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Live Reviews

Xtra Mile Recordings 20th Anniversary

Shepherds Bush Empire, London

Thursday 9th February 2023

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Xtra mile recordings 20th anniversary – london – live review

There are a number of Anniversary celebrations taking place tonight at Shepherds Bush Empire in London. This is a Brits Week show raising funds for the incredible work conducted by War Child, who this year are in their 30th year of action.

Secondly, it’s the 20th Anniversary of the brilliant Xtra Mile Recordings and finally later on in the evening we will celebrate the 10th Anniversary of our headliner Frank Turner’s stunning album, ‘Tape Deck Heart’!

WATCH ‘DON’T COME BACK FROM GUISE
Guise – ‘Don’t Come Back’

Lots to dissect then, and lots of action to pack into a short space of time, starting with our first artist this evening, Jess Guise. Guise serenades the early attendees with a number of tracks from her debut album, ‘Youngest Daughter’ such as the fantastic ‘Don’t Come Back’. A short yet delightful performance from an artist who continues to develop into one of Xtra Mile’s hidden gems!

WATCH ‘WE ARE MACHINES’ FROM BERRIES
BERRIES – ‘We Are Machines’

Following on from Guise after a short changeover are BERRIES, who released their stunning debut album, ‘How We Function’, last year also. Tonight London is treated to some of the fantastic tracks that make BERRIES such an impressive force such as ‘Copy’, ‘We Are Machines’ and ‘Spiral’. Again, their time onstage may be only fleeting but BERRIES make the most of it with a thoroughly enjoyable set.

WATCH ‘GET ON THE ROOF’ FROM PET NEEDS
Pet Needs – Get on the Roof’

Next up are Pet Needs who are fast acquiring themselves a fanbase as dedicated as our headliner’s. Yes, the usual swathe of Pet Needs t-shirts are present and from the opening chord to the last strains of feedback, every song is greeted with wild abandon from the packed crowd.

The quality of their songs combined with the energy offered onstage make a Pet Needs performance a real experience. ‘Ibiza In Winter’, ‘Toothpaste’ and ‘Get on the Roof’ are all superb tonight as the band are once again on fire.

WATCH ‘RECOVERY’ FROM FRANK TURNER
Frank Turner – ‘Recovery’

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Soon enough it’s time to focus on that final Anniversary as Frank Turner takes to the stage to play ‘Tape Deck Heart’ in full. An album that solidified Turner as somebody able to fill some of the UK’s largest venues, it’s a treat to see him play it in the relative intimate surrounds of Shepherds Bush Empire.

Mixing up the order of songs, Turner regales the crowd with snippets of insights into the record whilst delivering some rarer tracks like ‘Broken Piano’, ‘Good & Gone’, ‘Oh Brother’, ‘The Fisher King Blues’, ‘Tell Tale Signs’ and ‘Anymore’. The crowd savour these moments just as they do the plethora of favourites that the album created such as ‘Recovery’, ‘Plain Sailing Weather’, ‘Polaroid Picture’, ‘Losing Days’, ‘The Way I Tend To Be’ and ‘Four Simple Words’!

The evening doesn’t finish there though and ever the entertainer, Turner blasts though a selection of hits to close out the night. The sing-a-long for ‘The Ballad of Me and My Friends’ is spine-tingling as Xtra Mile’s most famous son honours the label in style.

It’s been a fantastic evening celebrating ‘Tape Deck Heart’ and Xtra Mile Recordings 20th Anniversary and we should be thankful for Xtra Mile sharing artists the calibre of Turner, Pet Needs, BERRIES and Guise.

What we should be most thankful for though is for organisations such as War Child and the incredible work that they are doing. For more information and to donate head here!

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Check out our Podcasts including guests Jess Guise, BERRIES, Pet Needs & Frank Turner!

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Features

The Year In Review 2022

Full Pelt Music looks back on 2022 for our Year In Review

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It’s been another big revival year for the music industry following the pandemic years, and it’s been another year of growth for us at Full Pelt Music! We’ve reviewed 67 albums, 7 EP’s, 6 festivals and 38 gigs in 2022 as some level of normality or even stability has returned to our industry.

That said, there are still many issues facing the industry with livelihoods, venues and organisations at risk for a plethora of reasons. Whilst government action is required in many places, what we as fans can do is support the industry with our money. Times are tough for us all, but purchasing an album, buying a t-shirt, nabbing a ticket and grabbing a drink whilst at a gig does so much to support the industry that we love.

Our two great Podcasts have continued to grow and highlights this year came from guests such as Blood Red Shoes, The Treatment, Skinny Lister, Daytime TV, Pet Needs, The Ninth Wave, Sunflower Bean, James and the Cold Gun, Guise, October Drift, BERRIES, Asylums, As Sirens Fall and Jamie Lenman! We’ve already got some fantastic guests lined up for 2023, so ensure you subscribe and follow us across Social Media!

In our now annual end of year awards we’ll be giving out seven hotly contested awards looking at both the recorded and live sides of the industry. Adding to our well established Album of the Year award this year will be the new EP of the Year award. We’ll also once again be revealing our Single of the Year. All awards have seen fierce competition, as once again it’s been a high quality year for new releases.

On the live side of things, we’ll announce both our Gig and Festival of the Year awards. This year of course provided our first full calendar of music since 2019! We were able to witness many great performances this year and we can’t wait to share with you are favourites.

Lastly we’ll look at the artists who’ve had special years as we award our Artist and ‘Discover’ New Artist of the Year awards. So without further ado, let’s work through those award catagories!

ALBUM OF THE YEAR

It has been a truly magnificent year for album releases and getting a spot anywhere in our Top 50 was hard enough but in particular the Top 10 was incredibly tightly fought. You can read the full list here.

‘IMPERA’ from Ghost was able to take the crown this year but any of the top 10 could’ve taken that spot. ‘Reeling’ from The Mysterines in particular would likely have won in any other year, but the majesty and magnificence of ‘IMPERA’ proved unbeatable.

Winner:

‘Impera’ by Ghost

The contenders:

‘Reeling’ by The Mysterines, ‘FTHC’ by Frank Turner, ‘Skinty Fia’ by Fontaines D.C. & ‘The Price of Life’ by Bob Vylan

Previous Winners:

2021 – ‘Blue Weekend’ by Wolf Alice
2020 – ‘Ultra Mono’ by IDLES

EP OF THE YEAR

For the first time this year, we are separating EP’s out of our main award and giving them their own pedestal. That alone is the truest compliment to the quality of EP’s on offer this year.

