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Live Reviews

Download Festival

Donington Park, Castle Donington

Thursday 8th to Sunday 11th June 2023

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DOWNLOAD FESTIVAL 2023 REVIEW

This weekend is a celebration of twenty years of Download Festival. Stepping into the void left by Monsters of Rock not just at the hyped spiritual home of rock Donington Park but to the whole UK rock/metal scene, Download has become its own monster.

This year is truly monstrous as the event is fully sold out with record breaking numbers of attendees coming to partake in the celebration. Those celebrations get off to a rough start though with unprecedented traffic problems souring the event for many before it even properly begins.

📸 Live Nation UK PR

Once the music starts though a lot if not all of those problems subside. There is a stacked bill for the anniversary party including two nights of Metallica, a closing set from Download icons Slipknot but most vitally a new headline act Bring Me The Horizon.

The gap between Monsters of Rock and Download caused a vacuum in ability for bands to hit headline status with many acts from that era missing out on that status, Korn being one such act often thought of as passed over. Think about it, if they’d headlined at Donington Park in the late nineties, they’d no doubt still be that rank higher than they are now.

In the early years of Download, a number of bands had an opportunity to cement themselves at the top level, think Audioslave, Linkin Park, System of a Down and My Chemical Romance.

Playing alongside stalwarts like Iron Maiden, Metallica, Black Sabbath and Kiss gives bands credibility and elevates their stock. 2009’s Slipknot set is still heralded as the best example of the ‘bump’!

The problem is since then only Avenged Sevenfold in 2014 have really been given that opportunity and Download has become a bit of a clichéd round robin of the likes of Def Leppard, Rammstein, Aerosmith and other favourites already mentioned.

Perhaps then the most important booking in a celebration of the past is the look to the future with Bring Me The Horizon finally getting the top spot. Whilst Download probably should’ve got in before Reading and Leeds, it’s hopefully a sign of a subtle change of tact from the festival.

That’s because the line-up is also graced this year by the likes of Hot Milk, Nova Twins and Bob Vylan in prominent slots. Mixing this with the likes of classic Download bands Disturbed, Alter Bridge, Halestorm and Skindred gives the line-up a fresh but familiar feel.

Sadly beyond the bookings of Metallica and Slipknot plus the additional day there isn’t much done to make this year feel special for those who have made Download Festival part of their lives.

Whilst the organisers could have done more both in terms of that something special and in certain ways just the very basics, they have provided a top tier line-up, so let’s take a look at the highlights!

THURSDAY

Cancer Bats get the ball rolling on day one for us over at the second stage (now dubbed the Opus stage). The band get those that have made it into the arena pumped up with a early set packed full of ragers that ultimately ends prematurely when the sound is cut during ‘Hail Destroyer’!

Soon thereafter, Mammoth WVH get proceedings underway on the main stage (or Apex as it’s now called!). In some ways it’s fitting having the Van Halen name on this stage, in others it’s very ironic as the legendary band are often referred to by lead booker Andy Copping as one that got away.

Wolfgang and co show that with or without the last name, they have the talent needed to conquer stages like these. From start to finish it’s an excellent showing that places the band on the potential list for future festival stars.

Next up on the Opus stage are Hundred Reasons who are riding the wave of their stunning return album, ‘Glorious Sunset’. The band open with the title-track before running through a series of classic tracks much to the delight of those gathered. Hopefully this isn’t a victory lap for the band as creatively and onstage they are as good as they’ve ever been!

As we focus on the future of the festival, two names often linked to future headline status are Halestorm and Alter Bridge. It’s fine booking then to see the bands back to back next on the Apex stage.

Halestorm deliver another flawless set that seems to finish before it begins given their short allocated slot. That’s not necessarily a bad thing though given the old saying of leave the fans wanting more. Halestorm certainly do that and with a headline date pencilled in at Wembley Arena this December, the next time the band grace Donington you’d hope to see them in the sub-headline spot.

That’s the spot filled by Alter Bridge who have played in this position multiple times before; a sense perhaps then of always the bridesmaid and never the bride! Today though the band give it their all to show what they have to offer.

