While most of the country have their eyes on the happenings at Worthy Farm, a few thousand dedicated rock fans brave the heat to pack into the legendary Hammersmith ‘Eventim’ Apollo.
The reason is that US rockers Incubus are in town. The band aren’t the most regular of visitors to these shores and when they do come over it’s very rare to find then outside the usual handful of major cities.
There is enough draw then for fans to find their way to this part of London and there is also relief for those fans too after a spate of recent cancellations from the band due to ill-health. Tonight though is set and once the crowd are mesmerised by the unique opening act Lealani, it’s time for a blast from the past.
With no new album since 2017 and only two albums on offer since 2006, the set was always going to be a familiar delivery of fan favourites. That’s not always a bad thing and tonight the crowd delight at the selection available.
The energy never really dips over the ninety minutes or so that the band grace the stage and the audience feed off the connection that develops with the group. Even a cover of ‘Come Together’ goes down well as the audience savour classics such as ‘Are You In?’, ‘Pardon Me’, ‘Dig’ and ‘Wish You Were Here’.
An encore of ‘Drive’ is more than enough to send the crowd back away again happy. Recent issues overcome, tonight Incubus remind everyone of their power… now perhaps a new album next?
It’s been eight long years since The Black Keys last played in the UK, so you’d expect demand to be high for their return. Tonight though, the cavernous O2 Arena in London is actually relatively quiet both in attendance and crowd energy.
As opening act Shannon and the Clams take to the stage the venue is eerily quiet, and it takes the band a few songs to hit their stride. As fans filter into the venue however, the band get into the groove and by the end of their time on the stage, the group has a check in the win column.
Next up are main support, US indie rock group Spoon, who are touring in support of their tenth studio album, ‘Lucifer on the Sofa’. New tracks ‘Wild’, ‘My Babe’ and ‘The Hardest Cut’, all sit pretty in an assured set, which whilst enjoyable, does little to raise the energy levels in the venue.
By the time The Black Keys arrive on stage, the standing section at least is more dense and anticipation finally seems to have raised a few levels. Opening with ‘I Got Mine’ and ‘Fever’ and accompanied by a simple by effective stage set the band get the audience on side early.
It’s telling from this point in that the majority of the audience are only really interested in anything ‘El Camino’ or earlier with any newer tracks getting a lukewarm response. When the band do drop a ‘Tighten Up’ or ‘Howlin’ For You’ though the crowd goes wild.
The lack of excitement in the crowd seems somewhat matched by the sluggish delivery from the stage. The duo have had a number of struggles in that eight year gap and it does feel a little like going through the motions tonight rather than a big return to past glories.
Again, when the likes of ‘Gold on the Ceiling’ and ‘Lonely Boy’ do arrive then there is a rush of adrenaline in the venue. What could’ve been a huge party though ended up being a chilled out family barbeque where the only excitement comes when the chef calls out that the burgers are ready!
This weekend is a celebration of twenty years of Download Festival. Stepping into the void left by Monsters of Rock not just at the hyped spiritual home of rock Donington Park but to the whole UK rock/metal scene, Download has become its own monster.
This year is truly monstrous as the event is fully sold out with record breaking numbers of attendees coming to partake in the celebration. Those celebrations get off to a rough start though with unprecedented traffic problems souring the event for many before it even properly begins.
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Once the music starts though a lot if not all of those problems subside. There is a stacked bill for the anniversary party including two nights of Metallica, a closing set from Download icons Slipknot but most vitally a new headline act Bring Me The Horizon.
The gap between Monsters of Rock and Download caused a vacuum in ability for bands to hit headline status with many acts from that era missing out on that status, Korn being one such act often thought of as passed over. Think about it, if they’d headlined at Donington Park in the late nineties, they’d no doubt still be that rank higher than they are now.
In the early years of Download, a number of bands had an opportunity to cement themselves at the top level, think Audioslave, Linkin Park, System of a Down and My Chemical Romance.
Playing alongside stalwarts like Iron Maiden, Metallica, Black Sabbath and Kiss gives bands credibility and elevates their stock. 2009’s Slipknot set is still heralded as the best example of the ‘bump’!
The problem is since then only Avenged Sevenfold in 2014 have really been given that opportunity and Download has become a bit of a clichéd round robin of the likes of Def Leppard, Rammstein, Aerosmith and other favourites already mentioned.
Perhaps then the most important booking in a celebration of the past is the look to the future with Bring Me The Horizon finally getting the top spot. Whilst Download probably should’ve got in before Reading and Leeds, it’s hopefully a sign of a subtle change of tact from the festival.