Again, all EP’s in our top 5 are worthy of the number one spot, but it’s ‘coming of (r)age’ from As Sirens Fall that pips it. Catchy as hell single, ‘heaven (spat us back out)’, helps elevate the release to be crowed our first ever EP of the Year.

Winner:

‘coming of (r)age’ by As Sirens Fall

The contenders:

‘False Start’ by James and the Cold Gun, ‘SCP’ by Oakman, ‘Tyrants’ by IOTA and ‘BLACKGOLD’ by BLACKGOLD

SINGLE OF THE YEAR

We look now at our Single or Song of the Year. In considering the award this year we’ve considered the ear worms that have stayed with us after live performances. We’ve also pondered which songs instantly struck a chord and created a buzz of excitement for the albums and live shows that would follow.

Songs which fell into both of these considerations competed for the award and it was again a tight decision, but ultimately for us this year ‘Dangerous’ from The Mysterines has not just ticked both boxes but also remained on heavy rotation throughout the year despite being an early arrival in 2022. That’s why that track is our 2022 Single of the Year!

Check out the winning single below:

The Mysterines – ‘Dangerous’
Winner:

‘Dangerous’ by The Mysterines

The contenders:

‘Talk Hard’ by Jamie Lenman, ‘Compliance’ by Muse, ‘Wicked Ways’ by Halestorm, ‘Spillways’ by Ghost

Previous Winners:

2021 – ‘Test of our Resolve’ from Press To MECO
2020 – ‘Obey’ by Bring Me The Horizon feat. Yungblud

FESTIVAL OF THE YEAR

2022 was the first full festival season since 2019 and what a return it was. All eyes were on Glastonbury once again, British Summer Time curated a stunning line-up, Download Festival breathed fire and 2000trees was able to remind everyone what’s so great about smaller festivals.

Our winner this year though is Reading & Leeds who went big, sold out and delivered an action packed weekend even with the huge loss of Rage Against The Machine amongst others. Always a perennial contender for this award, 2022 felt like the year the event reclaimed its identity.

Read our review of Reading Festival Saturday

Winner:

Reading & Leeds

The contenders:

Glastonbury Festival, British Summer Time, Download Festival, 2000trees Festival

Previous Winners:

2021 – Download Pilot Festival
2020 – Wild Fields Festival

GIG OF THE YEAR

We’ve reviewed many gigs this year but in reality there could only ever be one winner. Rammstein’s tour is less of a concert and more of an experience; one that everyone, fan of the band or not, should experience at least once.

Beyond that there was still some incredible, top tier gigs in 2022 and our contenders are all worthy of glory, but Rammstein are currently on a whole different level.

Read our review of Rammstein live in Coventry

Winner:

Rammstein @ Coventry Arena

The contenders:

Royal Blood @ O2 Arena, London, Ghost @ Resorts World Arena, Birmingham, Muse @ Eventim Apollo Hammersmith, London, The Killers @ Carrow Road, Norwich, The Hella Mega Tour @ London Stadium, London, Creeper @ Roundhouse, London, Idlewild @ O2 Kentish Town Forum, London

Previous Winners:

2021 – Bring Me The Horizon @ O2 Arena, London
2020 – Frank Turner @ Arboretum, Nottingham

ARTIST OF THE YEAR

Artist of the Year now and for this award we look for somebody who has had a huge, perhaps even career-defining year. Previous winners Frank Turner and Biffy Clyro have done so by delivering incredible feats, far above the norm.

This year was a big year for many acts, but we’ve gone for Bring Me The Horizon as a band that have had a career-defining twelve months. Long tipped as festival headliners at a major event, many felt that the time would never come for one of the best live bands on the planet. Big releases, sold-out tours, no matter what the group did they never seemed to be given that torch, that is until this year!

Watching Bring Me The Horizon step up and headline at Reading & Leeds this summer felt like a real moment, not just for the band but for the whole scene. For any metal band, let alone one once considered so unfashionable to headline the biggest festivals in the UK is massive.

Already announced to finally headline Download Festival in 2023, 2022 will forever be linked for Bring Me The Horizon to taking that final career-defining set. Throw in their genre-defying collaboration with Ed Sheeran, 2022’s Artist of the Year had to be Bring Me The Horizon.

Winner:

Bring Me The Horizon

The contenders:

Ghost, Rammstein, Biffy Clyro, Muse

Previous Winners:

2021 – Biffy Clyro
2020 – Frank Turner

‘DISCOVER’ NEW ARTIST OF THE YEAR

As a publication we always want to put new music at the heart of what we do, and that’s why our final award is perhaps our most important! Our ‘Discover’ New Artist of the Year is awarded to the act we’ve chosen to highlight on our ‘Discover’ New Music Playlist and Podcast who we feel has made the biggest impact this year.

At the beginning of 2022 we put the spotlight on new Colchester act PET NEEDS as they continued to promote their debut album, ‘Fractured Party Music’. From that point on the band never looked back with a world tour, a second album (‘Primtime Entertainment’) and a sold out hometown show all under their belts.

They even found the time to become the first (and only at the time of writing) band to progress from our ‘Discover’ New Music Podcast and appear on The Full Pelt Music Podcast! Yes, fighting off some stiff competition for the ‘Discover’ New Artist of the Year award in 2022 is PET NEEDS!

Winners:

PET NEEDS

The Contenders:

BERRIES, As Sirens Fall, Oakman, James and the Cold Gun, Daytime TV, MOSKITO

Previous Winners:

2020 – Miss Vincent

So, that’s it! Another year in the record books, it’s been another difficult year and it has again been particularly tough on the music industry. That said, we’ve had a full year of live music for the first time since 2019 and the creative juices remain flowing with some absolutely stunning new releases over the past twelve months.

Below you can enjoy some of our favourite gig photos of the year courtesy of our wonderful photographer Denis!

All 📸 (c) Denis Gorbatov / Full Pelt Music

We hope you’ve enjoyed our The Year in Review 2022 and we wish you a very Happy New Year. Here’s hoping 2023 is a good one!

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Live Reviews

Frank Turner

Junction, Cambridge

Friday 30th September 2022

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FRANK TURNER – CAMBRIDGE – LIVE REVIEW

You know that gig season is in full effect when you head along to a Frank Turner show. Yes, the man that is always on tour is on his rearranged ‘Never Ending Tour of Everywhere’. Tonight that means the Junction in Cambridge and another sold out show.

