Vol. 63
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Oh, the difference a year makes! Last year the sun shone down on the bumper twentieth anniversary edition of Download Festival. Pretty much every person in attendance last year would say that it was simply too hot. Of course, this year then had to do a complete 180 and instead of a desperate search for water to quench our thirst, this year there is far too much of it – and sadly we aren’t talking about new headline sponsor Liquid Death!
No, months of rain in the UK left the festival grounds at Donington Park ill prepared for the downpours that would arrive over the first few days of the festival. The ground conditions quickly becoming treacherous and a weekend of hard slog, delays, cancellations, rejigs and almost every problem imaginable ensues.
There is a real risk that this year’s edition of Download will be remembered for the mud and for the protests that led to Barclays stepping back as a sponsor of the event. This is unfortunate as really the event should be remembered for a progressive line-up that leads the event into the next generation.
After an overreliance of guaranteed ticket shifters, Bring Me The Horizon’s dominant performance last year appears to have opened the door to new headliners (not that Queens of the Stone Age or Fall Out Boy are actually new!), and fresher overall line-ups.
The balance this year between old favourites (Machine Head, Bowling For Soup, Black Stone Cherry), fresh big hitters (Fall Out Boy, Royal Blood, Queens of the Stone Age) and future contenders (Creeper, Enter Shikari, Frank Carter & The Rattlesnakes), is spot on. There is something here for rock and metal fans of all ages and that is going to be key to the longevity of the festival.
So let us walk through some of the best sets of the weekend, starting Friday on the main stage as a more classic rock feel welcomes early attendees. The Blue Stones open the festival with a solid performance before Those Damn Crows show just how far they’ve come with a top-level set.
The clash-gods haven’t been kind to us this year and many sacrifices must be made, however we are able to catch the superb Mouth Culture make their mark on the Dogtooth stage next.
It’s then back to the main stage as The Struts continue to show why over the top sing-along rock n roll will never go out of fashion. Frontman Luke Spiller has the crowd in the palm of his hand and not even the continuing rain can dampen the spirits of a crowd belting out ‘Could Have Been Me’.
Black Stone Cherry are regular visitors to Donington Park, but today marks their first appearance in some six years. Clearly the fans have missed them, and the band make sure that they make the most of their time on stage. Fan favourites and a couple from latest album, ‘Screaming at the Sky’ has the field rocking hard and attendees won’t have to wait long to catch the band again with a headline tour on its way!
Sticking with the main stage, the booking of Royal Blood as sub-headliners is another sign of a more modern focus for the festival. Technical issues however disrupt the momentum of the performance and metaphorically dampen the mood in the already damp crowd. That said when the duo can fully unleash their power, a realisation appears to hit even the staunchest doubters of their Download credentials.
And speaking of Download credentials… Busted! Even five years ago the thought of the band playing these hallowed grounds would have sent the old school punters into a frenzy. How dare they bring their deplorable pop rubbish to our prestigious and very serious metal festival!!!!!
Well, thankfully the mentally that saw My Chemical Romance bottled off stage in 2007 is almost gone (just don’t look at the Facebook comments on the Busted announcement!). Headlining the Avalanche stage, the crowd is deep outside the tent as fans try to catch a glimpse of the trio. Before we head back to the main stage for our headliners, we get to witness the glorious sight of even the most hardened rockers partying along to the likes of ‘Air Hostess’ and ‘MMMBop’!
There is a different kind of party on the main stage however as Queens of the Stone Age are belatedly given top-billing at the UK’s premier rock festival. Josh Homme is clearly high on the atmosphere (amongst other things), and the band deliver a stunning performance chronicling their incredible career. Naturally it’s ‘No One Knows’ that enters the face for sing-along moment of the weekend, but the likes of ‘The Lost Art of Keeping a Secret’ and ‘I Sat by the Ocean’ are glorious tonight.
On to Saturday now and a fair few in attendance may be nursing hangovers this morning (especially the poor Scots after their Euro’s humbling), but as always Download has the cure. After a slight delay the venue fills again ready for another day of music with a point to prove.