That’s because the line-up is also graced this year by the likes of Hot Milk, Nova Twins and Bob Vylan in prominent slots. Mixing this with the likes of classic Download bands Disturbed, Alter Bridge, Halestorm and Skindred gives the line-up a fresh but familiar feel.
Sadly beyond the bookings of Metallica and Slipknot plus the additional day there isn’t much done to make this year feel special for those who have made Download Festival part of their lives.
Whilst the organisers could have done more both in terms of that something special and in certain ways just the very basics, they have provided a top tier line-up, so let’s take a look at the highlights!
THURSDAY
Cancer Bats get the ball rolling on day one for us over at the second stage (now dubbed the Opus stage). The band get those that have made it into the arena pumped up with a early set packed full of ragers that ultimately ends prematurely when the sound is cut during ‘Hail Destroyer’!
Soon thereafter, Mammoth WVH get proceedings underway on the main stage (or Apex as it’s now called!). In some ways it’s fitting having the Van Halen name on this stage, in others it’s very ironic as the legendary band are often referred to by lead booker Andy Copping as one that got away.
Wolfgang and co show that with or without the last name, they have the talent needed to conquer stages like these. From start to finish it’s an excellent showing that places the band on the potential list for future festival stars.
Next up on the Opus stage are Hundred Reasons who are riding the wave of their stunning return album, ‘Glorious Sunset’. The band open with the title-track before running through a series of classic tracks much to the delight of those gathered. Hopefully this isn’t a victory lap for the band as creatively and onstage they are as good as they’ve ever been!
As we focus on the future of the festival, two names often linked to future headline status are Halestorm and Alter Bridge. It’s fine booking then to see the bands back to back next on the Apex stage.
Halestorm deliver another flawless set that seems to finish before it begins given their short allocated slot. That’s not necessarily a bad thing though given the old saying of leave the fans wanting more. Halestorm certainly do that and with a headline date pencilled in at Wembley Arena this December, the next time the band grace Donington you’d hope to see them in the sub-headline spot.
That’s the spot filled by Alter Bridge who have played in this position multiple times before; a sense perhaps then of always the bridesmaid and never the bride! Today though the band give it their all to show what they have to offer.
Watching the crowd, the set seems to be really well received which is a good sign. The band after all are always technically superb, so if enhancing that audience connection is the missing piece to progression then today’s set will have gone a long way to creating that link!
All that’s left on this special Thursday then is the first of two headline performances from the biggest metal band on the planet, Metallica. The two sets will be completely unique, giving fans the chance to see far more than a standard Metallica set list.
Night one has a good mix of hits like ‘Creeping Death’, ‘Fade To Black’, ‘Nothing Else Matters’, ‘Sad but True’ and ‘Master of Puppets’, deep cuts such as ‘Leper Messiah’, ‘King Nothing’ and ‘Orion’ plus new material from ’72 Seasons’.
FRIDAY
Friday is a huge day for the future of heavy music with a number of hotly tipped bands performing on the main stage including headliners Bring Me The Horizon.
We start on the Opus stage though with a debut UK festival appearance from Mexicans The Warning. The sister trio deliver an assured performance which belies their position on the bill. The set is another case of leaving the audience wanting more and you have to imagine that they’ll be back very soon.
Nova Twins take to the Apex stage soon after and absolutely own the stage. The duo are able to show just why they have so much hype with a performance that should be talked about as one of the best of the weekend.
Hot Milk have the unenviable task of following the pure energy that was Nova Twins, and thankfully for the band and the crowd they are up to the task. With a debut album on the way the band are on the cusp of something special and this set will again not doubt be one of those “I was there” moments.
The effortless cool of Demob Happy delights the Avalanche stage next as they showcase their stunning new album, ‘Divine Machines’.
Back on the Apex stage with the run of younger bands, next up for us are Neck Deep who are perennial contenders for bigger things. Today they have tens of thousands of people singing back the likes of ‘December’ and you have to consider Neck Deep’s set another victory for the new breed of Download band.
It’s a short and sharp blast from the past next as we pop to the Avalanche stage for the return of The Blackout. The band perform like they’ve not been away and receive a hero’s return from the audience. With the tease of more live dates to follow, it looks like The Blackout are back and back with a bang today!
It’s a quick bolt over to the Opus stage next for Within Temptation who are clearly playing a slot below their stature. The performance the band give is headline worthy not just of this stage but of the main stage. The band has a wealth of experience and use all their tricks to deliver a masterful set full of their best crowd pleasing hits.
