pop songs here, this is another delicately brutal, all out heavy rock collection which sees the band doing what they do best. That is not to say that there isn’t growth, there are certainly times when you can feel the band pushing their creativity.
There is plenty for fans to sink their teeth into, after all as we said this is a meaty album. ‘Marching In Time’ is everything you want from a Tremonti album and it continues to cement the band as a serious project. Not that they need to prove anything at this point, any band that can put out five albums of such quality in just ten years demand attention.
Few musicians command such a passionate and dedicated fanbase as Frank Turner does. Since 2017, he has held an annual pilgrimage known as Lost Evenings. 4 days of activities based on the man himself punctuated by 4 headline sets each offering something different.
Last years event in Berlin was cancelled for obvious reasons and with the world not out of the woods yet Turner has chosen to return to the spiritual home of the event, Camden.
Whilst the main event takes place at the legendary Roundhouse, the festival takes over most of Camden. There are multiple stages of music, pop up gigs, panels, tattoos and much more.
THURSDAY
So let’s start unpacking the events of Lost Evenings 4! The event commenced on Thursday for the solo show of the weekend. No Sleeping Souls (well, just one – Matt Nasir on mandolin), as Turner explores some of the hidden gems of his back catalogue.
There are two fantastic support slots on the main stage from Emily Barker and Grace Petrie. Two incredible musicians who both manage to grab the audience with both hands, each joining the other during their sets as they encapsulate the spirit of the event.
Throughout the weekend Beans on Toast acts as master of ceremonies introducing each act. Next he welcomes Turner for the first of four occasions!
Turner and Nasir proceed to serenade the partisan audience who relish the opportunity to hear a few lesser played numbers. Turner states that he will endeavour to repeat only a few songs over the weekend.
Thursday highlights include new single ‘Haven’t Been Doing So Well’, the emotional ‘A Wave Across A Bay’, rarer numbers ‘Losing Days’, ‘Substitute’, ‘Tattoos’, ‘Josephine’ and special sing-a-long cover ‘Somebody To Love’ with Turner joined by Petrie and Barker. All in all a great way to start the festival.
FRIDAY
Friday sees Turner joined by his band The Sleeping Souls for a set billed as “the first three albums plus new songs”.
As far as support goes we start with the new – PET NEEDS. The young band from Colchester showcase tracks from their brilliant debut album including ‘Toothpaste’, ‘Pavlovian’ and ‘Tracey Emin’s Bed’, which receive big reactions from the crowd.
Next up it’s something old with longtime Turner contemporary Jamie Lenman joining the party. Given the theme of the evening you’d assume those in attendance would be aware of Turners hardcore past, but there are more than a few deer in headlights reactions to Lenman’s hard and heavy outing. It is however an excellent performance that ensures any first night hangovers are blown away.
It’s then Turner time again and tonight we get a carefully curated set of early favourites. Fans again get some rarer tracks from the vault including ‘Live Fast Die Old’, ‘Once We Were Anarchists’, ‘Back In The Day’, ‘This Town Ain’t Big Enough for the One of Me’, ‘To Take You Home’, ‘Nashville Tennessee’, ‘Imperfect Tense’ and ‘Sons of Liberty’.
There is also a special section where fans get to hear three new songs from upcoming album ‘FTHC’ in the shape of ‘Non Serviam’, ‘Punches’ and ‘Haven’t Been Doing So Well’ again.
The night is rounded off by ‘I Knew Prufrock Before He Got Famous’, ‘Father’s Day’, ‘St. Christopher Is Coming Home’ and ‘Photosynthesis’ sending the crowd home happy.
SATURDAY
Saturday now and we first head to the Lock Tavern for an Xtra Mile Recordings takeover with special acoustic sets from PET NEEDS, BERRIES and Johnny Lloyd.
Both BERRIES and PET NEEDS play delightful sets to a packed room which go down very well. Sadly it is then announced that Johnny Lloyd is unable to make it. Thankfully master of ceremonies Beans On Toast is on hand to play an impromptu set.
As expected Beans On Toast has the audience in the palm of his hand as he regales them with tales and songs relating to Camden. A lovely afternoon that represents all that is great about Lost Evenings.
It’s very quickly time to head to the Roundhouse for round number three, which on Saturday sees Turner play his seminal album ‘England Keep My Bones’ in full.
Watch Frank Turner on Episode 1 of the Full Pelt Music Podcast!
Before we get there we have two more fantastic support acts. First up this evening is the highly entertaining The Lottery Winners. With their catchy songs and endearing onstage banter, the group are a delightful opening act.
