Vol. 64
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To be established means “having existed or done something for a long time and therefore recognized and generally accepted”. The 2000trees name means something, to fans it means an unrivalled weekend of thrills in a chilled environment, and to musicians it’s a proving ground, a platform for new artists to shine, but also a place to reinvent yourself or test new waters in a safe place. Trees is established as a trusted sanctum for all music lovers, everyone is welcome and good times are guaranteed.
Those who have chosen to arrive at Upcote Farm near Cheltenham early are treated to what is actually becoming the highlight of the event – a special evening in the trees. Yes, Wednesdays belong to the magical Forest stage and this year the line-up is incredible. A mixture of new acts and returning heroes, the bill reflects perfectly what this festival is all about.
With the forest stage alternating with the tiny Word stage today there is plenty of music on offer. At the Word stage alone we are able to catch great sets from KITE THIEF, CARSICK, Enola Gay and Frozemode.
But truly it’s within the woods that this festival reaches mythical status. To see a band like Exit Child able to enthral the earliest of attendees with their impassioned grunge, and then have the always uplifting PET NEEDS orchestrate an excitable crowd through a joyous tone setting show before Lambrini Girls galvanise the masses into a united movement all in the space of the first couple of hours just emphasises the beauty of 2000trees.
The audience are all in this together, they believe and demonstrate the ethos of kindness and acceptance which is what makes the event so welcoming.
The first of two outstanding Dead Pony sets this weekend soon leads us into the business end of night one. 2000trees royalty The Xcerts understand the assignment and pull out a memorable run through of their third album, ‘There Is Only You’ to celebrate the records 10th anniversary, which is eaten up by the crowd.
It’s around this time that the looming shadow of England vs Netherlands in the Euros takes over the festival. Despite initial reluctance to show the match out of respect to the bands, organisers end up screening the game over at The Axiom. Most impacted are Dream State, who lean into the prospect by showing the football on a TV on the stage, donning football shirts and providing fans with a goal and balls to play with as they belt out the likes of ‘White Lies’ and ‘Chin Up Princess’.
Thankfully Ollie Watkins saves us from the drama of extra time which means that headliners Boston Manor get the full attention of the crowd. Another band performing twice this weekend, they use this set to play early favourites ‘Burn You Up’, ‘Lead Feet’ and ‘Laika’ in a set which is an early contender for set of the weekend.
Even when the main entertainment stops however 2000trees is best known for it’s late night activities. A legendary silent disco attracts the majority, but we head next into the camps and one of the busking stages at Camp Turner. There we catch acoustic sets from InMe frontman Dave McPherson and those scamps in PET NEEDS who manage to get mosh pits and crowd surfers in the campsite!
Whether in the general campsite, the family area or the VIP section, fans wake up the next morning to the relief of warm weather! It’s rained persistently in the days leading up to the event, but the ground has held up well. The music is in full flow again from half past ten as relative locals Blank Atlas deliver a great little set on the Neu stage.
The diverse and social conscious line-up at 2000trees builds on the welcoming atmosphere and Thursday morning sees the likes of The Menstrual Cramps, Cherym, Shooting Daggers and The Oozes engaging their passionate crowds.
The structuring of the stages and times means that if you’re that way inclined you can catch non-stop music from early morning until the wee early hours. Us being somewhat inclined to support new music we dash around witnessing more superb performances from Meryl Streek, Dead Pony (again) and Enola Gay (again!).
We then head back into the Forest where throughout the main days of the festival you can still see a mix of full band shows, acoustic sets and other unique offerings. We are here however for the always enjoyable Sean McGowan who plays a short sharp set of fan favourites.
2000trees is often at its finest on the smaller stages, but the main stage delivers one of the best barometers for the success of acts. Cassyette is next to grace this stage and showcase why she is steadily moving up bills such as this. A thoroughly captivating blitz of energy, you’d imagine Cassyette will be back soon in an even more prominent position.
It’s over at the Axiom soon thereafter that one of those magical moments is taking place with Spanish Love Songs attracting a crowd funnelling out of the confines of the large tent. That’s before Kids In Glass Houses then continue their triumphant return back on the main stage, with both bands eliciting some of those beautiful sing-a-long festival moments.
As do Boston Manor as they again prove themselves to be one of the bands of the weekend and an act ready for superstardom as they pack out the Axiom for their second set of the weekend. Manchester Orchestra deliver a charming performance next on the main stage, but clearly many of the uninitiated in the crowd are left a little underwhelmed.