Watching the crowd, the set seems to be really well received which is a good sign. The band after all are always technically superb, so if enhancing that audience connection is the missing piece to progression then today’s set will have gone a long way to creating that link!

All that’s left on this special Thursday then is the first of two headline performances from the biggest metal band on the planet, Metallica. The two sets will be completely unique, giving fans the chance to see far more than a standard Metallica set list.

Night one has a good mix of hits like ‘Creeping Death’, ‘Fade To Black’, ‘Nothing Else Matters’, ‘Sad but True’ and ‘Master of Puppets’, deep cuts such as ‘Leper Messiah’, ‘King Nothing’ and ‘Orion’ plus new material from ’72 Seasons’.

FRIDAY

Friday is a huge day for the future of heavy music with a number of hotly tipped bands performing on the main stage including headliners Bring Me The Horizon.

We start on the Opus stage though with a debut UK festival appearance from Mexicans The Warning. The sister trio deliver an assured performance which belies their position on the bill. The set is another case of leaving the audience wanting more and you have to imagine that they’ll be back very soon.

Nova Twins take to the Apex stage soon after and absolutely own the stage. The duo are able to show just why they have so much hype with a performance that should be talked about as one of the best of the weekend.

Hot Milk have the unenviable task of following the pure energy that was Nova Twins, and thankfully for the band and the crowd they are up to the task. With a debut album on the way the band are on the cusp of something special and this set will again not doubt be one of those “I was there” moments.

The effortless cool of Demob Happy delights the Avalanche stage next as they showcase their stunning new album, ‘Divine Machines’.

Back on the Apex stage with the run of younger bands, next up for us are Neck Deep who are perennial contenders for bigger things. Today they have tens of thousands of people singing back the likes of ‘December’ and you have to consider Neck Deep’s set another victory for the new breed of Download band.

It’s a short and sharp blast from the past next as we pop to the Avalanche stage for the return of The Blackout. The band perform like they’ve not been away and receive a hero’s return from the audience. With the tease of more live dates to follow, it looks like The Blackout are back and back with a bang today!

It’s a quick bolt over to the Opus stage next for Within Temptation who are clearly playing a slot below their stature. The performance the band give is headline worthy not just of this stage but of the main stage. The band has a wealth of experience and use all their tricks to deliver a masterful set full of their best crowd pleasing hits.

By the time Evanescence grace the stage, the mass of humanity in attendance is a clear indication that the band should have been on the main stage. Viewing points are few and far between but wherever you are stood the band sonically deliver. A mixture of old and new is greeted well regardless but it’s mega hit ‘Bring Me to Life’ that has the entire place singing their hearts out.

It’s then time for that set. Bring Me The Horizon take over the main stage and prove any remaining doubters wrong. Making Metallica appear average, the band give their all both aesthetically and musically and produce possibly the greatest headline performance in the twenty years of the festival.

As we said earlier, the band should have been given this slot years ago, but if they had then this moment wouldn’t have existed. Their show tonight is the proof needed that the next wave are ready now and the gatekeepers need to move aside.

This set is historic not just for the theme of the weekend or for the stature of Bring Me The Horizon, it’s historic as a watershed moment for this festival. New headliners of the future should personally thank Bring Me The Horizon for breaking through that proverbial ceiling!

SATURDAY

On to Saturday now and nobody mention the weather! A celebration of twenty years of Download would have fittingly seem some rain and mud, and from this point on the festival is so hot that many would probably have willing traded the sun for some rain.

After last night it almost feels an anti-climax for the festival to continue, but another Metallica set should never be scoffed at. Thankfully there are still some fresh new bands breaking through lower down the bill today, and first up we catch Static Dress who seemingly channel the energy of Bring Me The Horizon with the fantastic opening Opus stage set.

One of the best bits of a festival for a publication passionate about new music is stumbling across a surprise gem on one of the side stages. This year that is ANTISAINT who simply storm the small Dogtooth stage with a ferocious set and definitely leave with more fans than they had going in.