Next the incredible Nova Twins take to the stage and initially elicit somewhat of the same response as Lenman the day before. However by the end of their set they have captured the imagination of the whole crowd. Nova Twins future is bright and on the evidence of tonight it shouldn’t be long before they are headlining venues this size.
The next may well be the most hotly anticipated performance of the entire weekend. The main man playing, in full, an album that catapulted his career and won a legion of fans. Those in attendance know that this will be special…
..And special it is! Not just said album in full but all accompanying b-sides and associated tracks. From the moment Turner takes to the stage and opens with ‘Sailors Boots’ the energy in the room of immense. This is only amplified when playing the likes of ‘I Am Disappeared’, ‘One Foot Before the Other’, ‘Peggy Sang The Blues’, ‘Redemption’ and ‘I Still Believe’.
Joined at times by string and horn sections the finale sees everything come together with ‘Eulogy’, ‘If Ever I Stray’ and ‘Glory Hallelujah’ delivering a memorable and worthy finale to the evening.
SUNDAY
The final day of the festival is billed as the greatest hits day. Turner who has kept to his promise to limit repeats, has held back some of his most loved songs. But first, Guise! Fronted by Jess Guise, the band do a great job warming up the crowd. They may be on home turf with Guise married to Turner, but it’s their music that earns the fans adoration come the end of their set.
Our last support act of the weekend is another band Turner fans are familiar with. Skinny Lister are possibly the perfect band to raise any tired spirits after a busy weekend. They bring the party, get the crowd moving and ensure the stage is set for Turner to close out the event in style
Tonight’s mission statement is clear from Turner – send the fans home happy. ‘Get Better’, ‘1933’ and ‘Little Changes’ kick off a set full of fan favourites.
In a well structured set list Turner includes some lesser played favourites such as ‘Thatcher Fucked The Kids’ and ‘Glorious You’. From start to finish he has the audience in the palm of his hand.
The encore of ‘The Ballad of Me and My Friends’, ‘Photosynthesis’, ‘Recovery’ and ‘Four Simple Words’ provides just the ending required to what has been another incredible weekend.
As we said at the start, not many artists could create and sell out a weekend like Lost Evenings, but Turner has built something very special and Lost Evenings 5 is surely in the pipeline already!
Planet Fatale formed from the ashes of various Cambridge based bands, and on their debut album, ‘The Cycle Repeats’ a phoenix rises!
It’s all too easy these days for new metal bands to sound… well, generic. This album is a breath of fresh air that manages to avoid such pitfalls. You can certainly hear some clear influences on the record, but they are enveloped and honed into an assured, confident sound that acts as a statement of intent from a band ready to take the metal world by storm.
WATCH ‘BREAK FOR YOU’ ON YOUTUBE
Planet Fatale – ‘Break For You’
From opening track ‘Talking To Myself’ and fellow single ‘Break For You’ through ‘Shotgun Riders’ and ‘Fight Club’ there is a undercurrent of considered fury. This helps set the tone for an album designed to get your head banging and your foot tapping.
Whilst most definitely and defiantly a heavy metal record, there is a poppiness to the songs that makes then very moreish. It won’t take long for listeners to be lured into this spiders web of hard hitting goodness.
It can be all too simple to stick with what you know and not try anything new, but nothing ventured, nothing gained. This album is certainly worth your time and Planet Fatale have set themselves a high standard for future releases.
We recently spoke with singer Hels Johnson for the ‘Discover’ New Music Podcast, where we discuss ‘The Cycle Repeats’ and their upcoming tour plans. Be sure to check out our chat here or watch the video edition below.
‘Discover’ New Music Podcast – Episode 5 – Planet Fatale
Isn’t it time that we put to bed that tired argument that rock is dead? Rock is thriving, rock has evolved and rock is producing a steady stream of new school bands ready to take over the world.
You may not see every band plastered on billboards or represented in mainstream media but dig deep and there is fantastic new music being produced. Just listen to our ‘Discover’ New Music Playlist and you’ll hear the depth of talent on offer.
One band that has made such an impression as to feature not just once but twice on the Playlist; first with their single ‘Gravity’ and recently with their track ‘Rosaline’ is Miss Vincent. Now with the release of ‘A Funeral For Youth’ we have a full length album to sink our teeth into.
WATCH ‘ROSALINE’ ON YOUTUBE
Miss Vincent – ‘Rosaline’
It’s evident very early that the two aforementioned tracks aren’t standout tracks. They are catchy, vibrant single quality tracks for sure, but the rest of the album is just as good!