That starts immediately with Bambie Thug who opens the mainstage with another set which probably wouldn’t have been greeted as well a decade ago. Bambie Thug however manages to mesmerise and captivate the early crowd with a truly powerful performance of The Cranberries ‘Zombie’ acting as a stance against ongoing atrocities across the world. Whilst the work of others helped to change the position of Barclays, the statement made here by Bambie Thug is something that will last long in the conscience of attendees.
The levels of energy and passion continue throughout sets from WARGASM on the main stage and KNIFE BRIDE and ALT BLK ERA on the Dogtooth stage. Then it’s time to change pace with The Hunna (another fresh booking) taking to the main stage. The group clearly appreciate the opportunity and make a great impression during their relatively short time on stage.
Frank Carter & The Rattlesnakes are up next and whilst the anger and ferocity of their stage presence may have balanced out, the elevation in showmanship and passion ensures that the group remain one of the best live acts in town. Their main stage set this weekend is sublime and you’d expect Carter and co to help lead this festival into the future.
They say that lightning never strikes the same place twice… well, what about torrential downpours? In scenes eerily reminiscent of their main stage slot in 2016, BABYMETAL have their set almost completely destroyed by a biblical shower which also destroys what is left of the arena grounds. During their short time onstage BABYMETAL are fantastic, but unfortunately, they may be seen as cursed when booked on the main stage!
The weather from here on out just can’t make its mind up with a mixture of sun and rain, but that eclectic mix is perhaps fitting for Enter Shikari who present their unique smorgasbord of sound next on the main stage. The group have grown up with the festival so it’s nice to finally see them in a prominent slot on this stage. The opportunity is seized with both hands and Shikari prove why they also must be considered amongst the best live acts on the circuit.
Sticking again to the main stage, The Offspring deliver a headline worthy performance next which even includes an encore much to the chagrin of festival etiquette experts. The band however carry themselves as headliners and they of course have bangers for days as they say. After the punishing weather, it’s great to see the audience finally unleash and dance their way through this wonderfully fun set.
A quick sojourn to the Dogtooth stage for a short but sweet Cassyette performance then leads us to the big Saturday headline slot which this year is taken on by Fall Out Boy. Another example of a band perhaps criminally underfeatured at this event in the past due to not having the perceived heaviness required by the gatekeepers of yesteryear.
The band however are ready to make up for lost time as they produce a memorable one-off set akin to the ‘Eras’ show from a certain Taylor Swift. And whilst it’s unlikely the festival will ever welcome the army of swifties; it’s refreshing to see the positive reception received by Fall Out Boy. From somebody that witnessed the My Chemical Romance hostilities, it’s another positive indictment that the future of the festival is looking bright.
The Sunday at a major festival like this is always a tough one, with everyone tired and already over-stimulated. It takes something memorable to kickstart proceedings and after lengthy delays in setting up the arena, it’s Code Orange that truly get things going today with a set that ends in the band smashing up the stage after going over time.
You can understand their frustration however with the times of bands changing at short notice due to the supposed actions required to get the arena ready for the fans. It must be said though that when we do finally enter, it’s hairy still without much action being obvious at least!
The changes in times frustrate some, but for us the movements mean that we can catch both Creeper on the main stage and Royal Republic over on the second stage. Two incredible live acts, Creeper are up first and showcase in just thirty minutes what they could look like as future headliners. An all-out show accompanies some fantastic music and indeed, you have to hope that Creeper are given an opportunity further up the bill next time around.
As for Royal Republic, you know what you are getting – a highly enjoyable live act who will always bring the party. That’s exactly what they do today as they showcase their superb new album, ‘LoveCop’.
Much hype surrounded the mysterious secret set at Download this year, those battling their way into the Dogtooth are treated to a Parkway Drive performance, we however avoid the crush and instead sing-along to some pop-punk favourites as Zebrahead and Bowling For Soup serenade their crowds.
In fact, we are certainly in the sing-along portion of the weekend as the main stage welcomes two iconic bands from the new millennium. Firstly Sum 41, who are embarking on a final tour as they bring the sun down on their career. The band get a big crowd who send them on their way by singing each song right back at them with the final run of ‘In Too Deep’, ‘We Will Rock You’, ‘Fat Lip’ and ‘Still Waiting’ particularly loud!