The new look FEVER 333 then take to the main stage and deliver another memorable moment with Jason Aalon Butler scaling one of the massive towers erected in the main arena. That moment though shouldn’t take away from the already phenomenal set the band had delivered.

Lake Malice are next for us back in the Avalanche stage who are able to continue the run of top tier performances we’ve caught thus far. Whilst some of the organisational elements of the festival have been lacking, the music has been of the highest calibre and Lake Malice are another band you suspect will be back in a bigger spot sooner rather than later.

Next on the Apex stage are Ice Nine Kills, whose theatrics create a spectacle on the main stage, but musically they feel a little flat, perhaps being the first underwhelming set of the weekend.

Clutch who follow then also suffer both through technical difficulties and the energy sapping heat which probably negatively impacted Ice Nine Kills as well. The lack of enthusiasm from the crowd doesn’t help and it’s probably a good thing we are headed to a tent next.

We are set now for another one-two punch, this time in the Avalanche tent with Kid Kapichi and Bob Vylan on tap. It’s Kid Kapichi up first and they instantly raise the intensity levels with opener ‘Sardines’. Each song that follows is just as rewarding and by the time the band finish with ‘Smash the Gaff’ they’ve done just that!

One of the most exiting acts on the bill this weekend are Bob Vylan. The mention of ceilings earlier is relevant because this duo haven’t just smashed ceilings they’ve proceeded to stamp the shards into dust. Their performance to a packed crowd today is further evidence that new acts can make Download their home. That’s exactly what Bob Vylan do here as to repeat another cliché they completely own the stage.

It was always going to be hard to follow that suckerpunch and next on the main stage with the intense heat still sapping all energy, Disturbed deliver a plodding set. The set list is fine, the performance is far from phoned-in but with the audience struggling and the band following the ferocity of Bob Vylan, Disturbed feel distinctly average today.

We then head to the Opus stage expecting Placebo to also struggle to engage the tired and weary crowd. After all this is the third day which would traditionally be the home straight, and Placebo are not known for their crowd pleasing set list choices.

Pleasantly though those making the effort are surprisingly rewarded not just with an energised performance from the band but also a excellent set of songs including a very rare outing for the superb ‘Nancy Boy’. On their day Placebo can be an incredible live act and today they are at the peak of their powers which re-energises the previously zombified crowd.

It’s then time for night two of Metallica’s no repeat weekend. There are some great choice cuts in the set tonight such as a tour debut for ‘Whiplash’ plus ‘Until It Sleeps’, ‘Wherever I May Roam’ and Thin Lizzy cover ‘Whiskey in the Jar’! The finale of ‘One’ and ‘Enter Sandman’ ensures that the hits are accounted for as well as Metallica deliver another slick and graceful set.

SUNDAY

The final day feels like a step too far, most definitely compounded by the unrelenting heat, but once again when lost in the music all those issues somehow disappear – the power of music!

Bloodywood start the day off with an engaging performance on the Apex stage, before our recent Podcast guests Blind Channel deliver on their promise to bring the energy to Download. The sight of many metalheads singing along to a rendition of Anastacia’s ‘Left Outside Alone’ is a real sight to behold and set closer ‘Dark Side’ has everybody with their middle finger in the air.

Lorna Shore then suffer again from a lack of enthusiasm from the crowd and their sound getting swallowed up by the enormous space. Joey Valence & Brae though have neither issue in the Avalanche tent with a rambunctious and fun-filled slot.

As the heat and the excesses of the weekend catch up on the crowd it’s telling that for this afternoon outdoor sets like The Amity Affliction and Avatar whilst technically great feel like a struggle. Whereas tented sets from Joey Valence and Brae and the brilliant The Meffs are able to revive the crowd and thrive on their rejuvenation.

Thankfully things start to cool as clouds begin to take over the sky as we get ready for Dinosaur Pile-Up on the Opus stage. Sadly technical difficulties shorten their set to just five songs, but those five songs sound fantastic!

I Prevail have a huge slot on the main stage and make a good impression although you do again feel something is just lacking today. Not to flog a dead horse any further but it may be the low energy levels today or the enormity of the stage swallowing the heavier sound but it’s hard to truly get into their set today.