Superbly crafted and elegantly presented, Miss Vincent have captured magic on their debut album. ‘A Funeral For Youth’ is a sublime collection of upbeat, heartfelt and powerful songs that is bound to be stuck on repeat for the foreseeable future.
It’s rock, but not as we know it! Well, not recently anyway. This is an album that hits the perfect balance between capturing the essence of what we call rock music, whilst managing to manifest a sound digestible to mainstream audiences.
On the opening track the band sing “…this gravity is keeping me down…”, well it’s going to take an immense force to hold this band down, because they appear set for the stars!
MANIC STREET PREACHERS – THE ULTRA VIVID LAMENT – ALBUM REVIEW
Having formed way back in 1996, Manic Street Preachers have gone on to have a decorated and celebrated career which has seen the band change and evolve over time. We have seen the band go through various phases in their career with their current era being one in which the band do whatever they want to do.
They have had hit making era’s, angry periods and experimental times and now they have taken elements from each and produced their fourteenth studio album, ‘The Ultra Vivid Lament’. If any band has earned the right to do as they please then it likely is Manic Street Preachers. That isn’t to say that they have tuned out or are resting on their laurels, just that they clearly have nothing left to prove.
That is perhaps, other than their undoubted musical ability. Whether writing angry punk or delicate pop, this band has always created pieces of beauty. It’s no surprise therefore that ‘The Ultra Vivid Lament’ is full of intricate melodies, captivating rhythms and enchanting refrains.
WATCH ‘THE SECRET HE HAD MISSED’ ON YOUTUBE
Manic Street Preachers – ‘The Secret He Had Missed’
There are songs such as ‘Orwellian’ and ‘The Secret He Had Missed’ that standout but in general this is a record to be savoured as a collection as opposed to cherry picking single tracks. The days of mega hits may be gone for the band, but they have plenty of those already.
Manic Street Preachers have earned the moniker of icons, they have enjoyed incredible success and now have the right to create whatever type of album they want. ‘The Ultra Vivid Lament’ is an enjoyable listen and the band clearly still has something to say!
After so many chaotic on again off again years, The Wildhearts feel like they are now at the peak of their powers. Whilst the talent in the group has never been in question, many people will still have been surprised by the excellence of their 2019 comeback album ‘Renaissance Men’. With the band also firing on all cylinders live, it feels like the band are making up for lost time.
So we shouldn’t be surprised that the follow up to ‘Renaissance Men’ is already upon us. Again, we also shouldn’t be surprised then at the quality of that album! ‘21st Century Love Songs’ continues the momentum that the band has built up and capitalises flawlessly on their knack for writing catchy rock songs.
WATCH ‘REMEMBER THESE DAYS’ ON YOUTUBE
The Wildhearts – ‘Remember These Days’
From the opening title track through ‘Remember These Days’, ‘Splitter’ and the whole album, this is an unapologetic, brash, hearts on sleeves belter of a record. It cries for the volume to be turned up and the inhibitions to be turned down. This is a drunken party album that captures the current world climate perfectly.
You’ll unwittingly find yourself singing along to these impassioned songs at the top of your lungs; which really is the ideal remedy after what everybody has been through over the past year and a half! ‘21st Century Love Songs’ is a medicinal and cathartic release from The Wildhearts that is made for screaming aloud in a hot sweaty music venue.
It really is time to stop being surprised by the quality in this band, after all the diehards have known for a long, long time what the band can offer. It’s just now perhaps everyone else will wake up to the fact.
Iron Maiden are a legendary act that have earned the right to do things their way. Generally their way is very well prepared. Plans are set out some times years in advance. Album release schedules, touring schedules etc are meticulously planned out as the machine that is Maiden rolls on.
Recent years have been disruptive to this routine however, firstly with the delays to the release and tour of ‘The Book of Souls’ due to the cancer treatment undertaken by frontman Bruce Dickinson. Then with Dickinson fit and well and the band enjoying the highly successful ‘Legacy of the Beast’ tour, a global pandemic hits!
WATCH ‘STRATEGO’ ON YOUTUBE
Iron Maiden – ‘Stratego’
Tour plans again are torn up and replanned, then torn up again. Now with the world praying it’s on a better path, live shows are again scheduled and the machine is coming back online. So, despite still having some ‘Legacy of the Beast’ dates to fulfil, the band are back with their seventeenth studio album, ‘Senjutsu’.
With the album clocking in at over 80 minutes, clearly this isn’t an album aimed at winning over new audiences. Indeed Iron Maiden already have a dedicated and well established base of listeners. For those fans this album is another treat. It is Iron Maiden doing exactly what you’d expect Iron Maiden to do.
