Categories
Live Reviews

Download Pilot Festival 2021

Donington Park

Friday 18th – Sunday 20th June 2021

Download Pilot Festival Poster

Follow us on Social Media

DOWNLOAD PILOT FESTIVAL 2021 – LIVE REVIEW

The live music industry is built on togetherness, built on shared experience and built on the power of emotion. The last 18 months have been highly emotional for all the wrong reasons. Together the world has shared an experience that has terrified and devastated us.

The events of the last 18 months have taken an incomprehensible toll on humanity. The pandemic has destroyed lives and livelihoods. The live music industry was obliterated overnight. The people that make the spectacles that we enjoy happen were forgotten about.

While the world attempts to peek through the curtains at a “new normal”, the live music industry is left waiting. Waiting for support, waiting for proper guidance, waiting for a chance. Well, just four weeks ago that chance arrived.

A Government trial event to test the viability of the return of packed festivals and events you say? Spring into action the incredible people behind the scenes who make the live music industry work! In a short period of time, heaven and earth have been moved and here we are at Download Festival.

A much smaller, makeshift, Pilot version of Download Festival at the hallowed grounds of Donington Park. 10,000 people in a field, no social distancing, no masks, no inhibitions.

Credit goes to all involved for creating an event of that scale on such short notice, and to all the acts playing with no preparation. As the gates open, one thing is for sure, the fans want this, no, the fans needs this.

The reality of the situation is that the organisers could have put an old man playing the spoons on stage and the fans would have lapped it up. The opportunity after all that everybody has been through to witness live music is cathartic.

DOWNLOAD PILOT FESTIVAL – FRIDAY

The fact that this may be the most exciting Download Festival line-up of all time only helps to amplify the anticipation as fans gather in the tented second stage for Death Blooms. Almost every person on site crams in to witness that first taste of live music in far too long.

The band make the most of the atmosphere with a storming set that sees the audience let go of all remaining inhibitions. I doubt the majority of those in the tent knew of the band in advance, but they certainly left with a memory that will last forever.

For this special event there are just two stages. Next to the tent is the outdoor main stage which opens with a raucous set from Hot Milk. Kicking off with their latest single ‘I Just Wanna Know What Happens When I’m Dead’ the band show the crowd just what they’ve been missing.

Listen to ‘I Just Wanna Know What Happens When I’m Dead’ from Hot Milk on our Spotify Hot List!

There is no need to worry about those dreaded clashes at Download Pilot Festival. That’s because the acts on the two stages alternate, allowing the music starved fans the opportunity to watch every single band if they so wish to.

Every band this weekend gets a good sized crowd and a warm reception with it, especially the early bands on Friday. Malevolence are next to grace the second stage and assist the audience in releasing their pent up energy with a heavy hitting set.

A repercussion of the pandemic has been the amazing new albums that have been released without the showcase of the live setting. One such album is ‘Glue’ from Boston Manor. That wrong is righted next however as the band storm the main stage and air the likes of ‘Everything Is Ordinary’.

An early standout performance from the band sees them mix new and old with ‘England’s Dreaming’, ‘Laika’ and ‘Halo’ eliciting some of the first full blown sing-a-long moments of the weekend.

Those sing-a-long moments continue with Holding Absence on the second stage as they get to unleash tracks from their sensational album ‘The Greatest Mistake of My Life’. ‘Afterlife’ in particular is a contender for song of the weekend as the band present their credentials for superstardom!

Read our review of ‘The Greatest Mistake of My Life’ from Holding Absence

The Friday action continues with two bands with extremely dedicated fanbases. Neck Deep get the main stage bouncing before Sleep Token captivate the second stage.

It is then down to Frank Carter & The Rattlesnakes to bring the first day to a close on the main stage. Always an unstoppable force of nature on stage, the band make the most of the platform to make a statement. That statement says that this band is ready to headline the regular event.

With a setlist spanning their three albums, the band even treat fans to a selection of new tracks including the catchy ‘My Town’. There are guest appearances from Joe Talbot, Cassyette and Lynks, there is a giant circle pit around the sound tower and there is even a cover of ‘Ace of Spades’.

Frank Carter & The Rattlesnakes saw an opportunity to headline a festival, to headline the first festival back, and they grabbed it with both hands. This was one of those sets that will be talked about forevermore!

Listen to ‘My Town’ from Frank Carter & The Rattlesnakes on our Spotify Hot List!