Thankfully the smaller outdoor Opus stage seems to have a lot of energy and Bad Religion are able to take advantage of that next with a typically slick run of punk rock anthems. Opening with ‘American Jesus’ the band able to hold your attention throughout before finishing with a rousing rendition of ’21st Century (Digital Boy)’.

Next up on this stage are Ghost who really should be headlining the main stage at this point. Musically and theatrically they are on another level and you have a sense of the Bring Me The Horizons about then. Hopefully Download Festival will strike while the iron is hot because everything about their performance today is perfect.

Ghost are so good that you also feel it unnecessary to watch Slipknot, but as soon as the band hit the stage you are glad that you stayed. The history between the band and festival is huge and it’s great that they are one of the few acts that seem to properly acknowledge that this weekend.

A standard (which is great) Slipknot set follows with some sentimental set choices and an enthralling stage show. It’s really fitting for Slipknot to close out what has been an intense weekend of celebration.

Download Festival
📸 Live Nation UK PR

The busiest and longest ever Download Festival will last long in the memory for reasons both good and bad. As we said at the start, this festival is a true monster now and has enough dedicated customers to ensure that it will never go down as its predecessor did. It has however become rather soulless and corporate and it feels like the identity it created over the first decade or so could be lost.

Hopefully the event will use this success to both maintain its heritage but also to now really push for the future headliners and top acts to come through. So, congratulations Download on twenty phenomenal years, and here’s to many many more to come!

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Categories
Live Reviews

Bob Vylan

OMEARA, London

Friday 10th February 2023

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BOB VYLAN – OMEARA LONDON – LIVE REVIEW

Some nights and certainly some gigs are just special. Tonight is one of those!

For a start we are all here for a vital cause, War Child. The work that this organisation does is incredible and any time we can support them is important, but to do so through music is special. It’s an exchange in values, an exchange in love and it’s a sobering reminder that many of the activities we enjoy are being unjustly stripped away and denied from children all over the world.

Then, hey, those with tickets are getting that exchange. For their support by way of the cost of admission, they get to spend their Friday night in an amazing small venue tucked down a little London side street enjoying a phenomenal live act.

The venue in question is OMEARA and that act is Bob Vylan. The tiny venue is a thing of beauty and Bob Vylan are an act well beyond venues of this size now, so that recipe for magic is all set.

All that is left is for the duo to deliver the goods, and boy do they do just that. The intimate venue is somehow made to feel even smaller as the crowd unifies as one to bounce and move along to the ferocious music coming from the stage.

The set is a good mix between their two albums, with the likes of ‘I Heard You Want Your Country Back’, ‘GDP’, ‘We Live Here’ and ‘Phone Tap’, eliciting some of the biggest reactions, but in fairness the atmosphere just never drops!

WATCH ‘THE DELICATE NATURE’ ON YOUTUBE
Bob Vylan – ‘The Delicate Nature’ feat. Laurie Vincent

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Bob Vylan show that they can hold the audience in the palms of their hands and control a crowd as well as anyone else. A big part of this is the strong connection between band and fans and a mutual belief in the message this beautiful bond represents.

New track ‘The Delicate Nature’ sounds massive and builds excitement for what is to come next from the duo. The set is rounded off by ‘England’s Ending’, ‘Pretty Songs’, ‘Wicked & Bad’ and an obligatory stage invasion, which sends those lucky enough to be in attendance off into the cool London night beaming with joy at what they’ve just experienced.

In a world full of injustices, we need organisations like War Child, we need artists like Bob Vylan and we need special nights like this both to escape the cruelty of life but also to refocus our minds on the battles that need fighting!

For more information and to donate to War Child head here.

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Features

The Year In Review 2022

Full Pelt Music looks back on 2022 for our Year In Review

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It’s been another big revival year for the music industry following the pandemic years, and it’s been another year of growth for us at Full Pelt Music! We’ve reviewed 67 albums, 7 EP’s, 6 festivals and 38 gigs in 2022 as some level of normality or even stability has returned to our industry.