By the time Evanescence grace the stage, the mass of humanity in attendance is a clear indication that the band should have been on the main stage. Viewing points are few and far between but wherever you are stood the band sonically deliver. A mixture of old and new is greeted well regardless but it’s mega hit ‘Bring Me to Life’ that has the entire place singing their hearts out.
It’s then time for that set. Bring Me The Horizon take over the main stage and prove any remaining doubters wrong. Making Metallica appear average, the band give their all both aesthetically and musically and produce possibly the greatest headline performance in the twenty years of the festival.
As we said earlier, the band should have been given this slot years ago, but if they had then this moment wouldn’t have existed. Their show tonight is the proof needed that the next wave are ready now and the gatekeepers need to move aside.
This set is historic not just for the theme of the weekend or for the stature of Bring Me The Horizon, it’s historic as a watershed moment for this festival. New headliners of the future should personally thank Bring Me The Horizon for breaking through that proverbial ceiling!
SATURDAY
On to Saturday now and nobody mention the weather! A celebration of twenty years of Download would have fittingly seem some rain and mud, and from this point on the festival is so hot that many would probably have willing traded the sun for some rain.
After last night it almost feels an anti-climax for the festival to continue, but another Metallica set should never be scoffed at. Thankfully there are still some fresh new bands breaking through lower down the bill today, and first up we catch Static Dress who seemingly channel the energy of Bring Me The Horizon with the fantastic opening Opus stage set.
One of the best bits of a festival for a publication passionate about new music is stumbling across a surprise gem on one of the side stages. This year that is ANTISAINT who simply storm the small Dogtooth stage with a ferocious set and definitely leave with more fans than they had going in.
The new look FEVER 333 then take to the main stage and deliver another memorable moment with Jason Aalon Butler scaling one of the massive towers erected in the main arena. That moment though shouldn’t take away from the already phenomenal set the band had delivered.
Lake Malice are next for us back in the Avalanche stage who are able to continue the run of top tier performances we’ve caught thus far. Whilst some of the organisational elements of the festival have been lacking, the music has been of the highest calibre and Lake Malice are another band you suspect will be back in a bigger spot sooner rather than later.
Next on the Apex stage are Ice Nine Kills, whose theatrics create a spectacle on the main stage, but musically they feel a little flat, perhaps being the first underwhelming set of the weekend.
Clutch who follow then also suffer both through technical difficulties and the energy sapping heat which probably negatively impacted Ice Nine Kills as well. The lack of enthusiasm from the crowd doesn’t help and it’s probably a good thing we are headed to a tent next.
We are set now for another one-two punch, this time in the Avalanche tent with Kid Kapichi and Bob Vylan on tap. It’s Kid Kapichi up first and they instantly raise the intensity levels with opener ‘Sardines’. Each song that follows is just as rewarding and by the time the band finish with ‘Smash the Gaff’ they’ve done just that!
One of the most exiting acts on the bill this weekend are Bob Vylan. The mention of ceilings earlier is relevant because this duo haven’t just smashed ceilings they’ve proceeded to stamp the shards into dust. Their performance to a packed crowd today is further evidence that new acts can make Download their home. That’s exactly what Bob Vylan do here as to repeat another cliché they completely own the stage.
It was always going to be hard to follow that suckerpunch and next on the main stage with the intense heat still sapping all energy, Disturbed deliver a plodding set. The set list is fine, the performance is far from phoned-in but with the audience struggling and the band following the ferocity of Bob Vylan, Disturbed feel distinctly average today.
We then head to the Opus stage expecting Placebo to also struggle to engage the tired and weary crowd. After all this is the third day which would traditionally be the home straight, and Placebo are not known for their crowd pleasing set list choices.
Pleasantly though those making the effort are surprisingly rewarded not just with an energised performance from the band but also a excellent set of songs including a very rare outing for the superb ‘Nancy Boy’. On their day Placebo can be an incredible live act and today they are at the peak of their powers which re-energises the previously zombified crowd.
It’s then time for night two of Metallica’s no repeat weekend. There are some great choice cuts in the set tonight such as a tour debut for ‘Whiplash’ plus ‘Until It Sleeps’, ‘Wherever I May Roam’ and Thin Lizzy cover ‘Whiskey in the Jar’! The finale of ‘One’ and ‘Enter Sandman’ ensures that the hits are accounted for as well as Metallica deliver another slick and graceful set.
