Vol. 91
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“Hello” – Yes, hello YUNGBLUD how are you? What’s that you say, you have a new album out called, ‘Idols’? Nice, let’s have a listen, shall we?
In a world dominated by shortform media and even shorter attention spans it’s refreshing to see a popular artist start their new album with a nine-minute epic such as ‘Hello Heaven, Hello’! Whilst this is a track which includes the word Hello a whopping 114 times, it’s also a pretty damn good try at an old school rock opera.
This sums up the juxtaposition of YUNGBLUD perfectly. On the surface something of an easy target for critics, but deep down an artist able to produce quality tunes of real substance. Yes, the repetitive Hello’s may be meme-worthy, but the track itself is the perfect way to kick off what is a highly ambitious collection.
Over the course of twelve expansive tracks, YUNGBLUD gets to live out his childhood rock n roll fantasy with plenty of show and a healthy level of attitude. That signature swagger is channelled through these songs and results in a typical love it or hate it scenario for the singer.
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The heart and soul that has clearly gone into this album however should shine through against even the harshest critic – as long as they actually listen to the record. The album took four years to make and not all of that could’ve been spent singing “hello”. In all seriousness though, the level of care shown on this album is respectable.
YUNGBLUD is a special talent with a unique skillset and this album shows a genuine evolution from an artist very clearly capable of stirring emotion and captivating imaginations.
Comparisons are obvious to the likes of Queen and The Who for this record, and you could argue that it lacks that trademark YUNGBLUD charm. The reality is though for an album where so much risk has been taken, the rewards absolutely outweigh any imperfections.
So, yeah, hello YUNGBLUD – your album’s pretty good!
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The latest issue of the Full Pelt Magazine is here, and you can download your copy for free below!
Volume 29 features our cover stars Creeper as they bring ‘Sanguivore’ to the masses! We also catch Fightstar return at Wembley Arena and review the debut album from Crushed By Waves.
Our News Report has all the latest music news including live announcements from Bludfest, Stonedead Festival, Royal Blood, Deep Purple, King King, Blues Pills, Smash Into Pieces and Lacuna Coil!
Plus all the best new releases including Shannon & The Clams, Battlesnake, Interlaker, Cage Fight, Travis, Aaron West and the Roaring Twenties, Atomic Life, P.O.D., The Pleasure Dome, The Dollyrots, One Step Closer, Weatherstate, Dan Patlansky, Crushed By Waves and Indoor Pets!
Finally, we round up the latest additions to our ‘Discover’ New Music Playlist including Chloe Star, VENUS GRRRLS and When We Were Wolves!
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Our weekly music News Report has evolved into the Full Pelt Magazine, and you can download the eighth issue now for free!
Volume eight includes an update from cover stars Skindred, reviews of Rival Sons and Philip Seth Campbell live, album reviews for Skinny Lister, Rival Sons, The Rolling Stones, Chris Shifflet, Blink 182, Within Temptation and a load more!
We have our News Report rounding up new releases from YUNGBLUD, IDLES, Alkaline Trio, Lonely The Brave, Lambrini Girls, Black Water County, SCALER, Oakman, Blackout Problems, The Struts, The Cadillac Three, LostAlone, DragonForce, Royal Tusk, Dream State and The Cruel Knives.
Plus new live announcements from As Everything Unfolds, Slam Dunk, Grace Petrie, Black Orchid Empire, Slash, Liam Gallagher, The Smashing Pumpkins, Weezer, Punk Rock Factory, When Rivers Meet, Kris Barras Band and LostAlone!
Finally, we round up the latest additions to our ‘Discover’ New Music Playlist with Jarki Monno, headcage and The Klittens!
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Anticipation is high around Wembley tonight, and not just because the League Cup final is tomorrow! Tonight, the famous Wembley Arena in London plays host to a sold out show from alt rock anarchist YUNGBLUD, and it’s his fans that make their mark around Wembley Way.
Soon enough the hordes of brightly coloured fans file into the venue and await their hero. First up though they are treated the special guests Neck Deep, who could under the right circumstances probably make a go of headlining this venue themselves.
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The mission for the Welsh rockers this evening is to win over a new cross-section of the rock audience and make a load of new fans. Through openers ‘Motion Sickness’ and ‘Lowlife’, it’s clear that whilst there are some existing fans in attendance, the work will need to be done to get the whole arena on board.
Thankfully for Neck Deep, they are a well rehearsed touring machine and they are well versed in winning over audiences. As their time on stage progresses the audience becomes more engaged and by the time we get to mid-set sing-a-long ‘December’, they have an open goal to score in.
While they round out their set with the hat-trick of ‘Can’t Kick Up the Roots’, ‘Gold Steps’ and ‘In Bloom’, it’s obvious that it’s victory and mission achieved for Neck Deep. As singer Ben Barlow delivers his final team-talk to the crowd, the response is affirmative and perhaps soon the band will be on their way to Wembley for their own show.
Attention is then turned back to YUNGBLUD who is set for his biggest headline show to date following his meteoric rise over the past few years. If we are sticking with the football analogies then YUNGBLUD has been fast-tracked from the youth team to the first team and is now making his international breakthrough. As such anticipation is at a fever-pitch as the packed Wembley wait to see if he can deliver the goods!
If there are any doubts in this venue, which you get the sense there isn’t, then it only takes mere moments for YUNGBLUD to dispel them. Kicking off with ‘21st Century Liability’, ‘The Funeral’ and ‘parents’, the crowd are instantly in awe of the raw talent on display.
The quality of the music is great tonight, but it’s the incredible stage presence of YUNGBLUD and the stunning presentation of the show which makes this an elite level concert. All the bells and whistles are here as the likes of ‘fleabag’, ‘California’ and ‘mars’ are interspersed by some dramatic imagery.
To his credit YUNGBLUD is able to make this rather large venue feel as intimate as possible. His charisma has many of the audience members zombified as they take in the spectacular experience that is created tonight. Even an enforced break due to an emergency in the crowd can’t dampen the atmosphere.
By the time the show closes with ‘Loner’, you’d think YUNGBLUD had just won the World Cup! Even if we strip away the football theme, what is clear on tonight’s showing is that YUNGBLUD is here to take over the world as one of rocks next superstars!
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Few artists have the momentum that YUNGBLUD has right now. Having burst onto the scene in 2018 with his debut album, ‘21st Century Liability’, there has been no slow in pace since then with a new third self-titled album now upon us.
2020’s ‘weird!’ not just continued the impetus of ‘21st Century Liability’ but instead strapped a jetpack to this young musicians back. The question here then is does this third effort suffice to keep the train rolling?
Simply put, yes! Seemingly that momentum is relentless and YUNGBLUD is once again able to not just capitalise on his successes but fully build on them. His distinctive vocal presence ensures that all his work is easily identifiable, which almost allows some additional freedom to experiment musically.
Surrounded by talented collaborators such as WILLOW on single, ‘Memories’; YUNGBLUD is able to push boundaries whilst not alienating his pre-amassed and incredibly loyal fanbase.
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The snobbish gatekeepers of rock music will be disgusted to hear that this hugely talented musician described as the future of rock but whilst dinosaurs like Gene Simmons continue the tired trope that rock music is dead we need to evolve and unshackle ourselves from our preconceived notions of what rock music is!
The difference between YUNGBLUD and some of the posers that have trod this path is that he has the musical substance to equal his powerful aesthetic. He achieves his admiration through a total package and that sets him apart from many of his contemporaries.
This self-titled album is exhibit number three in the case for YUNGBLUD as the future of rock, and the jury are ready to return their verdict of guilt!
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