That said, there are still many issues facing the industry with livelihoods, venues and organisations at risk for a plethora of reasons. Whilst government action is required in many places, what we as fans can do is support the industry with our money. Times are tough for us all, but purchasing an album, buying a t-shirt, nabbing a ticket and grabbing a drink whilst at a gig does so much to support the industry that we love.

Our two great Podcasts have continued to grow and highlights this year came from guests such as Blood Red Shoes, The Treatment, Skinny Lister, Daytime TV, Pet Needs, The Ninth Wave, Sunflower Bean, James and the Cold Gun, Guise, October Drift, BERRIES, Asylums, As Sirens Fall and Jamie Lenman! We’ve already got some fantastic guests lined up for 2023, so ensure you subscribe and follow us across Social Media!

In our now annual end of year awards we’ll be giving out seven hotly contested awards looking at both the recorded and live sides of the industry. Adding to our well established Album of the Year award this year will be the new EP of the Year award. We’ll also once again be revealing our Single of the Year. All awards have seen fierce competition, as once again it’s been a high quality year for new releases.

On the live side of things, we’ll announce both our Gig and Festival of the Year awards. This year of course provided our first full calendar of music since 2019! We were able to witness many great performances this year and we can’t wait to share with you are favourites.

Lastly we’ll look at the artists who’ve had special years as we award our Artist and ‘Discover’ New Artist of the Year awards. So without further ado, let’s work through those award catagories!

ALBUM OF THE YEAR

It has been a truly magnificent year for album releases and getting a spot anywhere in our Top 50 was hard enough but in particular the Top 10 was incredibly tightly fought. You can read the full list here.

‘IMPERA’ from Ghost was able to take the crown this year but any of the top 10 could’ve taken that spot. ‘Reeling’ from The Mysterines in particular would likely have won in any other year, but the majesty and magnificence of ‘IMPERA’ proved unbeatable.

Winner:

‘Impera’ by Ghost

The contenders:

‘Reeling’ by The Mysterines, ‘FTHC’ by Frank Turner, ‘Skinty Fia’ by Fontaines D.C. & ‘The Price of Life’ by Bob Vylan

Previous Winners:

2021 – ‘Blue Weekend’ by Wolf Alice
2020 – ‘Ultra Mono’ by IDLES

EP OF THE YEAR

For the first time this year, we are separating EP’s out of our main award and giving them their own pedestal. That alone is the truest compliment to the quality of EP’s on offer this year.

Again, all EP’s in our top 5 are worthy of the number one spot, but it’s ‘coming of (r)age’ from As Sirens Fall that pips it. Catchy as hell single, ‘heaven (spat us back out)’, helps elevate the release to be crowed our first ever EP of the Year.

Winner:

‘coming of (r)age’ by As Sirens Fall

The contenders:

‘False Start’ by James and the Cold Gun, ‘SCP’ by Oakman, ‘Tyrants’ by IOTA and ‘BLACKGOLD’ by BLACKGOLD

SINGLE OF THE YEAR

We look now at our Single or Song of the Year. In considering the award this year we’ve considered the ear worms that have stayed with us after live performances. We’ve also pondered which songs instantly struck a chord and created a buzz of excitement for the albums and live shows that would follow.

Songs which fell into both of these considerations competed for the award and it was again a tight decision, but ultimately for us this year ‘Dangerous’ from The Mysterines has not just ticked both boxes but also remained on heavy rotation throughout the year despite being an early arrival in 2022. That’s why that track is our 2022 Single of the Year!

Check out the winning single below:

The Mysterines – ‘Dangerous’
Winner:

‘Dangerous’ by The Mysterines

The contenders:

‘Talk Hard’ by Jamie Lenman, ‘Compliance’ by Muse, ‘Wicked Ways’ by Halestorm, ‘Spillways’ by Ghost

Previous Winners:

2021 – ‘Test of our Resolve’ from Press To MECO
2020 – ‘Obey’ by Bring Me The Horizon feat. Yungblud

FESTIVAL OF THE YEAR

2022 was the first full festival season since 2019 and what a return it was. All eyes were on Glastonbury once again, British Summer Time curated a stunning line-up, Download Festival breathed fire and 2000trees was able to remind everyone what’s so great about smaller festivals.