After hours entertainment comes from a silent disco as the hastily arranged festival shows the skills and creativity of the music industry. You have to stand back and admire the achievement of those involved to create an event on this scale in the time given.

DOWNLOAD PILOT FESTIVAL – SATURDAY

On to Saturday now and the musical delights continue as Lotus Eater, Conjurer, As Everything Unfolds and Bleed From Within blow the cobwebs of the early morning audience.

Next two young bands with big futures introduce themselves to festival audiences. Both The Hara on the second stage and Wargasm on the main stage elicit strong reactions from those watching.

Listen to ‘Your Patron Saints’ from Wargasm on our Spotify Hot List!

After a solid showing from Tigercub, one of the veteran acts of the weekend, A, school the up and coming bands on how to engage an audience. An age appropriate walking circle pit being a nice change of pace in the midst of a hectic weekend. Finishing with ‘Nothing’, A show why they are the perfect festival band.

Two things become apparent as the weekend progresses. When dissecting the hastily put together line-up, the quality of British rock music is put in the spotlight and it more than holds its own. Secondly a good deal of that talent is female. Vukovi and Yonaka both deliver set of the weekend contenders next.

Listen to ‘Seize the Power’ from Yonaka on our Spotify Hot List!

Those Damn Crows, Twin Atlantic and Stone Broken all put in crowd pleasing performances before While She Sleeps attract and entertain a huge crowd on the main stage.

Soon though it’s time for the scorecard for band of the weekend to be thrown out the window. Creeper are able to deliver an out of body experience as they headline the second stage. There are goosebump raising moments galore as the band turn the festival into their own theatre of oral and visual magnificence.

Listen to ‘Midnight’ from Creeper on our Spotify Hot List!

It is then left to Enter Shikari to bring the Saturday night party and they don’t disappoint. If there was ever a band born to get you moving it’s Enter Shikari. They do just that as they also get to showcase newer songs live for the first time.

‘satellites**’, ‘{ The Dreamer’s Hotel }’ and ‘THE GREAT UNKNOWN’ fit in perfectly with classics like ‘Sorry, You’re Not A Winner’, ‘Juggernauts’ and ‘Mothership’. Much like Frank Carter & The Rattlesnakes and Creeper, you can see the special treatment Enter Shikari have given this opportunity and that makes for a stunning spectacle.

DOWNLOAD PILOT FESTIVAL – SUNDAY

Come Sunday you’d imagine fatigue would be setting in. All this action after so many barren months, you could forgive the crowd for tiring and the festival atmosphere sapping. Instead energy is pumped in by bands such as Static Dress, Saint Agnes, Cassyette and Employed To Serve.

The fans reciprocate said energy as they continue to let loose to Chubby and the Gang, Loathe and Higher Power. The passion and pure joy of both fans and musicians to be at a festival is at times overwhelming. This event was destined to be an emotive affair but even through that emotion the quality of the music on offer shines.

Next on the main stage is Lonely The Brave complete with change in singer. A set mixed with fan favourites and new tracks from ‘The Hope List’ shows the band are still an exciting prospect. Can the band now finally take that next step? On their showing here, yes they can!

Read our review of ‘The Hope List’ from Lonely The Brave

For those fans catching every band the pace is relentless and it’s to the second stage next for Jamie Lenman. Lenman powers through a sublime set that gets the crowd moving and features another appearance from Wargasm.

The quirky goodness of Elvana attracts a huge crowd to the main stage as the festival heads towards its climax. The band show just why they are perhaps the perfect Sunday afternoon festival act as they get the crowd singing along to every word.

Massive Wagons are able to take the second stage by storm before a sadly technically challenged The Wildhearts limp off stage. The Wildhearts are a top quality band and the issues with their sound perhaps show the effects of an enforced hiatus for musicians and crew members alike.

It’s on that note that once again praise must be heaped on the organisers, the crew members, the festival staff and yes the bands for making this event such a success. That is only amplified by the incredibly short timescale.

Realistically this has been a once in a lifetime event (we hope). Download Pilot Festival as an event is excellent and would be a great addition to the main Download Festival. It’s the atmosphere and camaraderie however that makes this festival so special.

We are down then to the final four bands, the final acts before reality is set to strike again. Up first on the second stage are Trash Boat who get the tent bouncing, especially with a stunning cover of Linkin Park classic ‘Given Up’.

