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Fatherson

The Portland Arms, Cambridge

Wednesday 24th May 2022

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FATHERSON – CAMBRIDGE – LIVE REVIEW

In the week that the Music Venue Trust launches their new #OwnOurVenues campaign, it’s somewhat fitting that we find ourselves at The Portland Arms in Cambridge.

Not only does the venue signify everything that the organisation seeks to protect, but they have themselves benefitted during lockdown from the Frank Turner led Independent Venue Love series.

It is venues such as this that act as the lifeblood for artists and music fans alike and The Portland Arms is a particular favourite of mine.

We find ourselves here tonight to catch the brilliant Fatherson, as the band tour their latest album, ‘Normal Fears’. As it appears are many others who fill the venue despite the favourable Spring weather outside.

BLACK FOXXES

Opening tonight is a band that has been building a solid reputation over the past decade, but one that is emerging again after large structural changes. Black Foxxes released their third album mid-pandemic shortly following major line-up changes.

Tonight they show that this refreshed version of the band is still a viable prospect with huge amounts of potential. A raw and intense performance is underpinned by the quality of musicianship, which ensures that the crowd are suitably enthralled.

FATHERSON

Soon enough it is time for the headliners Fatherson to step onto the intimate stage, and they do so by bursting straight into ‘Dive’, ‘Charm School’ and ‘Lost Little Boys’. This trifecta is a superb opening salvo which gets the audience into high spirits.

Singer Ross Leighton then introduces ‘Normal People’ and their fourth studio album, ‘Normal Fears’, gets to come to life in the live setting. The new tracks slot in seamlessly with older favourites, and demonstrate the impressive back catalogue that the band has now amassed.

Throughout the evening the band show their quality as a live act, with Leighton’s vocals particularly captivating at times. Once you catch Fatherson live, you will be hooked moving forward such is their power as a band.

Picking a set list with four quality albums behind them must be a tricky conversation now for the band, but tonight they come up with a good mix from across all albums. Older favourites are present such as ‘Cat Stevens’ and ‘Ghost’, with newer tracks like ‘Better Friend’ and ‘Honest To God’ also serving a highlights.

All in All, as the band finish with an encore of ‘Making Waves’, fans can leave the venue reflecting on another fantastic night of music. It really is nights like this, in venues like this where music truly thrives.

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Volbeat

O2 Academy Islington, London

Saturday 21st May 2022

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VOLBEAT – LONDON – LIVE REVIEW

Tonight is one of those rare occasions where you get to catch a big band in a smaller venue; this intimate show helping Volbeat to celebrate their latest album, ‘Servant of the Mind’.

Sold out instantly, it’s not a surprise to see the queue worming its way around the shopping centre that the O2 Academy Islington is held within.

Once inside, fans are already packed in like sardines before support act Benediction take to the stage. Once they do they are entrusted with a whole 45 minutes, which is handy given their lengthy back catalogue.

During this time, the band do their best to entertain and warm up the baying, crammed and sweaty crowd. By the end, they’ve done enough to earn themselves a solid round of applause.

Clearly though those in attendance are here for Volbeat and the band are given a heroes welcomes as they arrive on the stage. Diving straight into ‘The Devil’s Bleeding Crown’ and ‘Pelvis on Fire’, it doesn’t take them long to have the audience on a string.

Volbeat are a phenomenal live act with the addition of Rob Caggiano in 2013 really helping to take them to the next level. Newest member, bassist, Kaspar Boye Larsen is also now fully established and watching them move around the stage along with Michael Poulsen, you can’t help but feel the band has achieved optimum status.

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Volbeat – ‘Wait A Minute My Girl’

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The setlist tonight is a good career-spanning mix, but with an understandable focus on ‘Servant of the Mind’. ‘Wait A Minute My Girl’, ‘Temple of Ekur’, ‘Shotgun Blues’ and ‘Say No More’ all help to showcase another quality release from the group.

There are naturally huge responses to the likes of ‘Lola Montez’, ‘Sad Man’s Tongue’, ‘Dead but Rising’ and ‘Black Rose’. But really the entire time the band is on stage, the audience are lapping it up.