Our winner this year though is Reading & Leeds who went big, sold out and delivered an action packed weekend even with the huge loss of Rage Against The Machine amongst others. Always a perennial contender for this award, 2022 felt like the year the event reclaimed its identity.

Read our review of Reading Festival Saturday

Winner:

Reading & Leeds

The contenders:

Glastonbury Festival, British Summer Time, Download Festival, 2000trees Festival

Previous Winners:

2021 – Download Pilot Festival
2020 – Wild Fields Festival

GIG OF THE YEAR

We’ve reviewed many gigs this year but in reality there could only ever be one winner. Rammstein’s tour is less of a concert and more of an experience; one that everyone, fan of the band or not, should experience at least once.

Beyond that there was still some incredible, top tier gigs in 2022 and our contenders are all worthy of glory, but Rammstein are currently on a whole different level.

Read our review of Rammstein live in Coventry

Winner:

Rammstein @ Coventry Arena

The contenders:

Royal Blood @ O2 Arena, London, Ghost @ Resorts World Arena, Birmingham, Muse @ Eventim Apollo Hammersmith, London, The Killers @ Carrow Road, Norwich, The Hella Mega Tour @ London Stadium, London, Creeper @ Roundhouse, London, Idlewild @ O2 Kentish Town Forum, London

Previous Winners:

2021 – Bring Me The Horizon @ O2 Arena, London
2020 – Frank Turner @ Arboretum, Nottingham

ARTIST OF THE YEAR

Artist of the Year now and for this award we look for somebody who has had a huge, perhaps even career-defining year. Previous winners Frank Turner and Biffy Clyro have done so by delivering incredible feats, far above the norm.

This year was a big year for many acts, but we’ve gone for Bring Me The Horizon as a band that have had a career-defining twelve months. Long tipped as festival headliners at a major event, many felt that the time would never come for one of the best live bands on the planet. Big releases, sold-out tours, no matter what the group did they never seemed to be given that torch, that is until this year!

Watching Bring Me The Horizon step up and headline at Reading & Leeds this summer felt like a real moment, not just for the band but for the whole scene. For any metal band, let alone one once considered so unfashionable to headline the biggest festivals in the UK is massive.

Already announced to finally headline Download Festival in 2023, 2022 will forever be linked for Bring Me The Horizon to taking that final career-defining set. Throw in their genre-defying collaboration with Ed Sheeran, 2022’s Artist of the Year had to be Bring Me The Horizon.

Winner:

Bring Me The Horizon

The contenders:

Ghost, Rammstein, Biffy Clyro, Muse

Previous Winners:

2021 – Biffy Clyro
2020 – Frank Turner

‘DISCOVER’ NEW ARTIST OF THE YEAR

As a publication we always want to put new music at the heart of what we do, and that’s why our final award is perhaps our most important! Our ‘Discover’ New Artist of the Year is awarded to the act we’ve chosen to highlight on our ‘Discover’ New Music Playlist and Podcast who we feel has made the biggest impact this year.

At the beginning of 2022 we put the spotlight on new Colchester act PET NEEDS as they continued to promote their debut album, ‘Fractured Party Music’. From that point on the band never looked back with a world tour, a second album (‘Primtime Entertainment’) and a sold out hometown show all under their belts.

They even found the time to become the first (and only at the time of writing) band to progress from our ‘Discover’ New Music Podcast and appear on The Full Pelt Music Podcast! Yes, fighting off some stiff competition for the ‘Discover’ New Artist of the Year award in 2022 is PET NEEDS!

Winners:

PET NEEDS

The Contenders:

BERRIES, As Sirens Fall, Oakman, James and the Cold Gun, Daytime TV, MOSKITO

Previous Winners:

2020 – Miss Vincent

So, that’s it! Another year in the record books, it’s been another difficult year and it has again been particularly tough on the music industry. That said, we’ve had a full year of live music for the first time since 2019 and the creative juices remain flowing with some absolutely stunning new releases over the past twelve months.