If there is a perfect festival band it’s Skindred. Put them on any stage in any slot and they will attract a huge crowd. With a sub-headline slot on the main stage, the field is full as Benji Webbe and co put in a seamless lesson in crowd engagement.

The final act on the second stage is also no stranger to the festival scene. Although Frank Turner has played Download Festival in the past, even he acknowledges he may not be the typical Download act. Nobody cares though, as he puts in a typically euphoric performance.

The crowd are not just treated to the set staples but also to new song ‘The Gathering’ and heavier version of ‘Little Changes’. There are sing-a-longs aplenty as Turner does what he does best and that is entertain!

Check out The Full Pelt Music Podcast with guest Frank Turner!

That just leaves Bullet For My Valentine to close out Download Pilot Festival. A festival which we wish was never needed but are so glad that it happened. Bullet For My Valentine are long time Download favourites and they deliver an apt conclusion to the event.

We are treated to a unique take on ‘Run To The Hills’ from Iron Maiden complete with a perplexing vocal contribution fron Benji Webbe. We get new material in the form of ‘Knives’ and of course we get favourites such as ‘Scream Aim Fire’ and ‘Tears Don’t Fall’.

‘Waking The Demon’ is the final song to ring around Donington Park, and we can only hope and pray that this event can wake the demon that is the festival scene. The fans may have been lab rats, but what a stunning lab it was! Thank you Download Pilot Festival for such a cathartic weekend.

Share our review on Social Media

Read our review of ‘Bodies’ from AFI

Categories
Features

Remembering Independent Venue Love

Frank Turner Remembering Independent Venue Love

We take a look back at the incredible Independent Venue Love livestream series by Frank Turner

Follow us on Social Media to keep up with the latest from Full Pelt Music!

A necessary but shocking side-effect of the first lockdown and beyond is the impact on the live music industry. An industry that revolves around bringing people together in confined spaces to celebrate life and art. Music and particularly live music is vital to the mental health and wellbeing of millions of people, and the loss of that medication has added to the already scary situation we have all found ourselves in.

When the world ground to a screeching halt in March 2020, the primary concern for all of civilisation was rightly to fight the devastating coronavirus and to protect against loss of life. Alternatively as the government put it – “Stay Home, Protect the NHS, Save Lives”.

Read our Blog – ‘Mental Health, Music and Me’

The music industry and the incredibly talented people that make up the sector is by its very nature creative and innovative. As we all searched for new ways to connect with our loved ones and our passions, musicians had the answer. Welcome to the world the music livestream!

Read our Blog ‘Livestreams: Good or Bad for the Music Industry’

One man seemingly ahead of the curve on this front was Frank Turner. Turner is known to be “always on tour” as it were, and was in fact mid-tour as the pandemic hit. Turner was quick to hastily ready a special livestream event from his own home raising money for his touring family.

At the same time, the reality was dawning on the live music ecosystem of the potentially fatal impact caused by the pandemic countermeasures. In particular the Music Venue Trust, who do amazing work year round even in non-pandemic times, were busy mobilising. The MVT were well positioned to see the threat to the grassroots music venues of the country.

We have gone into depth on the subject in our blog – ‘Why We Need To #SaveOurVenues’, but ultimately the venues that foster and cultivate the entire music industry were in trouble. Sadly many face the threat of closure due to non-pandemic related issues. The events of March 2020 onwards however threatened these venues, the lifeblood of live music, to the point of extinction.

The perfect storm called for urgent action and one man taking notice and standing tall was that man Frank Turner. Soon we were all introduced to a new concept from Turner, Independent Venue Love. A series of livestream concerts taking place every Thursday during lockdown to raise desperately needed funds for at risk music venues.

A different venue would be supported each week and each week would see a unique set list. In creating this series Turner raised much needed awareness and financial support for venues. By doing so he helped to safeguard the future of live music; perhaps most importantly though, Turner also provided an escape from the terrifying realities of pandemic life. The Independent Venue Love series will have played a powerfully positive role in raising spirits and safeguarding mental health for music fans desperate for a distraction.

In our first ever End of Year Awards, we picked Turner as our ‘Artist of the Year’. You can read what we wrote about this decision in our ‘2020 Year in Review’. Basically we feel Turner deserves a medal for his efforts in arranging and performing these fantastic events. Turner has raised a phenomenal amount of money and has helped countless people through horrifying times either directly or indirectly.