SUNDAY
The final day feels like a step too far, most definitely compounded by the unrelenting heat, but once again when lost in the music all those issues somehow disappear – the power of music!
Bloodywood start the day off with an engaging performance on the Apex stage, before our recent Podcast guests Blind Channel deliver on their promise to bring the energy to Download. The sight of many metalheads singing along to a rendition of Anastacia’s ‘Left Outside Alone’ is a real sight to behold and set closer ‘Dark Side’ has everybody with their middle finger in the air.
Lorna Shore then suffer again from a lack of enthusiasm from the crowd and their sound getting swallowed up by the enormous space. Joey Valence & Brae though have neither issue in the Avalanche tent with a rambunctious and fun-filled slot.
As the heat and the excesses of the weekend catch up on the crowd it’s telling that for this afternoon outdoor sets like The Amity Affliction and Avatar whilst technically great feel like a struggle. Whereas tented sets from Joey Valence and Brae and the brilliant The Meffs are able to revive the crowd and thrive on their rejuvenation.
Thankfully things start to cool as clouds begin to take over the sky as we get ready for Dinosaur Pile-Up on the Opus stage. Sadly technical difficulties shorten their set to just five songs, but those five songs sound fantastic!
I Prevail have a huge slot on the main stage and make a good impression although you do again feel something is just lacking today. Not to flog a dead horse any further but it may be the low energy levels today or the enormity of the stage swallowing the heavier sound but it’s hard to truly get into their set today.
Thankfully the smaller outdoor Opus stage seems to have a lot of energy and Bad Religion are able to take advantage of that next with a typically slick run of punk rock anthems. Opening with ‘American Jesus’ the band able to hold your attention throughout before finishing with a rousing rendition of ’21st Century (Digital Boy)’.
Next up on this stage are Ghost who really should be headlining the main stage at this point. Musically and theatrically they are on another level and you have a sense of the Bring Me The Horizons about then. Hopefully Download Festival will strike while the iron is hot because everything about their performance today is perfect.
Ghost are so good that you also feel it unnecessary to watch Slipknot, but as soon as the band hit the stage you are glad that you stayed. The history between the band and festival is huge and it’s great that they are one of the few acts that seem to properly acknowledge that this weekend.
A standard (which is great) Slipknot set follows with some sentimental set choices and an enthralling stage show. It’s really fitting for Slipknot to close out what has been an intense weekend of celebration.
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The busiest and longest ever Download Festival will last long in the memory for reasons both good and bad. As we said at the start, this festival is a true monster now and has enough dedicated customers to ensure that it will never go down as its predecessor did. It has however become rather soulless and corporate and it feels like the identity it created over the first decade or so could be lost.
Hopefully the event will use this success to both maintain its heritage but also to now really push for the future headliners and top acts to come through. So, congratulations Download on twenty phenomenal years, and here’s to many many more to come!
Kicking off proceedings on the tour are The Mysterines who have been solidly making a name for themselves over the last few years. This then is a huge opportunity for the band to pick up new fans and build momentum.
From the moment they walk onto the stage to the final strains of ‘Life’s A Bitch (But I Like It So Much)’, the group feel very much at home on a stage this big. Often even top live acts can struggle to fill these cavernous venues with their sound but that is no problem for The Mysterines.
The inclusion of new track, ‘Begin Again’, hopefully hints as more new music on the way because the world is their oyster. The Mysterines have all the qualities needed to end up headlining venues like this, and with performances like tonight you’d be willing to put money on it.
WATCH ‘BOGUS OPERANDI’ FROM THE HIVES
The Hives – ‘Bogus Operandi’
Last summer Arctic Monkeys headlined Reading and Leeds Festivals and despite the hype, their performances on the weekend were incredibly lacklustre.
It may have been a surprise then to see The Hives announced as main support for this tour. The band, instantly recognisable as one of the best live bands on the planet, certainly have the ability to upstage our headliners.
Opening with new track, ‘Bogus Operandi’, it doesn’t take long for the packed crowd to realise that they are witnessing greatness. It certainly helps that frontman Howlin’ Pelle Almqvist is on hand to remind everyone!
The likes of ‘Main Offender’, ‘Walk Idiot Walk’, ‘Hate To Say I Told You So’, ‘Come On!’ and ‘Tick Tick Boom’ help to get the crowd suitably warmed up for the final act. In truth, you’d be happy with the evening ending at this point as it’s hard to imagine Arctic Monkeys topping the live masterclass delivered by The Hives.