Below you can enjoy some of our favourite gig photos of the year courtesy of our wonderful photographer Denis!

All 📸 (c) Denis Gorbatov / Full Pelt Music

We hope you’ve enjoyed our The Year in Review 2022 and we wish you a very Happy New Year. Here’s hoping 2023 is a good one!

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Categories
Album Reviews

Bob Vylan

Bob Vylan Presents The Price Of Life

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BOB VYLAN – BOB VYLAN PRESENTS THE PRICE OF LIFE – ALBUM REVIEW

I often find myself pondering on the state of both the world and the music industry. The climate of each has led to situation whereby musicians are unwilling to take risk. One such risk is the inclusion of politics and contentious issues, something which has almost disappeared from the musical landscape.

Not wanting to alienate any of their fragile audience, musicians tend to play it very safe these days. That is certainly not a allegation that can be thrown at Bob Vylan. The duo have been making a name for themselves over the last couple of years, firstly with their debut album and then with high profile support slots with the likes of Biffy Clyro and The Offspring.

Now feels like a very important time for the band, both from their point of view as they push on with their career, but also for a world crying out for change. Change won’t drive itself, and whilst it should be politicians not musicians pushing for improvement, it certainly never hurt in the past having musicians pushing marginalised debates into mainstream consciousness!

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Bob Vylan – ‘Pretty Songs’

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No punches are pulled on the duos sophomore record, ‘Bob Vylan Presents The Price Of Life’, which in many ways is a statement album. Lyrically pertinent and musically courageous this is the sound of a band taking their spot.

This genre-bending smorgasbord of creativity is a thematically thought provoking masterpiece from an act only just getting started. The likes of singles ‘Pretty Songs’ and ‘GDP’ gave a good indication of what to expect from the album, and the full work doesn’t disappoint.

The future looks bright for Bob Vylan, and whilst one band is unlikely to change the world, hopefully more will be impassioned enough to also wear their heart on their sleeve. Then who knows, maybe the disengaged could become engaged and positive change could happen. One thing for certain though is that this album is brilliant!

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Live Reviews

The Offspring

Wembley Arena

Friday 26th November 2021

The Offspring

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THE OFFSPRING – WEMBLEY ARENA – LIVE REVIEW

As soon as The Offspring announced an arena tour with The Hives in tow, an evening of early 2000’s rock scene nostalgia was destined. With the walk down Wembley Way lit with Christmas lights, with festive music playing, a fantastic Friday night in London is in store. We just won’t mention the tube strike!

Whilst nostalgia is at the heart of the evening, we start off with something new, vital and refreshing. Bob Vylan are earning their stripes. They’ve jumped onto this tour straight from supporting Biffy Clyro last month, and they’ve just announced a headline tour for next year.

Our advice following their performance tonight is to get your tickets for said headline tour as soon as possible. Enjoy them in small venues while you can, because they belong on stages like Wembley Arena. Their politically charged punk ruckus is guaranteed to elicit a reaction one way or the other. Tonight the overwhelming majority are on board and the likes of ‘Pretty Songs’ and ‘GDP’ showcase a band with a big future.

Main support for this tour comes from The Hives, generally understood to be an incredible live act. Thankfully nothing has changed during the enforced lay-off of the past two years.

With their time on stage relatively short the band blast out their biggest hits such as ‘Main Offender’, ‘Walk Idiot Walk’, ‘Hate to Say I Told You So’ and ‘Tick Tick Boom’ to the delight of the crowd. Our headliners will need to be at the top of their game in order to match the brilliance of The Hives.

Read our review of ‘Let the Bad Times Roll’ from The Offspring

Things start well for The Offspring with ‘Staring at the Sun’, ‘Come Out and Play’ and ‘Want You Bad’ immediately getting the audience riled up. A visually simple yet stunning stage show also helps to fill the huge space of Wembley Arena and make the band seem at home on such a stage.

Whilst that word nostalgia keeps coming up, The Offspring are actually touring a new album and up next two new tracks demonstrate the quality that the band is still putting out. ‘The Opioid Diaries’ and title track ‘Let the Bad Times Roll’ are received just as well as the older tracks ‘Hit That’, ‘Hammerhead’ and ‘Bad Habit’ that follow.