That is why we thought it would be fitting to celebrate and remember the Independent Venue Love series here. You can peruse the posters for each event in the gallery below.

Now let’s get started in documenting the series.

Early Facebook Days

As we all adapted to pandemic life, we strived for the best communications technology. Many discovered the wonders of Zoom meetings for example. When debuting the IVL series, Turner took to Facebook Live. A learning experience for all, some early streams were impacted by connectively issues and eventually led to a change of internet provider for Turner and a move to Youtube.

The first five events featured on Facebook Live (and a dabble on Instagram!) saw Turner begin a career retrospective; with each week featuring another release in chronological order.

Vol.1 – ‘Sleep is for the Week’ for Nambucca, London

Vol. 2 – ‘Love Ire & Song’ for The Joiners Arms, Southampton

Vol. 3 – ‘The First Three Years’ for The Railway Inn, Winchester (Support from Jess Guise)

Vol. 4 – ‘Poetry of the Deed’ for The Forum, Tunbridge Wells

Vol. 5 – ‘England Keep My Bones’ for The Shed, Leicester (Support from Jess Guise)

Move to Youtube

From Volume 6 onwards Turner would move the weekly series across to Youtube with better connectivity results. Turner would continue to progress through his career retrospective to the delight of his fans. A drinking game would also emerge for fans at home based initially on apologies to either his wife Jess or his mother.

As Turner’s gameplan to play his back catalogue continued, fans were treated to rare song outings. These outings occasionally would see the odd forgotten lyric, and the terming of the phrase to Varley in ode to fellow musician Will Varley. Eventually each Varley would be incorporated into the drinking game!

Vol. 6 – ‘Rarities and B-Sides 2011-2014’ for The Parish, Huddersfield

Vol. 7 – ‘Tape Deck Heart’ for Molotow, Hamburg

Vol.8 – ‘Positive Songs for Negative People’ for Union Chapel, London (Support from Jess Guise)

Vol. 9 – ‘Rarities 2013-2019’ for The Booking Hall, Dover

Vol. 10 – ‘No Man’s Land’ for The Portland Arms, Cambridge

Beyond the Albums

With his released back catalogue now exhausted and lockdown one (known back then, simply as lockdown!) still persisting, Turner needed to explore different avenues for set list material. A demand for a ‘Disney Set’ initially failed to materialise until a special shortened bonus set one night.

Turner however would push on with additional themes to continue his herculean effort (Joe Wicks eat your heart out!). Volume 13 would also take place from inside the venue Turner was raising funds for as signs of normality began to appear. Volume 14 would be titled ‘The Final Stream’… little did we know what the future had in store.

Vol. 11 – ‘Covers’ for Phase One, Liverpool

Vol. 12 – ‘Covers by Friends’ for The Cavern, Exeter

Vol. 13 – ‘Grand Aid’ for The Clapham Grand, London (Support from Ciara Haidar, Gerry Del-Guercio & Beans on Toast)

Vol. 14 – ‘Greatest Hits’ for The Cobblestones, Bridgwater (Support from Jess Guise)

Here We Go Again!

No we are not doing Whitesnake Karaoke! A brief return to real life saw some socially distanced music possible. Turner in fact was able to play numerous shows including our ‘Gig of the Year’ as awarded in our ‘2020 Year in Review’.

Sadly the pandemic took a horrific turn for the worst. With venues still at risk and people desperate for escape, Turner and IVL would make their triumphant return in January (otherwise known as Lockdown three!). This time around Turner’s wife, Guise, would move to an important mediator role as fans got to pick the setlist!

Vol. 15 – ‘All Requests’ for The Lantern, Halifax

Vol. 16 – ‘All Requests’ for Boom, Leeds

We reviewed Vol. 15, check it out here

Catalogue Rewind

Next, Turner would return his setlists to periods of his career. Each performance featuring songs from an assigned period.

Vol. 17 – ‘First Three Albums’ for Waterloo, Blackpool (Support from Jess Guise)

Vol. 18 – ‘Second Three Albums’ for The Venue, Derby (Support from Pet Needs)

Vol. 19 – ‘Third Three Albums’ for The Black Heart, Camden

Vol. 20 – ‘Rarities and B-sides’ for Dirty Rockers, Dudley

Vol. 21 – ‘Jess Guise Requests’ for The Lexington, London

The End!

We all hope and pray that a return to normality is on the horizon. That the incredible work of scientists and our key workers will save lives and allow life to resume. Volume 21 closes the IVL series with a request set from Jess Guise herself.