We then finish day two with The Pale White in the Neu tent and The Gaslight Anthem on the main stage. Both bands allow their music to do the talking as they bring the first full day to a close. The Gaslight Anthem in particular are something of a dream booking for the festival, and they don’t disappoint.
The festival is in full flow now, with the weather slightly cooler come Friday, fans are ready for another busy day. It’s up to the brilliant BEX to wake the campers up, which she does to great effect with the likes of ‘Fight’ and ‘sunDae’.
If you want to watch as much music as possible, you need stamina or an easy to navigate site layout, and as we catch great sets from Mouth Culture, Sløtface and Problem Patterns, we’re very grateful for the simple site layout!
VIP ticket holders at 2000trees have their own campsite, bar and viewing platform and we catch The Rumjacks main stage set from said platform next. The band are entertaining, and the platform gives a nice view of the crowd getting into the party spirit!
In fairness though that party spirit is evident throughout each day and each performance. Tropic Gold get their crowd moving in the Axiom before As December Falls solidify their reputation as a live act over on the main stage. It’s great to see even smaller acts like Other Half in the Neu tent are given the same energy they produce from a crowd not showing any signs of fatigue.
The standard of performance across the weekend is high, with no set standing out as particularly bad. Perhaps that’s because we chose correctly when looking at those dreaded clashes, but you feel that the bands take 2000trees seriously. They know the rewards of a top tier show and they put in the effort that the crowd demands.
Two standout performances transpire next however as first unpeople in the Cave tent and then Nova Twins on the main stage put in epically memorable performances. unpeople come from the ashes of Press To MECO and the power of the riff remains at full strength as they get the crowd fully locked in. Equally Nova Twins ooze star power as they take ownership of the main stage crowd. If you had to pencil in a band as a potential future headliner then either of these would be good bets!
Bears In Trees represent a change in pace as their pop sensibilities feel like a refreshing change of pace next in the Axiom tent. Clearly the audience feel the same and many comment on their way out how impressed they were with another band with a huge upside.
The undercurrent of 2000trees has always been young British rock acts, but the organisers do sprinkle the line-up with some international flair such as headliners The Gaslight Anthem and The Chats. Up next though is grandson on the main stage who brings an element of star power himself. Many in the audience are here to see what the fuss is about, and grandson delivers a good showing which has generally positive results, albeit with a few unimpressed faces remaining.
The festival gets a rebrand next as Bob Vylan return for consecutive years with a sub-headline spot on the main stage. The duo rename the festival Vylanfest and state that they’ll be back next year to headline. Truth be told, they probably could’ve done so this year as the crowd take their antics to another level.
A mixture of new tracks from recent album, ‘Humble As The Sun’ and favourites such as ‘We Live Here’ and ‘Pretty Songs’ make up a thoroughly enjoyable time. Bob Vylan are one of the best live acts in the UK at present and we’d certainly put money on them following through on their headline promise!
We finish out our Friday with Hot Milk headlining the Axiom and Empire State Bastard headlining the Cave. Hot Milk have just returned from playing stadiums across the world and make a clear effort to make their headline slot special. Again, you’d be happy seeing their performance close the main stage.
Empire State Bastard on the other hand have no bells and whistles, the group fronted by Biffy Clyro’s Simon Neil and powered from behind the drum kit by Dave Lombardo destroy the Cave, causing a sonic onslaught that can only be described as magnificent. A different way to end our night compared to The Gaslight Anthem and Don Broco who will close the event, but that’s what makes 2000trees so special.
Campers awaken on the final day to the pitter patter of rain on their tents, and the threat of the damp stuff maintains throughout a chillier day, however thankfully the heavens never fully open.
Split Chain are our first watch today and the band who are popping up a lot lately showcase a grunge/nu-metal crossover which explains why they are a good option for an opening act. The Meffs then blow off any cobwebs on the main stage with a blistering set of punk rockers, before the poppier angst of snake eyes thrills the Axiom crowd.
We then head into the Forest for one last time this year. Firstly, to catch the newly formed Interlaker featuring David Jakes of Lonely the Brave and Jack Wrench of Arcane Roots. The Forest is full as knowledgeable music fans catch a glimpse of this new project. Although only a short glimpse, what is seen is more than enough to whet the appetite for what’s to come!
Next Frank Turner takes part in a live podcast Q&A and acoustic set with the Mark and Me Podcast. Moments like this are more proof of what makes 2000trees different from your standard festival.
It’s then a bit of a dash to the main stage for a second The Xcerts performance of the weekend, this time more of a standard hits affair including a surprise cameo from Josh Franceschi of You Me At Six – just one of a few special guests on show this weekend.