That being said, whilst this is a typical Maiden release it isn’t the album you’d suggest if asked to pick an album to introduce somebody to the band. In fitting with recent releases this is a feature length record that deserves to be listened to as a whole. You certainly won’t find any short and sweet, radio friendly unit shifters on here.
Again, this is a band with a plan, a well oiled machine that knows its place. ‘Senjutsu’ is safe and collectors will welcome it into their set. There isn’t a bad track here, but there aren’t any that particularly jump out either.
It will be interesting now to see how many tracks make their way into the live show moving forward. Given we said that the album stands as a whole, perhaps full album shows are deserved here. One way or another these songs will come to life and as always with this band will take on new life once unleashed live.
With Royal Blood set to headline some of the first festivals to take place as live music returns, the duo announced a run of intimate warm-up shows. As expected all these shows sold out instantly including tonight at the UEA LCR in Norwich.
With an enormous sense of anticipation surrounding the venue, fans were first treated to a short and intense support slot from Tigercub. The band preview their latest album, ‘As Blue as Indigo’ with ‘Stop Beating on My Heart (Like A Bass Drum)’ and ‘In the Autumn of My Years’ going down particularly well with the already packed audience.
Sometimes with such a high level of expectation for the headline act, support bands can fall short, but tonight Tigercub prove their own credibility and win over some new fans in the process.
Soon enough it’s time for Royal Blood to take to the elevated stage. Kicking off with ‘Typhoons’ and ‘Boilermaker’ the band are backed by a subtle yet highly effective light show that helps to bring this new material to life.
Yes, Royal Blood are another band to release a new album during the absence of live music. Absence clearly making the heart grow fonder for both band and audience, as the UEA dancefloor descends into chaos from the opening note to the very last.
Material from ‘Typhoons’ garners great reactions from an eager audience who are ready and willing to lap up whatever the band can offer. Well, with three albums behind them now, the band can offer an endless stream of fan favourites.
Tonight sees a mix from across their catalogue with ‘Lights Out’, ‘Come On Over’, ‘Little Monster’ and ‘How Did We Get So Dark?’ filling the first half of the show with memorable moments.
Mike Kerr and Ben Thatcher always have had a knack for creating magic both on record and on stage but tonight has that extra special feel. Perhaps it’s the atmosphere flamed by the return of live music or perhaps the duo have spent their downtime perfecting their craft. Whatever it is it’s very clear that Royal Blood are simply on another level.
‘Trouble’s Coming’, ‘Oblivion’ and ‘Loose Change’ sound absolutely huge before ‘Ten Tonne Skeleton’ and ‘Limbo’ cause pandemonium in Norwich. The encore of ‘Out of the Black’ and ‘Figure It Out’ bring it all home, remind us of what we’ve all been missing and demonstrate just why Royal Blood are now festival headliners.
Album release shows would normally happen around the time that a new album is released. We all know why this isn’t the case for any artist releasing new music over the past 18 months but finally for IDLES the time has arrived to play these special intimate shows. With two hometown Bristol shows and an Oxford gig in the bank, the band arrive in Kingston for their opportunity to grace the PRYZM stage.
‘Ultra Mono’ was released in September 2020, so these release shows happen almost a year on from the album’s arrival. For some acts this could cause issues, but not for IDLES. If the euphoria for fans seeing the band after the last year or so isn’t enough, they have also waited patiently to hear these new songs live.
It actually feels wrong to call them new songs, as they’ve helped many a fan through a difficult period in all our lives. These songs are now part of our lives, but IDLES songs always seem to grow wings in the live setting. So as the clock strikes half past nine, it’s time to let these track soar.
Straight out the bat fans are treated to ‘War’, ‘Grounds’, ‘Mr. Motivator’ and ‘Anxiety’ as ‘Ultra Mono’ comes to life for a sold out Kingston crowd. With so much pent up frustration there is immediately a cathartic release of energy with the audience and the band clearly up for it tonight.
As the evening continues and the setlist weaves between the bands three albums, it becomes clear that the new(er) tracks more than hold their own live. ‘The Lover’, ‘Kill Them With Kindness’ and in particular ‘Reigns’ all sound monstrous tonight.
When you add these tracks to a set that includes ‘Mother’, ‘1049 Gotho’, ‘Samaritans’ and ‘Divide and Conquer’ you come to realise how formidable a back catalogue IDLES have amassed over a relatively short period of time.
The band has always been ferocious yet incredibly tight live and they have lost none of this innate ability during their enforced time away from the stage. Finishing with ‘Never Fight a Man With a Perm’ and ‘Danke’ you know that opportunities to catch this band in venues this size are going to be few and far between.