As we said at the start, it’s really great when you get to witness a big band in intimate surrounds and tonight has a special feel to it. A memorable night for fans is finally ended with a rousing rendition of ‘Still Counting’.

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My Chemical Romance

Stadium MK, Milton Keynes

Thursday 19th May 2022

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MY CHEMICAL ROMANCE – MILTON KEYNES – LIVE REVIEW

It’s March 2013 and the following statement appears on the website of My Chemical Romance, breaking hearts around the world:

“Being in this band for the past 12 years has been a true blessing. We’ve gotten to go places we never knew we would. We’ve been able to see and experience things we never imagined possible. We’ve shared the stage with people we admire, people we look up to, and best of all, our friends. And now, like all great things, it has come time for it to end. Thanks for all of your support, and for being part of the adventure.”

My Chemical Romance statement – March 2013

Fast forward to October 2019 and those hearts are sent racing with news that the band will reunite for a show in LA that December. Following that show many more shows are announced including three dates at Stadium MK in Milton Keynes. Of course just weeks later the world stopped as the pandemic took hold, and those shows fell by the wayside.

Finally, now in May 2022 the band can make their long awaited return to the UK; their show at the Eden Project just days ago being their first show on these shores since headlining Leeds Festival in August 2011.

So with the magnitude of these shows established let’s get into it! Stadium MK is the home to MK Dons Football Club, but has also become a popular destination for live music following an appearance from Rammstein back in 2019.

There is a great supporting bill in place this evening, with the hotly-tipped Witch Fever opening up proceedings. The band are able to grab the attention of the early crowd and hold it throughout their short but impressive set. The band will release their debut album in October, and after this performance that is certainly one to watch out for.

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Another reunited band is next as LostAlone return having split back in 2014. The band toured with My Chemical Romance early in their career, so it’s a nice touch to have them back on this show. Frontman Steven Battelle does a fantastic job getting the crowd warmed up and the band leave the stage victoriously having conquered their big return.

Main support comes from the incredible Placebo who have just released their first album in 9 years, ‘Never Let Me Go’. In true Placebo fashion the band don’t cater towards the crowd and for the first thirty or so minutes stick with a mix of new songs and obscurer tracks from their back catalogue.

As a huge fan of the band, their set is fantastic, but from the audience reaction those in attendance clearly want the hits. Finally the band oblige and close out their set with the likes of ‘For What It’s Worth’, ‘The Bitter End’ and ‘Infra-red’. Placebo are defiantly going to do whatever they want to do, for some the results are stunning, for casual bystanders the results are somewhat lacklustre. Thankfully I’m in the first camp!

One thing for sure is that audience response levels are guaranteed to be high as we prepare now for our headline act. After a decade of inactivity and a couple of extra years of delay, it’s finally time for My Chemical Romance to hit the stage.

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My Chemical Romance – ‘The Foundations of Decay’

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The stadium erupts as they do, with singer Gerard Way taking the stage in blood spattered all white suit and mask for their new single, ‘The Foundations of Decay’. The noise levels then go through the non-existent roof with classic tracks ‘Helena’ and ‘Give ‘Em Hell, Kid’.

With the band mixing the setlist up every night, fans are kept on their toes and that just adds to the general excitement, making the atmosphere inside the stadium as hot as it comes.

There are huge moments within the set, with ‘Teenagers’, ‘Na Na Na (Na Na Na Na Na Na Na Na Na)’, ‘Welcome to the Black Parade’ and ‘The Ghost of You’ all getting the entire stadium on their feet singing.

Then there are moments for the old school fans with deep cuts such as ‘It’s Not a Fashion Statement, It’s a Fucking Deathwish’ and ‘Skylines and Turnstiles’ featuring tonight.

It almost feels like the band has never been away, with the group typically cohesive yet brash. They say absence makes the heart grow fonder, yet those with the band in their heart already hold them up as aloft as a godlike entity.

This return is only going to amplify that, but with showings like this the band are only going to solidify their position as one of the biggest on the planet.

‘Famous Last Words’ and ‘I’m Not Okay (I Promise)’ both feature towards the end and the band finally send fans home happy with ‘Vampire Money’. My Chemical Romance are back, hearts are healed and there are big things to come!