It’s almost a guarantee at a Turner show that you’ll be greeted by some fantastic support acts and this tour is certainly no different. Up first are Truckstop Honeymoon who serenade the crowd with their entertaining bluegrass folk sound, and their whimsical quips! The duo will be picking up many new fans on this tour as they introduce themselves properly to the UK.

The main support act on this tour is non-other than Pet Needs, who have featured on both our ‘Discover’ New Music and Full Pelt Music Podcasts. The band are intrinsically linked to Mr. Turner at the moment. He has produced both their albums and taken them on tour around the world. That said, it really feels like the band are breaking out and solidifying their own name.

Shows like tonight will go a long way towards that and it’s telling the amount of Pet Needs merchandise on display in the audience. Early fan favourites such as ‘Tracey Emin’s Bed’ and ‘Kayak’ intermix with new songs ‘Ibiza In Winter’ and ‘Fear for the Whole Damn World’ as the band showcase their enormous potential.

WATCH ‘GET ON THE ROOF’ FROM PET NEEDS ON YOUTUBE
Pet Needs – ‘Get on The Roof’

Read our review of ‘Primetime Entertainment’ from Pet Needs

Closing their generous time on stage with ‘Overcompensating’, ‘Toothpaste’ and ‘Get On the Roof’, anybody not yet alert to Pet Needs now surely are. The crowd give the band a huge ovation as they depart ready to continue to plot for world domination.

The audience is hot tonight and as Frank Turner takes to the stage the atmosphere is palpable. Imagine then the reaction as Turner bursts straight into a run of ‘Four Simple Words’, ‘The Gathering’, ‘Photosynthesis’, ‘Punches’ and ‘1933’ – hardly time for band or audience to breathe!

Turner’s latest album, ‘FTHC’, is a punk record and that ethos is certainly captured on this tour. Thankfully for Turner his audience are open to this change in pace and band and crowd are one tonight making this a great Friday night out.

Frank Turner is known to take particular care over his setlists and tonight is a typical career spanning affair with fan favourites, deep cuts and new tracks all on offer. Highlights tonight include ‘A Wave Across A Bay’, ‘Be More Kind’ and ‘Non Serviam’.

WATCH ‘NON SERVIAM’ FROM FRANK TURNER ON YOUTUBE
Frank Turner – ‘Non Serviam’ (Live)

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At this point you know what you are going to get from a Turner show, and that’s an amazing time. Realistically that makes him a very difficult person to review, his consistency and endurance are unrivalled and you never really get a misstep.

Tonight the show climaxes with an encore of ‘I Knew Prufrock Before He Got Famous’, ‘Recovery’, ‘Try This At Home’ and ‘I Still Believe’, which drains every remaining drop of energy out of the venue. Don’t take Turner for granted, get down to a show and have a great night!

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Read our review of ‘FTHC’ from Frank Turner

Watch Episode 1 of The Full Pelt Music Podcast with guest Frank Turner

The Full Pelt Music Podcast – Episode 1 – Frank Turner

Read our review of Arkells live in Norwich

Categories
Album Reviews

Pet Needs

Primetime Entertainment

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PET NEEDS – PRIMETIME ENTERTAINMENT – ALBUM REVIEW

Eighteen months ago, mid-pandemic, Colchester punks Pet Needs burst onto the scene with their debut album, ‘Fractured Party Music’. An all or nothing exercise for a band at a crossroads in their career, the album permeated into the consciousnesses of the Xtra Mile Recordings scene of bands and their hardcore fans.

The catchy pop hooks and rambunctious rock and roll energy of the album established the band their own dedicated fanbase and took them on an adventure of a lifetime touring the world.

Read our review of ‘Fractured Party Music’

Now the band are once again ready to unleash a smorgasbord of musical pleasure into the wild as they follow up that debut with their oh-so important sophomore record, ‘Primetime Entertainment’.

Picking up where their debut left off, the record bursts straight into life with ‘Lost Again’, ‘Ibiza In Winter’ and the anthemic ‘Get On The Roof’. Listeners are left in no doubt about the direction of the band as they hoist their punk rock mast again.

WATCH ‘GET ON THE ROOF’ FROM PET NEEDS ON YOUTUBE
Pet Needs – ‘Get on the Roof’

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Like predecessor ‘Fractured Party Music’, ‘Primetime Entertainment’ is also produced by Frank Turner. His fingerprints are all over the album with the sonic growth of Turner’s latest effort ‘FTHC’ also present on this album.

‘Spirals’ is an incredible rip-roaring track which pushes everything the band offers to the extreme. Given the energy and passion of Pet Needs live, ‘Spirals’, is surely destined to be a highlight of their upcoming tour.

Thematically speaking, ‘Primetime Entertainment’, is Pet Needs at their honest and reflective best. There’s plenty of the tongue in cheek lyrics which made ‘Fractured Party Music’, such a fun record, but there’s perhaps a greater sense of seriousness this time around.

When the world is in a bad way, and you just want to lose yourself in some loud guitars and singable songs; don’t fear Pet Needs are here again to service your needs with another liberating release of energy!

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Read our review of Pet Needs live in Norwich

Watch Episode 15 of our ‘Discover’ New Music Podcast with guests Pet Needs!

‘Discover’ New Music Podcast – Episode 15 – Pet Needs
Categories
Album Reviews

Frank Turner

FTHC

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FRANK TURNER – FTHC – ALBUM REVIEW

The evolution of Frank Turner’s solo career has always felt very organic and unforced. Ahead of the release of new album, ‘FTHC’, however you sensed that this may be his biggest sonic leap yet.

If you were to compare ‘FTHC’ to debut album ‘Sleep Is For The Week’ you’d probably conclude that you’d listened to different artists. Well, to an extent you have! The difference is 15 years, 9 albums and literally thousands of shows.

The fact is Turner is a different artist now then he was following the dissolution of his hardcore band Million Dead. Saying that, his road seems to have taken him from his folk beginnings back towards his punk past, and isn’t that just the circle of life.

Turner has often been labelled as Folk Punk and whilst the worlds craving to place a label on everything is tiresome, sometimes these things just fit. It’s perhaps symbolic then that Turner returns to his old school ‘FTHC’ moniker for the album title.