Loud is also a great way to describe Limp Bizkit who are up next. The band are like a fine wine and just keep getting better, with Fred Durst able to orchestrate the crowd as only he can. A double dose of ‘Break Stuff’ sums up the vibes of the set, which for many is the perfect way to close out the festival.
For others there is still a choice between Machine Head, The Used, The Black Dahlia Murder or Avenged Sevenfold to be that final performance of another wet but glorious weekend. For us we follow the theme of the weekend and position ourselves at the main stage.
Avenged Sevenfold are headlining the event for the third time, and this time they have a rather polarising new album to play. The weather, the other options and that ambivalence towards ‘Life Is But a Dream…’, means the crowd is a little on the thin side, but those in attendance make up for those missing.
Some of the new songs do flatten the atmosphere but when the band bang out the likes of ‘Afterlife’, ‘Hail To The King’, ‘Bat Country’ and ‘Nightmare’ there is no better way to finish the weekend.
As we said at the start, there is a real risk that this weekend will be remembered for different reasons, but for us the takeaway is that the event is finally looking towards the future. It’s refreshing to see the real-life reactions to some of the online contentious bookings and that helps point that the future of Download is a positive one.
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Volume 24 features our cover stars IDLES as they celebrate the release of new album, ‘TANGK’, which we review inside. We also review ‘Intermittent Fast Living’ – the new album from PET NEEDS. On the live side of things we catch Enter Shikari in London, IDLES in London and Noah and the Loners in Norwich!
Our News Report has all the latest music news including live announcements from AC/DC, Pearl Jam, Gary Numan, Gaffa Tape Sandy, Boston Manor and Willie J Healey!
Plus all the best new releases including Pearl Jam, REWS, High On Fire, While She Sleeps, Boston Manor, Gaffa Tape Sandy, Bears In Trees, Seasick Steve, The Dandy Warhols, Mad Caddies, Stand Atlantic, Greywind, Gun, Blackout Problems and The Longest Johns!
Finally, we round up the latest additions to our ‘Discover’ New Music Playlist including Cosmic Ninja, Exploring Birdsong and paradise fell.!
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The latest issue of the Full Pelt Magazine is here, and you can download your copy for free below!
Volume 20 features cover stars Enter Shikari as they prepare their arena tour with a new collaboration with Jason Butler! We also have album reviews for Green Day and Neck Deep, an EP review for Jarki Monno and a live review of Bring Me The Horizon in London.
Our News Report has all the latest music news including live announcements from Gaz Coombes, Robert Plant, Resolve, Cassyette, Cro Cro Land, Maid of Stone, Steelhouse, Burn It Down, Takedown and Brits Week!
Plus all the best new releases including James, Emily Barker, The Sleeping Souls, Yard Act, IDLES, Greywind, Yours Truly, The Dandy Warhols, Chelsea Wolfe, Mad Caddies, The K’s, P.O.D., NOTHING MORE, Neck Deep, PET NEEDS, Joanne Shaw Taylor, DragonForce, LANDMVRKS, South of Salem, Mother Mother, New Model Army, Saxon and Cassyette!
Finally, we round up the latest additions to our ‘Discover’ New Music Playlist with Comastatic, Crushed By Waves and Noah and the Loners!
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Volume 16 is a special edition where we run down our Top 50 Albums of the Year! 2023 has seen some amazing records released, but who will take the coveted number one spot?
Our News Report is still here also covering the latest from Vended, Slam Dunk Festival, Liam Gallagher & John Squire, Teddy Rocks, Brighten the Corners and LeeStock!
Finally, we round up the latest additions to our ‘Discover’ New Music Playlist with Telltale, Shooting Daggers and Fraser Morgan!
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Our weekly music News Report has evolved into the Full Pelt Magazine, and you can download the tenth issue now for free!
Volume ten includes the latest from cover stars Fightstar plus we review Creeper live in London, Wheatus live in Cambridge. We also review the new album from Lonely The Brave!