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Gary Numan

UEA LCR, Norwich

Sunday 15th March 2022

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GARY NUMAN – NORWICH – LIVE REVIEW

Music icon and pioneer Gary Numan arrives in Norwich on a warm Sunday night, as his lengthy UK Tour draws towards a close.

This has been a tour that has included a statement headline show at Wembley Arena, as the career resurgence continues for Numan. Part of the reason for this renaissance is the cult-like devotion of Numan fans who fill the venue well in advance of their hero’s arrival.

The second reason for this rejuvenation is the current hot streak of releases from an artist very much in form. After reaching Number 20 in the Album Charts with 2013 effort ‘Splinter (Songs from a Broken Mind)’, Numan has delivered not one but two Number 2 Albums with 2017’s ‘Savage (Songs from a Broken World)’ and last year’s ‘Intruder’.

Vindication for an artist who has never taken the easy route via the nostalgia circuit and has always followed the creative path.

The third reason for recent successes is that Numan is a force of nature live, but we will get on to that in just a moment. First a mention to opening act, Divine Shade, who do a fantastic job in warming up the receptive UEA LCR.

Fans early arrival is well rewarded with a superb performance from the French trio; who much like our headliner are able to perfectly blend rock and electronic influences into an aurally stimulating sound. Combining this with a visually pleasing stage presence, the band has the winning formula down.

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Gary Numan – ‘Intruder’

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Soon enough, it’s time for Numan to take to the stage, but he doesn’t just take to it… he owns it. As we mentioned, the live presentation of Numan and his band is a large reason for his recent success, and from the stunning opener, ‘Intruder’, onwards the band have the audience in the palm of their hands.

The visual effects on offer on this tour are incredible and complement the music splendidly. This dynamic typifies Numan live and creates an immersive experience for gig-goers. It’s hard not to be mesmerised by the light show whilst simultaneously being captivated by the music.

On the set list front there is a great mix of new and old material with latest album, ‘Intruder’ at the forefront. There is no real lull in the set, but obvious highlights include ‘Metal’, ‘Down in the Park’ and ‘Cars’.

It’s newer tracks though such as ‘The Gift’, ‘My Name Is Ruin’ and ‘Love Hurt Bleed’ that really standout this evening; which again provides evidence that whilst undoubtedly a music icon, Numan is far from a nostalgia act.

An encore of ‘A Prayer for the Unborn’ and ‘Are ‘Friends’ Electric’ sends the audience home happy and cements Gary Numan as an artist at the top of his game.

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Muse

Eventim Apollo, London

Monday 9th & Tuesday 10th May 2022

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MUSE – LONDON – LIVE REVIEW

Muse have stated that their new album, ‘Will of the People’, is “influenced by the increasing uncertainty and instability in the world”. For two nights in Hammersmith the band do what they do best in order to help. That is of course play live, and over Monday and Tuesday they raise money for 3 important causes – War Child, Médecins Sans Frontières and The Big Issue.

The chance to watch bona fide stadium-fillers Muse, oft recognised as the best live act on the planet, in the relative intimate surrounds of the Eventim Apollo is salivating and these shows aren’t just sold out but the queue stretches and bends all around town.

There is no support for night one, but Razorlight do a superb job of warning up the audience on night two. Choosing to focus solely on their first two albums, the reunited band have the crowd singing along to hits such as ‘In The Morning’, ‘Golden Touch’, ‘Somewhere Else’ and ‘America’.

Muse start both nights with the first single from their upcoming album, ‘Won’t Stand Down’, which already appears to be a fan favourite. Momentum is then maintained through a rip roaring ‘Hysteria’ and ‘Pressure’.

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Muse – ‘Won’t Stand Down’

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The setlist remains largely the same over the two nights with only a couple of alterations. Monday gets ‘Bliss’ and ‘Stockholm Syndrome’, whilst Tuesday gets ‘Map Of The Problematique’ and ‘New Born’.