What we are getting at is that this album feels like a rebirth of sorts for Turner. It feels like Turner has stood over a cauldron and mixed a potion using ingredients gathered from each of his previous creations.

WATCH ‘THE GATHERING’ ON YOUTUBE
Frank Turner – ‘The Gathering’

The resulting concoction is a raucously rebellious yet sublimely poppy record which will get you singing and bouncing along. The early run of ‘Non Serviam’, ‘The Gathering’ and ‘Haven’t Been Doing So Well’ is gloriously manic and sets the tone for the album as a whole.

Listen to ‘Haven’t Been Doing So Well’ on our Spotify Hot List!

Standout moments include ‘Fatherless’, ‘Punches’, ‘The Resurrectionists’ and Scott Hutchison tribute ‘A Wave Across a Bay’. There is plenty here for fans old and new to sink their teeth into and despite being album number 9, ‘FTHC’ is proof that Turner has plenty more in the tank as his evolution continues.

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Read our review of Lost Evenings Festival

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Features

The Year In Review 2021

The Year In Review 2021

Full Pelt Music looks back on 2021 for our Year In Review

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2020 was a year that we all wish we could forget. Could 2021 be any better? Well, it started off just as the previous year ended; with the live music industry on its knees. Lockdown restrictions still ruled out any live in person shows, with even socially distanced shows initially outlawed.

Come late spring, things began to look up and a number of “test” events were planned. We were lucky enough to attend the Pilot Download Festival and the euphoria of being amongst fellow music fans in a field can’t truly be put into words. Things were looking up!

Live music would eventually make a full return but sadly as we write this The Year In Review 2021 feature, the sector is once again holding its breath waiting for the Government to take action. Alas, true normality may still be a long way off, but for a few months this year we got to feel alive again.

That alone elevates 2021 above 2020, but there is plenty more to unpack. We recently undertook our now annual countdown of our top albums of the year over on our social media. 2021 was a truly exceptional year in terms of album quality. Those musicians kept in lockdown last year certainly found their creativity and compiling a list of the top 50 albums of the year was highly competitive.

Read our Album of the Year 2021 feature

In our The Year In Review 2021 article, we will be revealing our end of year award winners. As with last year we will announce our Album of the Year, Single of the Year, Artist of the Year, Gig of the Year and Festival of the Year.

This year however we have an additional award to hand out. 2021 was a big year for Full Pelt Music, our first full year in existence. We’ve grown and we’ve enhanced our focus on new music. We launched initially our ‘Discover’ New Music Playlist on Spotify through which we highlight the best up and coming artists.

We also launched not one but two Podcasts this year, including the accompanying ‘Discover’ New Music Podcast where we truly shine the spotlight on your new favourite acts. As such, this year we will also be awarding the ‘Discover’ New Artist of the Year award!

Before we get to those awards though, let’s run you through a few of our highlights this year. First of all, as mentioned we also launched The Full Pelt Music Podcast this year. Fittingly our inaugural guest was Frank Turner, the winner of both our Gig of the Year and Artist of the Year awards in our 2020 Year In Review.

Across the Podcasts this year we’ve had the pleasure to talk with Press To Meco, Beans On Toast, Miss Vincent, Planet Fatale, Mercutio, Light By The Sea, Freddie and the Fabs, The Damned Few, Project Renegade, Icarus and Smoke! Be sure to check out these conversations, and also to Subscribe on Youtube or wherever you listen to your Podcasts. After all, we will have plenty more for you to enjoy in 2022.

The Music Industry has seized on the opportunity to entertain this year both live and on record. We’ve reviewed 66 albums, 2 festivals and 27 gigs in 2021 as fans have been treated to incredible releases and some truly stunning live shows. Again, perhaps the enforced break has allowed creativity to breed innovation.

So with that in mind, let’s work through those award catagories!

Album of the Year

As we’ve already referenced, the pure quality of releases this year made compiling our Top 50 Album of the Year List very tricky. It was hard work but we did it, and you can read the full list here.

The quality is demonstrated best by last year’s winners IDLES only reaching a still respectable number 7. The winner however had to be ‘Blue Weekend’ from the incredible Wolf Alice who continue to go from strength to strength. After three stunning albums, there is no ceiling for this band and we can’t wait to catch songs from the album live in 2022.

Winner:

‘Blue Weekend’ by Wolf Alice

The Contenders:

‘Written & Directed’ by Black Honey, ‘Typhoons’ by Royal Blood, ‘Seize the Power’ by Yonaka and ‘Transmute’ by Press To MECO

Previous Winners:

2020 – ‘Ultra Mono’ by IDLES

Single of the Year

We move on now to our award for the Single or Song of the Year. This year has again seen us locked down for considerable amounts of time and many will have sought solace in Playlists such as our Spotify Hot List.

In selecting our track of the year we considered which songs we’ve come back to time and time again, which songs remain as fresh now as they did on first listen and what songs simply just resonate on a different level.

Our winner is an incredible track from the fantastic album ‘Transmute’ from Press To MECO. ‘A Test Of Our Resolve’ ticks all of the criteria and also sounds absolutely massive live.

Press To MECO – ‘A Test Of Our Resolve’
Winner:

‘A Test Of Our Resolve’ by Press To MECO

The Contenders:

‘My Town’ by Frank Carter & The Rattlesnakes, ‘Afterlife’ by Holding Absence, ‘Midnight’ by Creeper and ‘Haven’t Been Doing So Well’ by Frank Turner

Previous Winners:

2020 – ‘Obey’ by Bring Me The Horizon feat. Yungblud

Artist of the Year

Artist of the Year now and for this award we look for somebody who has had a huge, perhaps even career-defining year. Last year we gave the award to Frank Turner for his incredible work for the #SaveOurVenues campaign through his Independent Venue Love series.

This year our winners are a band that also dabbled with livestreams during that first lockdown. This year however has been a hugely important year for Biffy Clyro. A new album, ‘A Myth of the Happily Ever After’ came hot on the heels of last year’s ‘A Celebration of Endings’. It’s another quality album from a band that continue to deliver consistently great music.

The band also had a huge impact on the live music scene this year. Firstly, the band rode to the rescue by stepping in as late replacements for Queens of the Stone Age to once again headline Reading and Leeds Festivals.

Secondly, the band played huge outdoor shows in Cardiff, Glasgow and Margate to help signal the return of live music after around 16 months of lockdown. Highlights of both their Reading and Glasgow performances aired on the BBC.