Turner has achieved amazing results from the IVL series. The fact is that he didn’t have to do this, and for that he deserves recognition.

The Music Venue Trust, Independent Venue Week and all organisations and groups working to protect our culture deserve special praise also.

Sadly the end of the pandemic and the return to relative normality won’t remove the threat posed to our grassroots music venues. Please when safe to do so, support these venues, support your favourite bands, support new bands, support music!

Music Venue Trust
Independent Venue Week

Share this article on Social Media

Read our Blog – ‘Why We Need To Fix Our #BrokenRecord Industry’

Categories
Live Reviews

Frank Turner

Thursday 14th January 2021

Livestream

Frank Turner Independent Venue Love 15 poster
Independent Venue Love 15 event poster

Follow us on our social channels to see new content first!

Frank Turner – Live Review

Throughout the first national lockdown musicians were forced to find creative and innovative new ways to connect with their fans. This unique time saw the popularity of the music livestream rise as exponentially as the cases of the horrible virus that created the situation.

read our blog on the impact of livestreams on the music industry

The pandemic has caused us all to feel many negative emotions such as fear, worry, grief and sadness. For music fans, it has robbed us of a vital outlet which impacts greatly on our mental health. I recently discussed the immense impact of music on my mental health in my blog post ‘Mental Health, Music and Me’.

For musicians and everybody that works within the music industry it has caused significant crisis. Our beloved grassroots music venues are at risk. Musicians and live events workers employment has vanished overnight. Plus a light has been shone on the unfair recompense for artists from streaming.

read our blog on the #BrokenRecord Campaign

In amongst the darkness however there has been the odd glimmer of light. One man that has taken the power of livestreaming to heart is Frank Turner. Not only that but he has used this platform to raise awareness and valuable funding for those struggling venues, becoming a champion of the #SaveOurVenues campaign.

read our blog on the #SaveOurVenues Campaign

Turner’s Thursday night livestreams dubbed ‘Independent Venue Love’ have been a huge success. They have provided Turner with a connection to his fans. They have provided those fans with a vital distraction to raise their spirits. Whilst importantly they have raised the aforementioned funds. The success of these livestreams was one of the reasons we gave Turner the ‘Artist of the Year’ award in our review of 2020.

Now as we enter what has been dubbed Lockdown 3, Frank Turner has picked up his guitar once more ready to serenade his adoring fans. Turner will also again raise some much needed money and awareness for struggling venues. Tonight that venue is The Lantern in Halifax and the crowdfunder is here.

During his initial wave of livestreams, Turner focused on albums, or periods of his career to structure the events. This time around however, having exhausted his back catalogue, in order, last time around, Turner is handing the setlist over to his fans.

This ‘All Request’ format works extremely well with Turner’s wife Jess Guise behind the keyboard, monitoring requests and feeding them to Turner. It must be said that Turner’s ability to remember how to perform obscure songs from his catalogue at the drop of the hat is very impressive (‘English Curse’ aside ? )!

Turner has always been an artist that can turn the largest room into the smallest space, so the ability to watch him from your own living room certainly brings a new meaning to an intimate venue.

Whilst some of the livestream events that have taken place during these troubled time have felt somewhat soulless affairs akin to watching a soundcheck video on Youtube, the same certainly cannot be said of Turner’s livestreams. Tonight he once again somehow manages to captive and enthral us from his own house. This is a quality that cannot be taught and is an assertion of Turner’s talents as both a musical showman and a human being.

The requested setlist tonight is a mixture of the usual suspects with ‘If Ever I Stray’, ‘Be More Kind’ and ‘Get Better’ intertwined with rarer numbers such as ‘Romantic Fatigue’, ‘Cleopatra In Brooklyn’ and ‘Rivers’. These events certainly provide Turner fans with the opportunity to hear some tracks that wouldn’t normally get a look in at a regular gig.

The highlight of the evening however comes around the midway point of the 90 minute show when Turner delivers two new tracks. With a new album on the horizon fans will be eager to hear what new music is on offer. Tonight Turner whets the appetite with two excellent tracks, the sombre tribute to Scott Hutchison ‘A Wave Across the Bay’, and the punchy ‘Punches’.

With the tease of more Thursday night streams to look forward to, Frank Turner continues to provide a vital public service not just to his fans in need of entertainment but music venues in desperate need of help.

share this article on social media