The Nightmares in the Neu tent and The Mysterines on the main stage then both make the most of their short times on stage before we catch House of Women and Cleopatrick on the same stages although from afar as we gather any remaining stamina for the incredible run of music set to follow.
We close out our weekend with Frank Turner bringing a headline worthy show to the main stage with new album, ‘Undefeated’, standing tall alongside favourites such as ‘I Still Believe’ and ‘Four Simple Words’.
Creeper are then immediately ready to deliver their own headline performance in the Axiom tent. The crowd starting off up to fifteen deep outside of the confines of the tent! What Creeper then proceed to do is simply outstanding. For a band to use their headline set to open with a ten-minute rock opera and to then play almost exclusively all new material is quite incredible. Any other band would be murdered, but not Creeper.
No, the packed tent love every single moment of the set and the time simply flies by with highlights like ‘Sacred Blasphemy’ and ‘Misery’ eliciting some of those mass sing-a-long moments. A finale of ‘Cry To Heaven’ is truly awe-inspiring and again, if we are tagging bands for future main stage headline slots, then surely Creeper must be labelled as oven-ready!
The big finale for us this year is a Don Broco currently out of the limelight writing their next record. Coming out of hibernation for this show, they deliver a tailor made headline performance which is up there with the best the festival will have ever seen. The band bring some of those bells and whistles but it’s their party anthems that do the talking this evening.
Over the three nights we’ve seen three completely different headline shows, and upwards of sixty acts giving it everything on stage. Some rest will now be required but with that said, you still don’t feel like you’ve been in a battle, which big festivals can sometimes become. That again is a testament to the magic of 2000trees.
Much is said of the atmosphere here (including by us in this review!), but the number of bands saying it’s their favourite festival is telling. That’s because most fans are here for the music. You can see this with the packed tents before midday and those still seeking live music gone midnight. It’s as much the people that establish 2000trees as what it is than anything else, and long may it continue to be the best festival in the UK!
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The latest issue of the Full Pelt Magazine is here, and you can download your copy for free below!
Volume 35 features our cover star Frank Turner as announces show 3000 and shares his 10th studio album, ‘Undefeated’. Plus we review the new releases from Emily Barker, P.O.D., Dea Matrona, The Exact Opposite, DAYTIME TV and EEVAH.
Our News Report has all the latest music news including live announcements from Frank Turner, David Gilmour, Massive Wagons, The Lemon Twigs, Alien Ant Farm, LostAlone, Levellers, Don Broco and Myles Kennedy.
Plus all the best new releases including P.O.D., Robert Jon & The Wreck, Black Country Communion, Fire From The Gods, The Lovely Eggs, Mannequin Death Squad, FM, Blossoms, Jaret Ray Reddick, SAFIRE, Yours Truly, Hamish Hawk, Mt. Onsra, VOWER, Our Hollow, Our Home, Heriot, Lizzy Farrall, Raven Numan, Soft Play and Richie Kotzen!
Finally, we round up the latest additions to our ‘Discover’ New Music Playlist including SHADE UK, HRTLSS, Sleep Theory, Peter Bibby, The Fever Kings and Caroline Romano!
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If ever an album title felt like a reflective and candid statement it’s, ‘Undefeated’, the brand new record from a battle-hardened Frank Turner. Indeed, this album is a significant one for the singer as it isn’t just his milestone tenth collection but is his first as an independent artist in over a decade after predecessor ‘FTHC’ concluded his label commitments.
This new found freedom comes at a time of change for Turner. Recent years have seen Turner hit his forties and settle down to married life by the coast. Away from the city and his previous classic rock n’ roll lifestyle, Turner has embraced a growing side-hustle as a producer. That production work has already heralded releases from PET NEEDS, The Meffs and others.
‘Undefeated’, however marks the first self-produced album from an artist who has worked with celebrated producers such as Rich Costey, Catherine Marks and Butch Walker. A the key role of a producer is to act as a sounding board and where necessary offer constructive criticism. One of the pertinent questions for this album then is can a determined Turner remain objective when marking his own homework?
Given however that Turner has already walked the tightrope of producing his own wife’s album (which is perhaps an even harder task), has gained significant recent experience and has had considerable exposure to the work of those previous esteemed collaborators, it probably shouldn’t be a surprise that overall the answer to that question is yes.
Of course, the fact that he is again accompanied by his trusted group The Sleeping Souls (fresh from releasing their own separate album) also adds a level natural assurance to the recording process. As expected given the duration of their team-up, the Souls execute of the musical vision of Turner with precision.