Lastly, the band played a completely sold out and very intimate ‘Fingers Crossed’ Tour across the UK. Their shows this year giving fans an opportunity to witness songs from not one but two albums live for the first time.

Biffy Clyro – ‘A Hunger In Your Haunt / Unknown Male 01’
Winner:

Biffy Clyro

The Contenders:

Enter Shikari, Bring Me The Horizon, Creeper and Wolf Alice

Previous Winners:

2020 – Frank Turner

Festival of the Year

Festivals made a belated return from lockdown restrictions in late summer, although the majority of the usual seasons events were still cancelled. For our Festival of the Year however we can’t look anywhere other than the special event that laid the groundwork for all events to return, the Download Pilot Festival!

Back in June the Government test event was the first opportunity for music fans to camp in a field and rock out for three days. The camaraderie and atmosphere this situation created, combined with the uniquely intimate Download layout and line-up made for a once in a lifetime experience.

British bands took centre stage and delivered an incredible weekend of music; with bands and fans both desperate to experience live music again. Thanks to all involved we can hopefully experience a full fat Download Festival again this summer.

Read our review of the Download Pilot Festival!

Winner:

Download Pilot Festival

The Contenders:

Reading Festival and Lost Evenings

Previous Winners:

2020 – Wild Fields Festival

Gig of the Year

Last year’s winner of Gig of the Year was a socially distancing outdoor affair, this year however true live music returned! Picking a winner this year is difficult because the pent up frustration of lockdown on both musicians and fans vented fully across some amazing gigs.

We reviewed 27 of those shows this year and there were some very special moments amongst them. The winner however must go to Bring Me The Horizon who stormed the O2 Arena with You Me At Six and Nova Twins in tow.

The night was a massive middle finger to any remaining doubters and the band solidified themselves not just as arena fillers but as festival headline ready. Fitting therefore that they have recently been revealed as headliners for Reading & Leeds Festivals next year.

Read our review of Bring Me The Horizon live in London

Winner:

Bring Me The Horizon @ O2 Arena

The Contenders:

Creeper @ O2 Kentish Town Forum, Idlewild @ Electric Brixton, The Offspring @ Wembley Arena, Biffy Clyro @ O2 Kentish Town Forum, Vukovi @ Norwich Waterfront Studio and Royal Blood @ Norwich UEA

Previous Winners:

2020 – Frank Turner @ Nottingham Arboretum

‘Discover’ New Artist of the Year

Our final award is a new award for this year where we shift focus on to the future. Having launched our ‘Discover’ New Music Playlist and Podcast this year we wanted to honour an act that we have featured and for whom the future is bright.

With their debut album ‘A Funeral For Youth’ cracking our top 20 for the year, Miss Vincent take the inaugural ‘Discover’ New Artist of the Year award!

Miss Vincent – ‘Rosaline’
Winner:

Miss Vincent

The Contenders:

Planet Fatale, Dead Nature and Thumper

So, it hasn’t been a usual year again, in fact at times it has been just as hard as 2020. 2021 has however reminded us of what we were missing. Stunning new music, incredible live shows and a return to some normality (nobody say ‘new’ normal!), make 2021 a year that will live long in the memory for many reasons.

We hope you’ve enjoyed our The Year in Review 2021 feature and we wish you a very Happy New Year. Here’s hoping 2022 is a good one!

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Live Reviews

Beans On Toast

Three Wise Monkeys, Colchester

Friday 3rd December 2021

Beans On Toast

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BEANS ON TOAST – COLCHESTER – LIVE REVIEW

This is our first visit to Three Wise Monkeys in Colchester and we discover a fantastic little venue above the pub on a vibrant and Christmassy Friday night in the town centre. Our reason for visiting is cult folk singer Beans On Toast, as he hits the road to support new album, ‘Survival of the Friendliest’.

The support slots tonight from local singer Benjamin Brown and main tour support Kitty Liv sail by, which is a complement to both for their delightful performances.

Soon enough it’s time for the man himself to grace the intimate stage and for this tour he is joined by Liv, and Mystery Jets bassist Jack Flanagan to fill out his sound during portions of the set.

The first portion of the show sees the three-piece serenade the audience with a mixture of old and new tracks. New songs ‘A Beautiful Place’, ‘Blow Volcano Blow’ and ‘Not Everyone Thinks We’re Doomed’ take centre stage and showcase his wonderful new album ‘Survival of the Friendliest’.

Read our review of ‘Survival of the Friendliest’

As with all Beans On Toast shows, there are sing-a-longs galore with ‘Watching the World Go By’, ‘I’m Home When You Hold Me’ and ‘The War On War’ all coming early on. Soon its left for Beans alone to break out a number of favourites and rarities such as ‘A Whole Lot of Loving’ and ‘Peter Pan’s Playground’.

Towards the end of the night Liv and Flanagan return for another superb collaboration on songs such as ‘Humans’ and ‘Let’s Get Married Again’ from that new album.

At the end of his encore, Beans On Toast is joined on stage by long time friend and collaborator Frank Turner for ‘The Album of the Day’. A great treat for fans, and evidence that you should expect the unexpected at a Beans show.

A fantastic evening of songs, stories and laughs is closed out with ‘On & On’ which sees the main man backed by Flanagan, Liv and Turner for a truly spectacular finale. Tonight was just further evidence that Bean On Toast is an underground national treasure!

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Check out Episode 3 of The Full Pelt Music Podcast with our guest Beans On Toast!

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Lost Evenings

Roundhouse, Camden

Thursday 16th – Sunday 19th September 2021

Lost Evenings

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LOST EVENINGS – ROUNDHOUSE, CAMDEN – LIVE REVIEW

Few musicians command such a passionate and dedicated fanbase as Frank Turner does. Since 2017, he has held an annual pilgrimage known as Lost Evenings. 4 days of activities based on the man himself punctuated by 4 headline sets each offering something different.

Last years event in Berlin was cancelled for obvious reasons and with the world not out of the woods yet Turner has chosen to return to the spiritual home of the event, Camden.

Whilst the main event takes place at the legendary Roundhouse, the festival takes over most of Camden. There are multiple stages of music, pop up gigs, panels, tattoos and much more.

THURSDAY

So let’s start unpacking the events of Lost Evenings 4! The event commenced on Thursday for the solo show of the weekend. No Sleeping Souls (well, just one – Matt Nasir on mandolin), as Turner explores some of the hidden gems of his back catalogue.