There are rarities such as ‘Assassin’, ‘The Gallery’ and ‘Citizen Erased’, old favourites like ‘Starlight’, ‘Plug In Baby’ and ‘Supermassive Black Hole’ and another new single, ‘Compliance’. An ideal set mix really for fans at all investment levels, which finishes with a huge sing-a-long moment in the shape of ‘Uprising’.

Throughout the shows the band look to be having fun, relishing the opportunity to return to the stage after two awful years for the world. Speaking of which, these shows aren’t going to fix the mess that is Earth, but the money raised will help those in need; and those in attendance will be overjoyed at the majesty of Muse on top form.

An encore of ‘Space Dementia’ and perennial closer ‘Knights of Cydonia’ provide a spectacular end to both the evenings and serve as a reminder of the genius of this band.

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The Treatment

J2, Cambridge

Thursday 28th April 2022

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THE TREATMENT – J2 CAMBRIDGE – LIVE REVIEW

All 📸 (c) Denis Gorbatov / Full Pelt Music

Cambridge rockers The Treatment released their latest album, ‘Waiting For Good Luck’ a year ago now. With the country still in lockdown at the time, the band are only now getting to properly tour what is perhaps their best work.

As we talked about in our review of the album, constant line-up alterations have somewhat stifled the growth of the band. That is until now, and as the band discussed with us on The Full Pelt Music Podcast, they feel that they are entering a settled phase and are ready to push onwards and upwards once again.

‘Waiting For Good Luck’, was a positive indication but for rock musicians the bread and butter is in the live performance, so how are they holding up on that front? We head to the J2 in Cambridge to find out!

Read our review of ‘Waiting For Good Luck’

SOUTH OF SALEM

Opening up this evening are South of Salem who themselves have a pandemic era album to present. Tracks such as ‘Let Us Prey’, ‘Cold Day In Hell’ and ‘Demons Are Forever’ translate well on stage and get the early crowd suitably warmed up for what’s to follow.

PISTON

Hotly tipped rock group Piston follow on stage and ramp up the atmosphere further with a run through of tracks from their self-titled album. They finish their set with a rousing rendition of Creedence Clearwater Revival hit ‘Proud Mary’, which really gets the audience in the party spirit.

THE TREATMENT

That party truly gets going as locals The Treatment finally arrive on stage. The five-piece burst straight into ‘Let’s Get Dirty’ and ‘Let It Begin’ as those in attendance really let go.

Musically the band are tight and quickly demonstrate that they are fighting fit with the likes of ‘Devil In The Detail’ and ‘The Doctor’ sounding great. All new songs fit in well and sound excellent with ‘Wrong Way’ particularly standing out.

The band is an established act now with a dedicated following, but they’ve always had the potential to do more. With latest frontman Tom Rampton owning the stage and the rest of the band cohesive and polished, hopefully that long held potential can finally become reality.

As for tonight, a firing on all cylinders The Treatment plus an excitable hometown crowd equals a very memorable evening; an encore of ‘Rat Race’ and ‘Running With The Dogs’ sending fans home happy.

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The Full Pelt Music Podcast – Episode 5 – The Treatment

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Ghost

Resorts World Arena, Birmingham

Friday 15th April 2022

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GHOST – BIRMINGHAM – LIVE REVIEW

It may be Good Friday today but for hard rock fans heading to the Resorts World Arena in Birmingham it’s destined to be a great Friday! That’s because revered group Ghost are in town with their travelling theatre of the macabre.

Opening act on this tour is the American band Twin Temple who appear to have the knack for satanic imaginary and theatrics down much like our headliners. The bands short set is well received from the audience and it will be interesting to see what the future holds for a band who perhaps need to divert some more focus toward the musical side of their act.

Our next support band interestingly has the opposite focus. Whilst the lighting engineer does a great job, the heavy lifting for Uncle Acid and the Deadbeats is done by their music. A pretty experienced band now, they have no issue in delivering a rambunctiously rocking performance. On a night of the dramatic however, they run the risk of being out shadowed.

The reason for the enhanced excitement levels in Birmingham tonight though is because our headline act have managed to perfect both the musical and theatrical sides of their game.

Ghost aren’t an overnight success, they have spent a number of years honing their craft and earning their way into the country’s biggest venues. But now it feels as though they have everything in place to take themselves to the next level.