WATCH ‘LET THE BAD TIMES ROLL’ ON YOUTUBE
The Offspring – ‘Let The Bad Times Roll

The question of whether The Offspring can match or eclipse The Hives is already positively answered by the time we are treated to an incredible piano version of fan favourite ‘Gone Away’.

The closing run of ‘Why Don’t You Get a Job?’, ‘Original Prankster’, ‘(Can’t Get My) Head Around You’, ‘Pretty Fly (For a White Guy)’ and ‘The Kids Aren’t Alright’ is as good as it gets and vindicates the bands decision to play arenas on this tour.

The encore of ‘You’re Gonna Go Far, Kid’ and ‘Self Esteem’ is the cherry on the icing of a beautiful cake that is made from three superb performances from Bob Vylan, The Hives and The Offspring. This was a thoroughly enjoyable show, which celebrates both the present and future of punk rock.

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Categories
Live Reviews

Biffy Clyro

O2 Kentish Town Forum, London

Tuesday 2nd November 2021

Biffy Clyro

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It’s been a long road for Biffy Clyro to arrive at the O2 Kentish Town Forum in London, and I’m not talking about the M1 from their last show in Sheffield!

The band released their album, ‘A Celebration of Endings’ in August 2020 (which itself was delayed from May), having announced an arena tour to promote it, only to cancel said tour in the wake of the pandemic.

Subsequently the ‘Fingers Crossed’ tour of intimate venues was announced in the hope that live music would return in time. Sadly, this was also postponed from April until now. In the meantime the band even managed to record and release another album with ‘The Myth of the Happily Ever After’ arriving last month.

Read our review of ‘The Myth of the Happily Ever After’

Well after two albums, a cancelled tour and a postponement we are finally here, but up first is our support act. That act is the incredible Bob Vylan, a band who have created a lot of talk over the opening dates. Their politically-charged punk rock anthems have proven somewhat divisive thus far amongst the Biffy Clyro fanbase.

Tonight the duo are in their hometown and the crowd are overwhelmingly onside. They are treated to an energy-filled and impassioned performance from one of the hottest new acts around. The likes of ‘Northern Line’, ‘Pretty Songs’ and ‘We Live Here’ showcase their talents and get the bodies moving tonight. A great set from a band I’m sure you’ll be hearing a lot more from for one reason or another!

Finally, it’s then time for Biffy Clyro to grace what is now a very intimate stage for the mammoth rockers.  After performing their latest album in full on the first night of the tour, the band has settled into a more traditional setlist for the subsequent dates. It is however two songs from that album that commence proceedings as ‘DumDum’ and ‘A Hunger in Your Haunt’ kick things off.

WATCH ‘A HUNGER IN YOUR HAUNT’ & ‘UNKNOWN MALE 01’ ON YOUTUBE
Biffy Clyro – ‘A Hunger In Your Haunt / Unknown Male 01’

You’d not know that live music had vanished for nigh-on two years. Tonight Biffy Clyro are on top form and the well-oiled machine runs as if it has been on track the whole time. The audience respond in kind and are also on top form, which helps to create a magical atmosphere.

Biffy Clyro are a relentless artist both live and on record. Tonight the newer tracks such as ‘North of No South’, ‘Instant History’, ‘Unknown Male 01’, ‘End Of’ and ‘Space’ fit perfectly with fan favourites like ‘Biblical’, ‘Mountains’, ‘Machines’ and ‘Wolves of Winter’.

The way that the band is able to control an audience, building slowly before exploding is unteachable. The band are in their natural state as they finish off the set with ‘Living Is a Problem Because Everything Dies’, ‘Bubbles’ and ‘Many of Horror’ to the delight of those in attendance.

An obligatory encore of ‘Black Chandelier’ and ‘Cop Syrup’ is enough to send the crowd home happy, remind us of what we’ve been missing and lay claim to the fact that Biffy Clyro are one of the best live acts on the planet. Most definitely worth the wait!

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