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We all hit those landmarks of life and we all arrive at different crossroads, both personally and professionally, although most of us find our solace and catharsis through different means to Turner. For Turner has always worn his heart on his sleeve and exercised his demons with the stroke of a pen and the strum of a guitar.
With now presenting a natural moment of self-reflection for Turner, it’s therefore predictable but welcome that ‘Undefeated’ finds Turner coming to terms with his new life whilst also taking aim at his doubters, naysayers and critics.
Turner has been the target of a catalogue of unwarranted and frankly quite absurd criticism and abuse during his career which sees him arrive at album ten beaten, bloody and bruised. Importantly though ‘Undefeated’ finds Turner defiant and ready for battle with opener ‘Do One’ perhaps acting as an apt tone setter for the album.
The following thirteen tracks all offer varying nods to Turner’s previous work as well as more than a glimmer of where he is going. These threads ultimately give the record something of a transitional feel; a celebration of a successful career but an acknowledgement that it’s also far from over.
The likes of ‘Letters’ and ‘East Finchley’ will fit effortlessly into the fan favourite category, and the rest of the album is able to hold its own with what is now a comprehensively strong back catalogue. Closing the record is the title-track which fittingly finishes the collection the same way it started – with Frank Turner rising up from two decades of hard slog, defiant and undefeated!
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The latest issue of the Full Pelt Magazine is here, and you can download your copy for free below!
Volume 30 features our cover stars Sum 41 as they release their final album, ‘Heaven :x: Hell’. We also catch Pendulum live in Birmingham.
Our News Report has all the latest music news including live announcements from Download Festival, Foolhardy Folk Festival, Live At Leeds, Maximo Park, Fu Manchu, The Cribs, Cast, Twenty One Pilots, The Enemy, Northlane, The Home Team and Melt-Banana!
Plus all the best new releases including Courting, Feeder, James, Maximo Park, Frank Turner, Defects, The Lovely Eggs, Hacktivist, Ruel, DMA’s, Stand Atlantic, Accept, Fu Manchu, Bears In Trees, The Home Team and Daytime TV!
Finally, we round up the latest additions to our ‘Discover’ New Music Playlist including Chasing Kites, EEVAH, Hunter Oliveri, ARCHIVES, LOWLIVES, Belmondo, Good Kid, Eat Your Own Head, Ella Galvin, Fast Blood, Luna Marble and Sans Froid!
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The latest issue of the Full Pelt Magazine is here, and you can download your copy for free below!
Volume 25 features our cover stars The Mysterines as reveal details of their sophomore album. We also review new albums from The Snuts, Gen and the Degenerates and Blackout Problems, and we review The Zutons live in Norwich!
Our News Report has all the latest music news including live announcements from Liam Gallagher, Kings of Leon, Bullet For My Valentine, Trivium, Alice Cooper, The Pearl Harts, Greta Van Fleet, Royal Blood and Radar Festival!
Plus all the best new releases including Kasabian, Kings of Leon, Paul Weller, Frank Turner, Linkin Park, Sum 41, Daytime TV, Crossfaith, The Cruel Knives, TheCityIsOurs, Between You & Me, Susan Santos, Raven Numan and The Struts!
Finally, we round up the latest additions to our ‘Discover’ New Music Playlist including Major Moment, Caroline Romano and DeadWax!
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The latest issue of the Full Pelt Magazine is here, and you can download your copy for free below!
Volume 21 is a special edition celebrating our ‘Discover’ New Music Week! We also have album reviews for Frank Carter & The Rattlesnakes and Alkaline Trio, an EP review for Dream State and live reviews of The Sleeping Souls & Sean McGowan in Nottingham and the Slam Dunk Winter Jam in Norwich.
Our News Report has all the latest music news including live announcements from Latitude Festival, Y Not Festival, Truck Festival, Kendal Calling, Wychwood Festival, Live At Leeds, Liam Gallagher & John Squire, Billy Talent, Eagles, The Black Crowes, Placebo, October Drift, Pitchshifter, The Wildhearts and Alkaline Trio!
Plus all the best new releases including Frank Turner, Courting, The Zutons, Bad Wolves, Buzzard Buzzard Buzzard, Don’t Panic, Blackout Problems, Shannon & The Clams, Scott Stapp, Bruce Dickinson, The Longest Johns and Amongst Liars!
Finally, we round up the latest additions to our ‘Discover’ New Music Playlist with a special bumper update including El Moono, Ashen Reach, SWARM6IX, Shooting Daggers, Feral Family, Attendant, VENUS GRRRLS, Gürl, Neversaid, The Gems, FLOYA and Defects!