WATCH ‘THere’d better be a mirrorball’ from arctic monkeys
Arctic Monkeys – ‘There’d Better Be A Mirrorball’
When our headline act does arrive though, they quickly smash out ‘Brianstorm’, ‘Snap Out of It’, ‘Don’t Sit Down ‘Cause I’ve Moved Your Chair’, ‘Crying Lightning’, ‘Teddy Picker’ and ‘The View From the Afternoon’. You are then reminded just how great Arctic Monkeys can be when they want to be.
The question these days is do they want to be? Thankfully, tonight they mostly do because tracks from their two latest albums are at a minimum and the likes of ‘Fluorescent Adolescent’, ‘Do I Wanna Know?’ and ‘Mardy Bum’ are left to set to the tone. This creates more of a party atmosphere in the Stadium and ensures that the band can keep up with The Hives.
By the time the evening finishes with ‘I Bet You Look Good on the Dancefloor’ and ‘R U Mine?’, Arctic Monkeys have ensured that their first Stadium tour is a successful one. Hopefully the band will soon rediscover their desire to record good music as well!
Voodoo Daddy’s in Norwich really is a great little venue for an old school rock n roll show, so it’s a good thing that we are here tonight for just that!
There are three bands on offer tonight with our headliners The Pearl Harts celebrating the recent release of their latest album, ‘Love, Chaos’.
COLLARS
Up first are locals Collars, who do a fantastic job in getting the early crowd warmed up. The unique duo have something a little different to offer, which is always important when there are so many acts out there battling for a limited audience.
That shines through tonight and clearly the audience here in the venue appreciate the experience. The duo are able to control the crowd well and convey their sonic goods with effortless aplomb.
HOTWAX
The main support for this tour comes from upcoming rockers HotWax who take things to the next level with their assured performance. The trio play a selection of tracks from recently released EP, ‘A Thousand Times’, which sound enormous live.
The likes of ‘Treasure’, the title-track and set closer ‘Rip It Out’ demonstrate why the hype train is starting to pick up for a band with a big future. The band play with experience beyond their years and certainly make an impression on the thrilled crowd.
THE PEARL HARTS
Soon enough it’s time for our headliners to take to the stage and as soon as they do, you feel the presence of stars. The Pearl Harts have just followed up their stunning debut album with another sensational collection of fun rockers.
The duo completely own the stage and ‘Baby Chaos’, ‘Pullin’ My Brains Out’ and ‘Lara’ set the tone early for the rest of the night. Polished yet rough and ready, The Pearl Harts somehow capture the juxtaposition of the two with ease; singles ‘More’ and ‘Hypocritical’ showcasing this next.
There is a fierce power in the duo but this is seized and presented with a real shine. The crowd are almost left in awe of the ferocious majesty on display as the band plough through ‘Suck It Up’, ‘Gold’, ‘Wild Me’ and ‘Different Kinda Girl’.
On record The Pearl Harts are spectacular, but on stage they are simply phenomenal. Even broken strings can’t stop them and ‘Hurt’ and ‘Hit The Bottle’ quickly follow reminding fans of the quality of their debut album, ‘Glitter and Spit’.
The intense finale of ‘Black Blood’ is enough to ensure the audience leave with huge smiles on their faces. After all, they’ve just caught three very good bands in a great little music venue. Surely there’s not a better way to spend a Bank Holiday?
Rock fans know that festival season is upon us when we get to the late May Bank Holiday weekend and Slam Dunk Festival brings rock and punk fans to Hatfield and Leeds.
This year that journey takes a little longer for some due to traffic issues, probably borne out of the fact that both events are sold out. Leeds in particular feels like the Temple Newsam is bursting at the seams today.
Queues are unimaginably long for merch, toilets, food or anything else, but thankfully the music (and weather) is very much on point!
We start the day in the ‘Knotfest’ tent for rising metallers Heriot, who attract a decent sized early crowd. That crowd is treated to a blistering set of gloriously heavy goodness and a spirited performance from a band on the cusp of bigger things.
It’s then a short walk over to one of two outdoor main stages, the ‘Amazon Rock Scene’ stage, where we will spend most of our day today. Taking this stage next are VUKOVI who absolutely own the stage and showcase their superb new album, ‘NULA’. Singer Janine is able to hold the audience in the palm of her hand and orchestrate the first truly great set of the band.
Logistically the event may be remembered for the wrong reasons, but musically today is fantastic, with that set from VUKOVI one of many that will live long in the memory for all the right reasons.