We have our News Report rounding up new releases from Enter Shikari, Lake Malice, Banks Arcade, Stand Atlantic, Have Mercy, South of Salem, Florence Black, Jamie Lenman, Unpeople, Siamese, Courting and The Killers!
Plus new live announcements from Download Festival, 2000trees, 30 Seconds To Mars, Bruce Dickinson, Halflives and Bowling For Soup!
Finally, we round up the latest additions to our ‘Discover’ New Music Playlist with The Gems, Kite Thief and HAVVK!
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Our weekly music News Report has evolved into the Full Pelt Magazine, and you can download the second issue now for free!
Volume two includes reviews of October Drift and Philip Seth Campbell.
We have our News Report rounding up new releases from Demob Happy, The Struts, The Rolling Stones, Dream Nails, Militarie Gun, REWS, Haunt The Woods, Scaler, The Cadillac Three, Pendulum, Wargasm, Daytime TV, HourHouse, Black Water County, The Pearl Harts, Gama Bomb, The Hyena Kill, Amongst Liars, Dead Poet Society and Death Of Me!
Plus new live announcements from Enter Shikari, Keane, The Big Moon, Wayward Sons, Of Mice & Men, Meryl Streek and BIG SPECIAL.
Finally, we round up the latest additions to our ‘Discover’ New Music Playlist with PLAIINS, Unschooling and paradise fell.!
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Enter Shikari have been riding on a hot streak that some would argue dates back to their 2007 debut album, ‘Take To The Skies’. Others may point towards 2015 masterpiece ‘The Mindsweep’ as the moment that a band with all the potential in the world finally seized on their talents to move to a different level.
Either way, it’s clear at this point that the band operate on their own level and creatively not many contemporaries can keep their pace. New seventh album, ‘A Kiss for the Whole World’ is another unpredictable collection of genre-defying bangers which will get the listeners moving.
Where Enter Shikari regularly raise the game however is their ability not just to get their audience moving, but also thinking. Again on this album, the band tackle the complexities and dangers of the modern world – and let’s face it there is no shortage of source material for the band to explore given the state of the world these days.
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Always willing to confront and inspect the signs of the times, ‘A Kiss for the Whole World’ finds the band lighting a spark found missing during the pandemic years. Fittingly ignited by their appearance at the Download Pilot Festival that represented one of the first glimmers of life for the music industry, this is the sound of a band regrouping with another affirming record.
The likes of the title track, and pre-release singles ‘(pls) set me on fire’, ‘It Hurts’ and ‘Bloodshot’ are typical of what to expect from the rest of the album. If there was any doubt this would be more of Enter Shikari at their very best, one quick run through of the album will dispel those doubts immediately.
The hot streak is very much intact, and this album can only be heralded as another stunning success for a band showing no signs of resting on their laurels.
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Reading & Leeds Festivals are the traditional end of the UK Festival season, and this year is a milestone year as a full calendar takes place for the first time since 2019. Let’s not dwell on why, instead let’s head straight into the action on a packed and hot Saturday at Reading Festival.
Sold out well in advance, Saturday at this year’s event is a particularly hot ticket with a stunning line-up throughout and topped by Arctic Monkeys and Bring Me The Horizon.
We are in the arena bright and early for surprise opening act Wargasm who storm the main stage with a set packed full of energy and attitude. The band appears to be on a world conquering mission, and nobody can argue their work ethic. It’s also damn hard to argue with their captivating stage presence and musical outlay.
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We then head into the ‘Festival Republic’ Tent for the next couple of acts. With the new two main stage structure at Reading & Leeds Festivals the separate ‘Pit’ and ‘Lock-up’ stage has sadly been a much missed casualty. There is much less choice now for the music connoisseurs amongst the crowd; which isn’t a problem with a stacked line-up like today but is very evident on Friday and Sunday.
This change does mean there is less cohesion in the line-up with heavy rockers Static Dress followed by lad rock upstarts The Skinner Brothers in the tent. Despite their difference styles both deliver energetic and well-received performances for the early risers.