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The latest issue of the Full Pelt Magazine is here, and you can download your copy for free below!
Volume 18 is a special edition in which we preview 2024 including highly anticipated albums, the most exciting tours, the hottest festivals and our ones to watch list!
Our News Report is still here also covering the latest from Liam Gallagher & John Squire, Mouth Culture, Nicko McBrain, Frank Turner, PET NEEDS, YONAKA, Normandie, Troy Redfern, The Lemon Twigs, Bring Me The Horizon, Cast, Green Day, Casey, Any Given Day, VENUES, Smash Into Pieces and Alkaline Trio!
Finally, we round up the latest additions to our ‘Discover’ New Music Playlist with Chloe Star, Where Oceans Burn and Grieving!
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The 2023 Full Pelt Awards are here and you can have your say from our shortlists below!
Votes here will be tallied with those on Social Media, plus weighted votes from our Full Pelt staff with the winners all revealed in a special Magazine on New Year’s Day!
Our 2023 Album of the Year will be revealed on our Social Media on Christmas Day! Let us know your favourite album of the year in the comments and be sure to follow us across social media to be the first to see who wins our award!
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Towards the end of the original lockdown, the ever creative music industry sought ways to bring people back together to experience the unparalleled joy of live music. The Arboretum in Nottingham hosted a number of events including a couple of shows from folk favourite Frank Turner.
That is where the story of the Foolhardy Folk Festival begins as the man behind the festival, fellow folk icon Beans On Toast played in support of Turner. From there on Beans has affectionately taken over and curated his own festival which this year is a complete sell out.
A large part of this is the stunning line-up put on but another is the fantastic sense of community that exists in this portion of the folk scene and the lovely audience that has taken this back to basics event to heart.
Opening his own event Beans On Toast highlights the great music, great food and great beer theme. On the music front Beans serenades the already full venue with the likes of ‘Major Oak’, ‘The War on War’ and ‘Humans’ as the festival gets into full swing.
Watch Episode 3 of The Full Pelt Music Podcast with guest Beans On Toast
The festival is family friendly and this is punctuated by the vibe created by attendees in that we are all family. Beans own daughter lays on kids activites, there is live art and lots of merch offer as well but with short changeovers the attention is mainly on the one stage where both Vona Vella and Tensheds play delightful early sets.
Soon enough it’s time for our special guest to take to the stage and this year that means Frank Turner himself as he returns the favour three years on from that socially distanced affair.
As you’d expect Turner gets a hero’s welcome as he begins his set with ‘Be More Kind’ and ‘The Ballad of Me and My Friends’. The crowd’s singing voices are in fine fettle which is a good thing considering the sing-a-longs continue through to final song ‘I Still Believe’.
Watch Episode 1 of The Full Pelt Music Podcast with guest Frank Turner
Another beautiful thing about this community is the lack of ego on show, Turner as always appearing eternally grateful for the opportunity to play. The same can be said for your next three acts Truckstop Honeymoon, Ferris & Sylvester and Jeffery Lewis & The Voltage. All three acts are given equally as passionate reactions from the audience who can clearly appreciate beautiful music.
Considering we’ve brought our two little monsters with us another great thing about Foolhardy Folk Festival is that the music is wrapped up by 9pm! But before then we still have two highly anticipated performances.
First up are the always joyous Skinny Lister who bring their traditional party atmosphere to the festival. Perhaps more so than any other set today, the Lister crew get the fans up and dancing to the likes of ‘Cathy’, ‘This Is War’ and ‘Trouble on Oxford Street’. The band are surely now established as one of the best live acts in the UK and with a new album and tour on the horizon, there will thankfully be lots of opportunities to catch them again in the near future!
Watch Episode 6 of The Full Pelt Music Podcast with guests Skinny Lister
Finally the event ends just as it began… with our gracious host Beans On Toast! With backing band in tow this time around the show feels different and special as our headline performance. Kicking off with ‘Life’ and ‘Not Everybody Thinks We’re Doomed’ the set is an uplifting celebration of our existence and is the perfect way to end a wonderful day.
The cutest cameo from Beans daughter, new material and old favourites ensure that despite having to follow some sensational artists, Beans On Toast is able to send the crowd into the night reminiscing about a beautiful day, many including our kids still singing the chorus of ‘On & On’!
With another edition already announced for next August, the Foolhardy Folk Festival has quickly established itself as a must attend date on the folk calendar. This is of course a credit to Beans On Toast, but also to everyone involved behind the scenes and of course the fan community that makes the event so special.
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