Thinking, we’ll go for a quick wonder around, it’s clear that nothing will be quick today, but we do catch a glimpse of girlfriends who are very impressive for the time we can stay. Soon though we must head back down the hill to catch Trash Boat.
This is a band that has grown significantly in almost every sense of the word over the past few years. Their latest album, ‘Don’t You Feel Amazing?’, was one of the most surprising of 2021 as the band took their sound to new heights. Today they use the stage to bring many of these tracks to life and the crowd are clearly appreciative of another excellent performance.
Trash Boat are followed on stage by Holding Absence who have just announced that their third album, ‘The Noble Art of Self Destruction’, will be out later this year. Their set today is a good mix of old and new including brand new single, ‘False Dawn’ and fan favourite ‘Afterlife’, which gets a monumental response from the passionate crowd.
Soon enough it’s over to Wargasm who are becoming one of those marmite bands where it’s almost cool to hate them. The energy and ferocity that they put into their show however can’t be denied and whilst the energy levels for some of the crowd starts to sap, the band push through with tracks such as ‘Backyard Bastards’ and ‘Spit.’ getting everyone back moving.
We then head over to the other end of the festival site (very slowly) to the ‘Kerrang’ stage where the tent is overspilling already ahead of Boston Manor. The band are on top form right now and have every person singing along to their gargantuan anthems. As they conclude their time on stage with ‘Halo’ you can’t help but think that Boston Manor deserve to be absolutely huge.
It’s a blast from the past next as Slam Dunk keep up their track record of reformations with Kids In Glass Houses. Playing their first shows in almost a decade the band focus their set on ‘Smart Casual’, which will be getting a re-release later this year. Songs like ‘Saturday’ and ‘Give Me What I Want’ still have it and so do the band who fly through the set like they’ve never been away.
Sticking to the same stage we are soon graced by PVRIS who deliver another really good performance which features a well structured setlist. Lynn Gunn leads the trio through a selection of their popular tracks with ‘You and I’ and ‘My House’ both getting big audience responses. The band will return with their fourth album in July, and new track ‘Goddess’ goes down very well today complete with guest spot from Charlotte Sands.
We are at the business end of the day now and up next on stage are Billy Talent who are able to deliver a pure masterclass in how to make the most of a shortened festival set. Banger, after banger, after banger as the band deliver suckerpunch after suckerpunch. The crowd reciprocate the bands energy and by the time the set finishes with ‘Red Flag’, the band have done enough to claim the band of the day moniker!
In the clash of the headliners, we opt to head to the ‘Dickies’ stage for punk icons The Offspring. The band have an endless stream of hit songs, and tonight the band focus more on their back catalogue then they did at Hatfield yesterday.
Their covers section in the middle feels a little too much considering their short time on stage but nobody can deny the final run of tracks which provides a great end to a packed day both musically and in terms of the volume of people on site!
Slam Dunk is a trusted brand these days and musically they’ve delivered once again, but there are undoubtedly some logistical issues that need to be fixed. Perhaps they’ve once again outgrown their homes and need to find bigger accommodation, one thing is for sure though and next May will again see a packed line-up heralding the dawning of a new festival season.
With thousands heading into London and millions more preparing to watch the outlandish Coronation on the TV, a hundred or so hard rockers file into the B2 venue in Norwich for a old school rock show.
This feels much more of a celebration of our great nation’s true culture and community than the scenes that we’ll see in Westminster Abbey. There is less pomp and ceremony here but there is still a great time to be had.
BROKEN SOUL
Getting these festivities underway are four-piece Broken Soul who get the crowd suitably warned up with tracks such as ‘By My Side’ and ‘Always Be With Me’. They may not have the military precision of the Coldstream Guards band but that’s actually the charm! It’s rough, it’s ready and tonight Broken Soul get the crowd rocking.
ATTIC THEORY
Next up on the compact stage are sextet Attic Theory who clearly have a number of readymade fans out in the audience. Their time on stage feels short, which is always a good sign and by the time they close out their set with ‘Saints Amongst Us’, they have the venue in full swing, singing along to every word as if they were reciting the national anthem in the presence of the new king!
DEAD MAN’S WHISKEY
Feeling the tedious Coronation link coming to an end, it’s time for Dead Man’s Whiskey to sit upon the B2 throne. The group started making waves with their debut album, ‘Under the Gun’, around 2017 and seemed on the cusp of something special just as the pandemic hit.