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Ghost – ‘Call Me Little Sunshine’

Read our review of ‘Impera’ from Ghost

New album, ‘Impera’, arrived last month and continues the bands musical evolution into prolific rock hit makers. New tracks ‘Kaisarion’, ‘Hunter’s Moon’, ‘Spillways’ and ‘Call Me Little Sunshine’ are all highlights tonight in a set list that is now wall to wall bangers as the kids would say.

Recent favourites such as ‘Mary on a Cross’ and ‘Kiss the Go-Goat’ mix well with older staples like ‘Rats’, ‘Cirice’, ‘Ritual’ and ‘Year Zero’. As we say, musically Ghost have built a formidable catalogue of stupendous live songs.

Combining this feast of musical treats with the well established show that the band are able to deliver with such ease makes them an exciting prospect. With the rock world calling out for new superstars, Ghost are surely amongst the best placed to take on the mantle of the old guard such as Brummie legends Black Sabbath.

An encore of sorts featuring their recent Metallica cover, ‘Enter Sandman’, plus the incredibly catchy finale of ‘Dance Macabre’ and ‘Square Hammer’, sends the crowd into the warm spring evening happy and in awe of the majesty that is Ghost.

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October Drift

Waterfront Studio, Norwich

Monday 4th April 2022

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OCTOBER DRIFT – NORWICH – LIVE REVIEW

All 📸 (c) Denis Gorbatov / Full Pelt Music

Let’s talk about discovery. It’s always a great feeling when you discover something new that you enjoy, and that is particularly true when it comes to music. Discovering a new song, a new album or a new band to enjoy is one of life’s great pleasures for music lovers.

That is why we created our ‘Discover’ New Music Playlist on Spotify! To help music fans find that new song or artist to really sink their teeth into. Now, October Drift was a familiar name to us from featuring on many a festival poster or recommendation over the years. For some reason however they always seemed to get placed on that ‘to do list’ of acts.

That was until recently when we added their recent single, ‘Airborne Panic Attack’, to our Playlist and a deep dive ensued. So, now it’s the long overdue time to catch the band live!

Listen to ‘Airborne Panic Attack’ on our ‘Discover’ New Music Playlist

THE HIGH POINTS

With that said we arrive at The Waterfront Studio in Norwich and are greeted by opening act, The High Points. Slightly off-piste from our headline act, the locals add a little funk to proceedings as they get the early attendees warmed up. Finishing their set with two broken strings, the band display great endurance to go with their obvious musical talent.

CHINA BEARS

Our main support act, China Bears, then demonstrate just why it’s important in our journey of discovery to arrive early and watch the supports. The five-piece deliver a sublime set that continues to gain traction until the finale, ‘Sunday’, literally leaves the crowd asking for more.

OCTOBER DRIFT

Not long thereafter though it’s time for our headliners, October Drift, to hit the stage and reinforce just why we felt that excitement when first listening to them. The band absolutely own the stage tonight and their energy levels are infectious as band and crowd bounce in unison.

There is a good mix of older material and new tracks in the setlist tonight and the bands time on stage flies by. That age old adage of time flying when having fun certainly springs to mind, and fun is probably an apt word for this evening; both band and audience seemingly having plenty.

‘Cherry Red’, ‘Oh the Silence’ and ‘Come and Find Me’ are all fantastic tonight, but new track ‘Insects’ in particular sounds huge. The delightful finale of ‘Like the Snow we Fall’ being performed from within the crowd is just the sort of epiphany inducing moment that hammers home our point.

Discovery is a wonderful thing. So, head to shows early, check out the smaller stages at festivals and of course listen to our ‘Discover’ New Music Playlist. As for October Drift, on tonight’s showing and with their second album on the horizon, the future certainly looks bright.

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Therapy?

Waterfront, Norwich

Saturday 2nd April 2022

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THERAPY? – NORWICH WATERFRONT – LIVE REVIEW

The pandemic certainly has played a number on Anniversary Tours with Therapy?’s ‘So Much for the 30 Year Plan’ Tour becoming a 31 Year Plan and now eventually a 32 Year Plan!