There is more indie-fuelled sing-a-long action next back on the main stages with The Lathums pulling in a decent crowd. Whilst there is nothing earth-shatteringly new about what they do, The Lathums do this modern stock-indie reasonably well.
Whilst there were no moulds broken on one main stage, over on the other is Poppy, an artist who has broken every mould she’s been in. Yes, originally a Youtube sensation, then a bubblegum pop idol and now a heavy metal phenomenon, Poppy crosses many boundaries. Today she oozes rockstar appeal as she owns the stage with their eclectic musical offerings, proving along the way that she retains a very bright future.
A bright future is also ahead for Sueco, who attracts a good sized audience in the tent next for his debut UK performance. Over the next thirty minutes Sueco has that crowd in the palm of his hands as he runs through fans favourites including TikTok sensation ‘Paralyzed’.
Enter Shikari are a band more concerned with the future of the planet than that of their career and they take a main stage next for a politically charged call to arms with epic musical accompaniment. New single, ‘The Void Stares Back’ including guests Wargasm sounds absolutely huge as do tracks from previous album, ‘Nothing Is True & Everything Is Possible’.
Read our review of Enter Shikari live in London
A passionate speech is curtailed through either a power failure or for the conspiracy theorists – censorship. Either way even with a stifled end to their set, the band show once again that they are one of the best live acts on the planet.
We’ve mentioned the stacked line-up today and part of the reason for such excitement is the collection of a number of bands in the best live act conversation. Next up on the other main stage are Fontaines D.C. who receive a hero’s welcome by swelled crowd.
Read our review of ‘Skinty Fia’ from Fontaines D.C.
New album, ‘Skinty Fia’, takes centre stage as the band deliver the likes of ‘I Love You’, ‘Jackie Down the Line’ and ‘Roman Holiday’. A young fan coming out the crowd to ace guitar on ‘Boys in the Better Land’ provides one of the highlights of the festival, and the band leave the stage having proven themselves to be in the pool of future headliners.
Another band no doubt destined to headline Reading Festival in the not too distant future is Wolf Alice. Whether rocking hard on ‘Smile’, serenading us with ‘Safe From Heartbreak (If You Never Fall in Love)’ or showing their all round brilliance on ‘The Last Man on Earth’, Wolf Alice are a band that can literally do it all.
Read our review of Wolf Alice live in Norwich
A twelve song set absolutely flies by this evening and with a rammed field of fans left desperate for more, surely a full headline show from the band is a must next time they come to town.
That’s one thing Reading & Leeds Festivals have always excelled at – giving new headliners their shot. That’s exactly what they do next with heavy hitters Bring Me The Horizon finally being given the main stage headline festival set they earned years ago!
What those who gather for the performance are greeted with is a band at the peak of their powers, both creatively and as a live act. The band proceed to deliver a memorable set for all the right reasons. This is a victory for Bring Me The Horizon and for heavy music and the band do all in their powers to fulfil all expectations.
Read our review of Bring Me The Horizon live in London
The setlist is flawless, the visuals are stunning, the crowd interaction is on point and the band sound incredible; this is a real moment. A moment made even bigger by the band bringing out Ed Sheeran for a dose of ‘Bad Habits’ to the ear-piercing sound of teenage girls screams.
This is the sort of performance that you don’t want to follow but that’s just what Arctic Monkeys have to do next. Being one of the most hotly anticipated acts of the weekend and one much craved by fans in recent years, surely this would be easy for megastars such as Arctic Monkeys.
Sadly for those in attendance what the band deliver is a lukewarm showing. The opposite of Bring Me The Horizon, the setlist is poor, the visuals are basic, the crowd interaction is nearly non-existent and the sound is too low. A stunning day such as this needed a big finish and that should in hindsight of been Bring Me The Horizon.
Arctic Monkeys are a huge act with a back catalogue you can hold against anybody else, but today it feels like a phoned in effort. It isn’t a bad show by any stretch of the imagination; it’s a good show that should’ve been a great show.
Hopefully the band can rediscover their spark with new album, ‘The Car’ on the way, but tonight belongs to a different Sheffield band!
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