Like many, particularly in the music industry, 2020 was something of a momentum killer, but the band now appear ready to reach for the sceptre once more. New single, ‘Masquerade’ has been very well received and tonight the crowd can’t wait to kneel before their new masters.
The band are more than prepared to lead the crowd through an hour of good honest rock n’ roll. The new material on offer is greeted with equal delight to older tracks such as ‘War Machine’ and ‘This Fight’, which is another good sign this evening.
The closing trio of ‘Hoe Street’, the emotive ‘Make You Proud’ and the fantastic ‘Racing Bullet’ showcase a band ready to ascend, perhaps not to sovereignty but certainly to the next level in the hierarchy of the music industry.
There is even time for an encore of AC/DC classic ‘Highway To Hell’, which sends the fans out the door happy. Tomorrow’s events in London will be remembered for years to come, but it’s nights like these happening every night in great venues across the land that make this country what it is!
It’s fitting that Paramore come back to the UK around Easter time as their return has been received much like the second coming. Yes, you’d struggle to find a more engaged and dedicated audience than the hardcore Paramore fanbase.
Tonight their tour arrives in London at the gargantuan O2 Arena. It’s within this cavernous space that opening act Rozi Plain serenade the early attendees. What I can hear sounds delightful however their sound does struggle to fill the venue.
Our next act don’t struggle with that issue however as indie icons Bloc Party deliver a short and succinct set that mixes old and new to good measure. The uninitiated in the crowd seem somewhat unsure of what they are watching, but those familiar like myself have a great time with this gem of the landfill indie era. How can anybody not perk up to the likes of ‘Banquet’, ‘Flux’ and ‘Helicopter’?
Soon enough the lights are dimmed and Paramore arrive on stage where they quickly deliver two new tracks ‘You First’ and ‘The News’ from recent album ‘This Is Why’. Soon thereafter classic tracks ‘That’s What You Get’ and ‘Playing God’ kick the evening into another level.
The dynamics of arena seating has always intrigued and annoyed me; particularly the perhaps controversial issue of whether fans in seating should stand up during the show. Personally, it’s fine but it needs to be all or nothing – either everyone stands or everyone sits, not little pockets of standing people ignoring the fact they are blocking the view of those around that remain seated.
The other thing that gets me is the disrespect of only standing during certain songs. Tonight it was telling the moment Hayley Williams said “my band are letting me play a solo song” or “Zac is going to sing a HalfNoise song” that the vast majority instantly sat down before even a note was played clearly indicating that they weren’t interested in even giving these tracks an opportunity.
This was a theme throughout the night with the older hits getting people stood up (usually to just film the song on their phones), and anything more obscure being treated with utter contempt. This isn’t of course a new phenomenon but it was very noticeable this evening.
Performance wise though, whether the audience reciprocated or not, the entire set was Paramore on top form. It was great to see the band clearly enjoying themselves again, something else which was evident from the night.
By the encore of ‘All I Wanted’ and ‘This Is Why’, the band have delivered the goods and the fans whether sat down or stood up are all clearly pleased with the show. It’s great to have the band back!
The average age at the Eventim Hammersmith Apollo in London tonight is tellingly specific – mid to late 30’s! Those filing into the venue are here tonight to relive their teenage years and to remember a scene that delivered some seriously talented, yet incredibly underrated bands.
Three such acts are on offer tonight starting off with the openers My Vitriol. The band showed much promise with their debut album, ‘Finelines’, in 2001 before they entered a perennial state of hiatus. Most of their set tonight comes from that album which ensures that the early attendees are already engaged. Set closer, ‘Always: Your Way’ sounds huge and leaves you wondering what could’ve been.
That is a constant feeling for me when remembering the British rock scene in the early 2000’s, who seemingly were hindered by the insatiable focus on nu-metal at the time. So much quality was given so little attention compared to their US contemporaries. This combined with the emergence of illegal downloads at the time seemed to stifle the growth of a generation of artists.
WATCH ‘I CAN CLIMB MOUNTAINS’ FROM HELL IS FOR HEROES
So many bands arrived with a big debut album whilst rock was the genre, only for their subsequent material to be ignored by the mainstream music media who had moved on. Another prime example would be our special guests tonight Hell Is For Heroes whose debut album ‘The Neon Handshake’ must go down as one of the best British rock debut albums ever.
Again, tonight they have the audience onside from the get go with their set featuring a slew of tracks from that album. ‘I Can Climb Mountains’, ‘Night Vision’, ‘Five Kids Go’ and ‘Out of Sight’ all receive huge reactions tonight from the passionate crowd and by the time they are done, as corny as it sounds, they receive a heroes ovation!