There are two fantastic support slots on the main stage from Emily Barker and Grace Petrie. Two incredible musicians who both manage to grab the audience with both hands, each joining the other during their sets as they encapsulate the spirit of the event.

Throughout the weekend Beans on Toast acts as master of ceremonies introducing each act. Next he welcomes Turner for the first of four occasions!

Turner and Nasir proceed to serenade the partisan audience who relish the opportunity to hear a few lesser played numbers. Turner states that he will endeavour to repeat only a few songs over the weekend.

Thursday highlights include new single ‘Haven’t Been Doing So Well’, the emotional ‘A Wave Across A Bay’, rarer numbers ‘Losing Days’, ‘Substitute’, ‘Tattoos’, ‘Josephine’ and special sing-a-long cover ‘Somebody To Love’ with Turner joined by Petrie and Barker. All in all a great way to start the festival.

FRIDAY

Friday sees Turner joined by his band The Sleeping Souls for a set billed as “the first three albums plus new songs”.

As far as support goes we start with the new – PET NEEDS. The young band from Colchester showcase tracks from their brilliant debut album including ‘Toothpaste’, ‘Pavlovian’ and ‘Tracey Emin’s Bed’, which receive big reactions from the crowd.

Read our review of ‘Fractured Party Music’ from PET NEEDS

Next up it’s something old with longtime Turner contemporary Jamie Lenman joining the party. Given the theme of the evening you’d assume those in attendance would be aware of Turners hardcore past, but there are more than a few deer in headlights reactions to Lenman’s hard and heavy outing. It is however an excellent performance that ensures any first night hangovers are blown away.

It’s then Turner time again and tonight we get a carefully curated set of early favourites. Fans again get some rarer tracks from the vault including ‘Live Fast Die Old’, ‘Once We Were Anarchists’, ‘Back In The Day’, ‘This Town Ain’t Big Enough for the One of Me’, ‘To Take You Home’, ‘Nashville Tennessee’, ‘Imperfect Tense’ and ‘Sons of Liberty’.

There is also a special section where fans get to hear three new songs from upcoming album ‘FTHC’ in the shape of ‘Non Serviam’, ‘Punches’ and ‘Haven’t Been Doing So Well’ again.

Listen to ‘Haven’t Been Doing So Well’ on our Spotify Hot List!

The night is rounded off by ‘I Knew Prufrock Before He Got Famous’, ‘Father’s Day’, ‘St. Christopher Is Coming Home’ and ‘Photosynthesis’ sending the crowd home happy.

SATURDAY

Saturday now and we first head to the Lock Tavern for an Xtra Mile Recordings takeover with special acoustic sets from PET NEEDS, BERRIES and Johnny Lloyd.

Both BERRIES and PET NEEDS play delightful sets to a packed room which go down very well. Sadly it is then announced that Johnny Lloyd is unable to make it. Thankfully master of ceremonies Beans On Toast is on hand to play an impromptu set.

As expected Beans On Toast has the audience in the palm of his hand as he regales them with tales and songs relating to Camden. A lovely afternoon that represents all that is great about Lost Evenings.

It’s very quickly time to head to the Roundhouse for round number three, which on Saturday sees Turner play his seminal album ‘England Keep My Bones’ in full.

Watch Frank Turner on Episode 1 of the Full Pelt Music Podcast!

Before we get there we have two more fantastic support acts. First up this evening is the highly entertaining The Lottery Winners. With their catchy songs and endearing onstage banter, the group are a delightful opening act.

Next the incredible Nova Twins take to the stage and initially elicit somewhat of the same response as Lenman the day before. However by the end of their set they have captured the imagination of the whole crowd. Nova Twins future is bright and on the evidence of tonight it shouldn’t be long before they are headlining venues this size.

The next may well be the most hotly anticipated performance of the entire weekend. The main man playing, in full, an album that catapulted his career and won a legion of fans. Those in attendance know that this will be special…

..And special it is! Not just said album in full but all accompanying b-sides and associated tracks. From the moment Turner takes to the stage and opens with ‘Sailors Boots’ the energy in the room of immense. This is only amplified when playing the likes of ‘I Am Disappeared’, ‘One Foot Before the Other’, ‘Peggy Sang The Blues’, ‘Redemption’ and ‘I Still Believe’.

Joined at times by string and horn sections the finale sees everything come together with ‘Eulogy’, ‘If Ever I Stray’ and ‘Glory Hallelujah’ delivering a memorable and worthy finale to the evening.

SUNDAY

The final day of the festival is billed as the greatest hits day. Turner who has kept to his promise to limit repeats, has held back some of his most loved songs. But first, Guise! Fronted by Jess Guise, the band do a great job warming up the crowd. They may be on home turf with Guise married to Turner, but it’s their music that earns the fans adoration come the end of their set.

Our last support act of the weekend is another band Turner fans are familiar with. Skinny Lister are possibly the perfect band to raise any tired spirits after a busy weekend. They bring the party, get the crowd moving and ensure the stage is set for Turner to close out the event in style

Read our review of Frank Turner live at Coda, Colchester

Tonight’s mission statement is clear from Turner – send the fans home happy. ‘Get Better’, ‘1933’ and ‘Little Changes’ kick off a set full of fan favourites.

In a well structured set list Turner includes some lesser played favourites such as ‘Thatcher Fucked The Kids’ and ‘Glorious You’. From start to finish he has the audience in the palm of his hand.

The encore of ‘The Ballad of Me and My Friends’, ‘Photosynthesis’, ‘Recovery’ and ‘Four Simple Words’ provides just the ending required to what has been another incredible weekend.

As we said at the start, not many artists could create and sell out a weekend like Lost Evenings, but Turner has built something very special and Lost Evenings 5 is surely in the pipeline already!

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Read our feature on the ‘Independent Venue Love’ series from Frank Turner

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Live Reviews

Frank Turner

Coda, Colchester

Tuesday 10th & Wednesday 11th August 2021

Frank Turner Coda Colchester

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FRANK TURNER – CODA, COLCHESTER – LIVE REVIEW

Having already attended and reviewed the Download Pilot Festival and Seasick Steve since the reopening of the live music sector, we want to stop referencing the pandemic. The problem is that nights like the two that Frank Turner serves up at Coda in Colchester simply act a reminder of what has been missing for the past almost 18 months.