None of that really matters though to the fans packed into the Waterfront in Norwich on a Saturday night. All that really matters to those fans is getting to catch their cult heroes Therapy? in action and having a good time.

Spirits are therefore high as our support act James and the Cold Gun enter the stage to the Kate Bush song of the same name. The band led by James’s Joseph and Biss instantly harness that excitement to create a great atmosphere for their opening set.

Listen to ‘Plug Me In’ from James and the Cold Gun on our ‘Discover’ New Music Playlist

The band will soon be releasing their debut EP, ‘False Start’, and tonight fans are treated to those tracks and more by a band quickly establishing themselves on the scene. With performances like this, expect to hear much more from the band in the future.

But next we look to the past as Therapy? celebrate their 30+ year career with a carefully curated setlist. It doesn’t take long for the audience to reciprocate the energy of the band, as early numbers ‘Nausea’, ‘Stories’ and ‘Die Laughing’ set the tone for the rest of the night.

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Therapy? – ‘Die Laughing’

After all this time consistently touring it should be no surprise that Andy Cairns, Michael McKeegan and Neil Cooper work so well together. A run of ‘Turn’, ‘Callow’, ‘Trigger Inside’ and ‘Church of Noise’ demonstrating just why on record and live the band have been able to endure longer than most of their contemporaries.

Another reason for their longevity is their ability to still create interesting new music, and next the band treat the crowd to a new track. ‘Joy’ looks set to feature on their next album, which if this track is anything to go by will be another belter.

After ‘Diane’ and ‘Teethgrinder’ close out the main set, the band return for an encore of ‘Knives’, ‘Potato Junkie’, ‘Nowhere’ and ‘Screamager’ much to the delight of the crowd. The band promise tonight to keep going for another thirty years if they can; and with showings like this you wouldn’t put it past them.

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The Mysterines

Electric Ballroom, London

Friday 1st April 2022

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THE MYSTERINES – ELECTRIC BALLROOM – LIVE REVIEW

Having recently reviewed, ‘Reeling’, the debut album from The Mysterines and deeming it “…an early contender for album of the year…” , we felt it necessary to catch the band in the live setting. So we headed out on a wintery Friday to the Electric Ballroom in Camden.

Read our review of ‘Reeling’ from The Mysterines

Many bands have played this venue on route to much bigger things, and with tonight sold out you sense that this is another act on that upwards trajectory!

Opening the evening are two fantastic support acts, with both Fräulein and Coach Party putting in well received performances to get the party started.

Soon enough the lights go out and you can feel the electricity in the air, the excitement of a crowd hoping to witness one of those shows they’ll be talking about in years to come. You know the sort – “Yeah mate, I saw them before they were famous”.

That sense of witnessing something spectacular is immediately amplified as the band lure the audience in with opening number ‘The Bad Thing’, before blasting out the incredible ‘In My Head’.

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The Mysterines – ‘In My Head’

As ‘Reeling’, ‘Old Friends Die Hard’ and ‘On The Run’ quickly follow it is evidently clear to all in attendance that The Mysterines are something special. It’s often said by music writers, that a bands sound is destined for arenas or stadiums. Only time will tell how far this band goes, but tonight their sound definitely is bursting out of this modestly sized venue.

‘Dangerous’, ‘Means To Bleed’ and ‘Life’s A Bitch (But I Like It So Much)’ sound absolutely massive and the crowd reciprocate that energy as the main set comes towards a close.

The venue is again shrouded in darkness as the band perform the stunning ‘The Confession Song’, showing their dexterity and uniqueness. Both the album and the show tonight demonstrate that The Mysterines are no one trick pony, and that makes their future even more exciting.

For an encore we are treated to singer Lia Metcalfe serenading a captivated audience with an acoustic rendition of ‘Still Call You Home’, before being joined by Joni from Fräulein for a very special performance of The Ronettes classic ‘Be My Baby’.

Sending the packed crowd back out into the cold Camden night with their ears ringing, the rest of the band return to fire out the huge ‘Hung Up’. Hopping back on the Northern Line, you can’t help but to look forward to gloating about this show in years to come!

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