There are quick turnarounds tonight so it isn’t long before our headliners Hundred Reasons arrive onstage. This tour is another to have suffered postponements since it was originally scheduled to take place. That has meant that now we have a new Hundred Reasons album and it’s stunning. There is no surprise here then when the band choose the title-track ‘Glorious Sunset’ to open the show.
WATCH ‘REPLICATE’ FROM HUNDRED REASONS
Hundred Reasons – ‘Replicate’
The rest of the set is a celebration of the past but with some of that fantastic new music mixed in with ‘It Suits You’, ‘Replicate’ and ‘The Old School Way’ all more than fitting in alongside the older fan favourites. Hopefully that’s a good sign for the band and they can remain viable in the future. Certainly more new music and live shows from Hundred Reasons is never going to be a bad thing.
Clearly that debut album theory has something to it tonight as tracks from ‘Ideas Above Our Station’ receive the biggest reactions with the sing-a-longs to ‘I’ll Find You’, ‘Falter’, ‘Silver’ and ‘If I Could’ simply deafening.
That said tracks from the bands other albums like ‘Kill Your Own’, ‘What You Get’ and ‘No Way Back’ also get the crowd active. This has been Hundred Reasons at their magnificent, majestic best, with the band members slipping back into those comfortable shoes. The addition of Jack Bottomley from Marmozets to the live line-up also helps to ensure that the band sound just as massive as before.
Hopefully with the revival of acts such as these, that early 2000’s British rock scene can get some overdue attention; but if nothing else at least a few thousand millennials get to relive the soundtrack of their youth!
Somehow it’s already been almost a year and a half since Bullet For My Valentine released their self-titled seventh album. The record arrived in late 2021 and we now find ourselves in early 2023! Time has certainly flown by, but finally the band are getting to head out around the UK in support of the album.
WATCH ‘DROWNING’ FROM ATREYU ON YOUTUBE
Atreyu – ‘Drowning’
Tonight that sees the band kick off the UK leg of the tour at the Corn Exchange in Cambridge. Opening up proceedings are revamped Californian metallers Atreyu who receive a huge reception as they take to the stage.
The band of course has a long history and clearly many in the room are fully aware; soon enough though even those that weren’t already familiar with the band are on board as well. Drummer turned front man Brandon Saller orchestrates the crowd superbly as the group run through the likes of ‘Becoming the Bull’, ‘Save Us’, ‘Drowning’ and ‘Blow’. By the time they exit the stage, the reaction is even greater than when they arrived.
WATCH ‘VORTEX’ FROM JINJER ON YOUTUBE
Jinjer – ‘Vortex’
Anticipation is clearly high also for our next act, Ukraine’s much hyped Jinjer. Led by singer Tatiana Shmailyuk, the group instantly command the attention of the packed venue and show just why they’ve had so much attention in the last few years.
The time that the band spend onstage tonight feels short, which is usually a good sign; and it’s evident from the confident performance that the band feel at home and indeed belong on big stages. As far as their job tonight is concerned, by the time that they leave the stage they’ve got the crowd riled up and ready for our headliners but they’ve also left them wanting more Jinjer – which is precisely the outcome needed from their main support slot.
WATCH ‘KNIVES’ FROM BULLET FOR MY VALENTINE ON YOUTUBE
By the time Bullet For My Valentine hit the stage, the crowd have already been treated to a fantastic evening and to an extent the pressure is on for a band who have been much maligned by metal fans in recent times.
Each of their last three albums have been hailed as a return to form, but surely that actually indicates that the band have been delivering consistently good music? Their live shows have certainly continued to deliver the goods and despite being under the weather tonight is no different.
‘Knives’, ‘Over It’ and ‘Piece of Me’ get the audience on side from the beginning before ‘4 Words (to Choke Upon)’ steps things up a notch. The pace of the set from here is relentless with a good mix of old and new material on offer from the band.
There is a nice surprise with the inclusion of rarity ‘Hearts Burst Into Fire’ which does a good job of getting those phones up in the air. There is also plenty that gets the crowd moving as well with the likes of ‘Scream Aim Fire’ and the final run of ‘Your Betrayal’, ‘Tears Don’t Fall’ and ‘Waking the Demon’ all sounding absolutely massive tonight.
Whilst the career trajectory for the group may have slowed down, through their recent releases and shows like tonight, Bullet For My Valentine have shown that they still have plenty left in the tank!