Thankfully, mercifully, cautiously, live music is back. For two consecutive evenings, fans cram into the awesome independent venue in Colchester known as Coda. The reason? If any opportunity for a gig isn’t excuse enough, the one and only Mr. Turner is introducing himself to an area of the country he now calls home.

Whilst more likely to be found in much larger venues these days, Turner still has the grassroots familiarity to instigate a hot, sweaty drunken sing-a-long session. Everybody packed into this bar knows every word to every song and passionately sings them back in unison. It’s like live music never went away.

Playing the two shows in the same venue, Turner mixes his set list each night. Realistically the man has enough in his arsenal to cover many more nights here, as he demonstrated with his Independent Venue Love series during Lockdown.

Read our feature on the ‘Independent Venue Love’ series

All the fan favourites are on tap for those in the bar with ‘Long Live The Queen’, ‘1933’, ‘The Road’, ‘The Way I Tend To Be’, ‘The Ballad of Me and My Friends’, ‘Be More Kind’, ‘The Next Storm’, ‘Photosynthesis’, ‘Recovery’, ‘Get Better’ and set closer ‘I Still Believe’ amongst the songs available both nights.

The guest ales such as ‘Polaroid Picture’ and ‘If Ever I Stray’ on Tuesday and ‘I Knew Prufrock Before He Got Famous’, ‘I Am Disappeared’ and ‘Four Simple Words’ on Wednesday help to differentiate the shows for those in attendance both nights.

Having started out his solo career on his own (and still performing solo regularly), Turner is now often accompanied by The Sleeping Souls. In recent times solo shows have been billed as duo shows and see Turner joined by Sleeping Soul member Matt Nasir. This dynamic works extremely well both for musical accompaniment and also for onstage banter.

As mentioned, Turner now resides in Essex. He has a song called ‘Wessex Boy’. Yes, he did the obvious switch, which for every other artist would have been incredibly tacky, but somehow for Turner here it works and elicits a proudly fierce reaction from the crowd.

THE FULL PELT MUSIC PODCAST

Check out Episode 1 of our Podcast with guest Frank Turner

A new album is on the horizon for Turner and over the two nights fans are treated to glimpses of the record in the shape of ‘The Work’, ‘Muhammad Ali’, ‘Little Life’, ‘Fatherless’ and new single ‘The Gathering’.  There certainly appears to be plenty more to come from an artist for whom their next album will be their ninth solo effort.

The future appears bright. Over two nights the stage was graced by four support acts with bright futures with Wilswood Buoys and Jess Guise on Tuesday and Gin Twins and Josiah Mortimer on Wednesday all impressing the packed audience.

So, yes, the future does indeed appear bright. Bright for Turner, bright for a great new venue, bright for young musicians, and bright for live music! There really isn’t anything better.

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Download Pilot Festival 2021

Donington Park

Friday 18th – Sunday 20th June 2021

Download Pilot Festival Poster

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DOWNLOAD PILOT FESTIVAL 2021 – LIVE REVIEW

The live music industry is built on togetherness, built on shared experience and built on the power of emotion. The last 18 months have been highly emotional for all the wrong reasons. Together the world has shared an experience that has terrified and devastated us.

The events of the last 18 months have taken an incomprehensible toll on humanity. The pandemic has destroyed lives and livelihoods. The live music industry was obliterated overnight. The people that make the spectacles that we enjoy happen were forgotten about.

While the world attempts to peek through the curtains at a “new normal”, the live music industry is left waiting. Waiting for support, waiting for proper guidance, waiting for a chance. Well, just four weeks ago that chance arrived.

A Government trial event to test the viability of the return of packed festivals and events you say? Spring into action the incredible people behind the scenes who make the live music industry work! In a short period of time, heaven and earth have been moved and here we are at Download Festival.

A much smaller, makeshift, Pilot version of Download Festival at the hallowed grounds of Donington Park. 10,000 people in a field, no social distancing, no masks, no inhibitions.

Credit goes to all involved for creating an event of that scale on such short notice, and to all the acts playing with no preparation. As the gates open, one thing is for sure, the fans want this, no, the fans needs this.

The reality of the situation is that the organisers could have put an old man playing the spoons on stage and the fans would have lapped it up. The opportunity after all that everybody has been through to witness live music is cathartic.

DOWNLOAD PILOT FESTIVAL – FRIDAY

The fact that this may be the most exciting Download Festival line-up of all time only helps to amplify the anticipation as fans gather in the tented second stage for Death Blooms. Almost every person on site crams in to witness that first taste of live music in far too long.

The band make the most of the atmosphere with a storming set that sees the audience let go of all remaining inhibitions. I doubt the majority of those in the tent knew of the band in advance, but they certainly left with a memory that will last forever.

For this special event there are just two stages. Next to the tent is the outdoor main stage which opens with a raucous set from Hot Milk. Kicking off with their latest single ‘I Just Wanna Know What Happens When I’m Dead’ the band show the crowd just what they’ve been missing.

Listen to ‘I Just Wanna Know What Happens When I’m Dead’ from Hot Milk on our Spotify Hot List!

There is no need to worry about those dreaded clashes at Download Pilot Festival. That’s because the acts on the two stages alternate, allowing the music starved fans the opportunity to watch every single band if they so wish to.

Every band this weekend gets a good sized crowd and a warm reception with it, especially the early bands on Friday. Malevolence are next to grace the second stage and assist the audience in releasing their pent up energy with a heavy hitting set.

A repercussion of the pandemic has been the amazing new albums that have been released without the showcase of the live setting. One such album is ‘Glue’ from Boston Manor. That wrong is righted next however as the band storm the main stage and air the likes of ‘Everything Is Ordinary’.

An early standout performance from the band sees them mix new and old with ‘England’s Dreaming’, ‘Laika’ and ‘Halo’ eliciting some of the first full blown sing-a-long moments of the weekend.

Those sing-a-long moments continue with Holding Absence on the second stage as they get to unleash tracks from their sensational album ‘The Greatest Mistake of My Life’. ‘Afterlife’ in particular is a contender for song of the weekend as the band present their credentials for superstardom!

Read our review of ‘The Greatest Mistake of My Life’ from Holding Absence

The Friday action continues with two bands with extremely dedicated fanbases. Neck Deep get the main stage bouncing before Sleep Token captivate the second stage.

It is then down to Frank Carter & The Rattlesnakes to bring the first day to a close on the main stage. Always an unstoppable force of nature on stage, the band make the most of the platform to make a statement. That statement says that this band is ready to headline the regular event.

With a setlist spanning their three albums, the band even treat fans to a selection of new tracks including the catchy ‘My Town’. There are guest appearances from Joe Talbot, Cassyette and Lynks, there is a giant circle pit around the sound tower and there is even a cover of ‘Ace of Spades’.

Frank Carter & The Rattlesnakes saw an opportunity to headline a festival, to headline the first festival back, and they grabbed it with both hands. This was one of those sets that will be talked about forevermore!

Listen to ‘My Town’ from Frank Carter & The Rattlesnakes on our Spotify Hot List!

After hours entertainment comes from a silent disco as the hastily arranged festival shows the skills and creativity of the music industry. You have to stand back and admire the achievement of those involved to create an event on this scale in the time given.

DOWNLOAD PILOT FESTIVAL – SATURDAY

On to Saturday now and the musical delights continue as Lotus Eater, Conjurer, As Everything Unfolds and Bleed From Within blow the cobwebs of the early morning audience.

Next two young bands with big futures introduce themselves to festival audiences. Both The Hara on the second stage and Wargasm on the main stage elicit strong reactions from those watching.

Listen to ‘Your Patron Saints’ from Wargasm on our Spotify Hot List!

After a solid showing from Tigercub, one of the veteran acts of the weekend, A, school the up and coming bands on how to engage an audience. An age appropriate walking circle pit being a nice change of pace in the midst of a hectic weekend. Finishing with ‘Nothing’, A show why they are the perfect festival band.

Two things become apparent as the weekend progresses. When dissecting the hastily put together line-up, the quality of British rock music is put in the spotlight and it more than holds its own. Secondly a good deal of that talent is female. Vukovi and Yonaka both deliver set of the weekend contenders next.

Listen to ‘Seize the Power’ from Yonaka on our Spotify Hot List!

Those Damn Crows, Twin Atlantic and Stone Broken all put in crowd pleasing performances before While She Sleeps attract and entertain a huge crowd on the main stage.

Soon though it’s time for the scorecard for band of the weekend to be thrown out the window. Creeper are able to deliver an out of body experience as they headline the second stage. There are goosebump raising moments galore as the band turn the festival into their own theatre of oral and visual magnificence.

Listen to ‘Midnight’ from Creeper on our Spotify Hot List!

It is then left to Enter Shikari to bring the Saturday night party and they don’t disappoint. If there was ever a band born to get you moving it’s Enter Shikari. They do just that as they also get to showcase newer songs live for the first time.

‘satellites**’, ‘{ The Dreamer’s Hotel }’ and ‘THE GREAT UNKNOWN’ fit in perfectly with classics like ‘Sorry, You’re Not A Winner’, ‘Juggernauts’ and ‘Mothership’. Much like Frank Carter & The Rattlesnakes and Creeper, you can see the special treatment Enter Shikari have given this opportunity and that makes for a stunning spectacle.

DOWNLOAD PILOT FESTIVAL – SUNDAY

Come Sunday you’d imagine fatigue would be setting in. All this action after so many barren months, you could forgive the crowd for tiring and the festival atmosphere sapping. Instead energy is pumped in by bands such as Static Dress, Saint Agnes, Cassyette and Employed To Serve.

The fans reciprocate said energy as they continue to let loose to Chubby and the Gang, Loathe and Higher Power. The passion and pure joy of both fans and musicians to be at a festival is at times overwhelming. This event was destined to be an emotive affair but even through that emotion the quality of the music on offer shines.

Next on the main stage is Lonely The Brave complete with change in singer. A set mixed with fan favourites and new tracks from ‘The Hope List’ shows the band are still an exciting prospect. Can the band now finally take that next step? On their showing here, yes they can!

Read our review of ‘The Hope List’ from Lonely The Brave

For those fans catching every band the pace is relentless and it’s to the second stage next for Jamie Lenman. Lenman powers through a sublime set that gets the crowd moving and features another appearance from Wargasm.

The quirky goodness of Elvana attracts a huge crowd to the main stage as the festival heads towards its climax. The band show just why they are perhaps the perfect Sunday afternoon festival act as they get the crowd singing along to every word.

Massive Wagons are able to take the second stage by storm before a sadly technically challenged The Wildhearts limp off stage. The Wildhearts are a top quality band and the issues with their sound perhaps show the effects of an enforced hiatus for musicians and crew members alike.

It’s on that note that once again praise must be heaped on the organisers, the crew members, the festival staff and yes the bands for making this event such a success. That is only amplified by the incredibly short timescale.

Realistically this has been a once in a lifetime event (we hope). Download Pilot Festival as an event is excellent and would be a great addition to the main Download Festival. It’s the atmosphere and camaraderie however that makes this festival so special.

We are down then to the final four bands, the final acts before reality is set to strike again. Up first on the second stage are Trash Boat who get the tent bouncing, especially with a stunning cover of Linkin Park classic ‘Given Up’.

If there is a perfect festival band it’s Skindred. Put them on any stage in any slot and they will attract a huge crowd. With a sub-headline slot on the main stage, the field is full as Benji Webbe and co put in a seamless lesson in crowd engagement.

The final act on the second stage is also no stranger to the festival scene. Although Frank Turner has played Download Festival in the past, even he acknowledges he may not be the typical Download act. Nobody cares though, as he puts in a typically euphoric performance.

The crowd are not just treated to the set staples but also to new song ‘The Gathering’ and heavier version of ‘Little Changes’. There are sing-a-longs aplenty as Turner does what he does best and that is entertain!

Check out The Full Pelt Music Podcast with guest Frank Turner!

That just leaves Bullet For My Valentine to close out Download Pilot Festival. A festival which we wish was never needed but are so glad that it happened. Bullet For My Valentine are long time Download favourites and they deliver an apt conclusion to the event.

We are treated to a unique take on ‘Run To The Hills’ from Iron Maiden complete with a perplexing vocal contribution fron Benji Webbe. We get new material in the form of ‘Knives’ and of course we get favourites such as ‘Scream Aim Fire’ and ‘Tears Don’t Fall’.

‘Waking The Demon’ is the final song to ring around Donington Park, and we can only hope and pray that this event can wake the demon that is the festival scene. The fans may have been lab rats, but what a stunning lab it was! Thank you Download Pilot Festival for such a cathartic weekend.

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