The latest issue of the Full Pelt Magazine is here, and you can download your copy for free below!
Volume 24 features our cover stars IDLES as they celebrate the release of new album, ‘TANGK’, which we review inside. We also review ‘Intermittent Fast Living’ – the new album from PET NEEDS. On the live side of things we catch Enter Shikari in London, IDLES in London and Noah and the Loners in Norwich!
Our News Report has all the latest music news including live announcements from AC/DC, Pearl Jam, Gary Numan, Gaffa Tape Sandy, Boston Manor and Willie J Healey!
Plus all the best new releases including Pearl Jam, REWS, High On Fire, While She Sleeps, Boston Manor, Gaffa Tape Sandy, Bears In Trees, Seasick Steve, The Dandy Warhols, Mad Caddies, Stand Atlantic, Greywind, Gun, Blackout Problems and The Longest Johns!
Finally, we round up the latest additions to our ‘Discover’ New Music Playlist including Cosmic Ninja, Exploring Birdsong and paradise fell.!
The latest issue of the Full Pelt Magazine is here, and you can download your copy for free below!
Volume 16 is a special edition where we run down our Top 50 Albums of the Year! 2023 has seen some amazing records released, but who will take the coveted number one spot?
Our News Report is still here also covering the latest from Vended, Slam Dunk Festival, Liam Gallagher & John Squire, Teddy Rocks, Brighten the Corners and LeeStock!
Finally, we round up the latest additions to our ‘Discover’ New Music Playlist with Telltale, Shooting Daggers and Fraser Morgan!
The 2023 Full Pelt Awards are here and you can have your say from our shortlists below!
Votes here will be tallied with those on Social Media, plus weighted votes from our Full Pelt staff with the winners all revealed in a special Magazine on New Year’s Day!
Our 2023 Album of the Year will be revealed on our Social Media on Christmas Day! Let us know your favourite album of the year in the comments and be sure to follow us across social media to be the first to see who wins our award!
Our weekly music News Report has evolved into the Full Pelt Magazine, and you can download the seventh issue now for free!
Volume seven includes an update from cover stars The Xcerts, reviews of Blink 182 and Funeral For A Friend live, album reviews for Creeper, REWS, Beartooth and The Dollyrots and a load more!
We have our News Report rounding up new releases from Bring Me The Horizon, Feeder, Blossoms, The Sleeping Souls, Thornhill, MOSKITO, Waterparks, Delilah Bon, South of Salem, Powerwolf, Gama Bomb, Employed To Serve, PLAIINS, Scott Stapp, END and Lord of the Lost!
Plus new live announcements from Bryan Adams, YONAKA, Stonedead Festival, Casey and Haunt the Woods.
Finally, we round up the latest additions to our ‘Discover’ New Music Playlist with Spyres, Future Static and Crushed by Waves!
Like all too many, REWS aka Shauna Tohill found the promotion of previous album, ‘Warriors’, disrupted by the pandemic. After initially deciding to allow time to take stock and reassess, REWS now present their third studio album, ‘Meridians’!
The record picks up where ‘Warriors’ left off with a fierce and soaring collection of hard rock hooks and elegant pop melodies. The drip fed pre-release singles ‘The World That You Left Behind’, ‘Pretty Face’, ‘Not Your Soldier’ and ‘Misery’ give the album a very strong first third and showcase the well established talents of Tohill.
REWS has proven to be an incredibly consistent project in terms of quality since the release of debut album, ‘Pyro’ in 2017. As the album progresses with ‘Tears of a Lion’, ‘Addicted to You’ and ‘Psycho Maniac Killer’, you’ll once again be astonished at the sonic and vocal dexterity of Tohill.
The inspiring anthem ‘Lock Your Horns’ will then smack you right in the face with its huge chorus and stirring message. This song in particular is a testament to the songwriting capabilities of Tohill as the album hits new levels.
As the record reaches its conclusion through ‘Breathe Into Me’, ‘On My Back (Giant’s Roar)’ and ‘Everything’, it finishes as big and bold as it began. There really isn’t a bad track on another astonishing album from the ever evolving REWS, and ‘Meridians’ is well worth your time and energy to check out.
Anybody familiar with REWS will know the sheer talent on offer, you just have to hope that ‘Meridians’ will reach a wider audience because this is as good of an album that you’ll hear this year!
Our weekly music News Report has evolved into the Full Pelt Magazine, and you can download the second issue now for free!
Volume two includes reviews of October Drift and Philip Seth Campbell.
We have our News Report rounding up new releases from Demob Happy, The Struts, The Rolling Stones, Dream Nails, Militarie Gun, REWS, Haunt The Woods, Scaler, The Cadillac Three, Pendulum, Wargasm, Daytime TV, HourHouse, Black Water County, The Pearl Harts, Gama Bomb, The Hyena Kill, Amongst Liars, Dead Poet Society and Death Of Me!
Plus new live announcements from Enter Shikari, Keane, The Big Moon, Wayward Sons, Of Mice & Men, Meryl Streek and BIG SPECIAL.
Finally, we round up the latest additions to our ‘Discover’ New Music Playlist with PLAIINS, Unschooling and paradise fell.!
Festival season is in full swing, the weather is warm, and the women are setting the standard for football, in many ways life is good. Of course in many other ways things are tough right now.
Music has always been an escape from reality, and we certainly need a distraction right now, so as Y Not Festival open their gates for the first time in three years, it’s time for tens of thousands of fans to let their hair down and celebrate. That is once they can actually get in, with some enormous queues upon entry dampening early spirits.
Now, the last and only time I attended Y Not Festival was the fateful 2017 event which ended in cancellation midway through. I wrote a scathing review for another publication and swore never to return.
Well, watching from a distance the festival has put out some stunning line-ups since then, and organisational changes appear to have improved things and returned the events reputation to pre-2017 levels. This year is in fact billed as their first year back as an independent festival.
Having decided to give the festival a second chance on the basis of their 2020 line-up, I’ve since witnessed the line-up change multiple times for the worse based on my personal preferences. There is no doubting however the overall quality of the line-up at a tough time for festivals.
I’m interested to see how the event will progress and whether it can change my opinion of the festival after the 2017 debacle, so the huge entry queues on Thursday and Friday aren’t the best start.
Thankfully once inside, things pick up quickly! The general layout is well thought out in the main arena, with the main stage, the second stage (The Quarry) and numerous other attractions in the main section of the arena, and the third stage (The Giant Squid) and various other stages and attractions located in a smaller area.
This almost creates two distinct festival areas, with a busy walkway connecting them. The only issue here is that later on in each day this thoroughfare does bottleneck and makes movement very difficult. At one point on Sunday night, this reaches a near dangerous level as fans flood the area trying to catch an Oasis tribute band on one of the smaller stages.
Whilst I quite liked the two separate areas concept, in future additional access would need to be installed at the other end of the second area to avoid any disastrous incidents and make crowd movements flow better.
Now on to the music! Thursday is an add-on day and those to fork out and arrive early are given a splattering of acts to enjoy.
The first such act that we catch is Lucy Spraggan who does a great job in getting the audience into the spirit of things. Spraggan has the crowd singing along to the likes of The Proclaimers cover ‘I’m Gonna Be (500 Miles)’, and fan favourites ‘Last Night (Beer Fear)’ and ‘Wait for Me’.
Next, The Hunna grace the main stage and also deliver a crowd pleasing set. The band’s momentum seems to have stalled slightly, but that upwards trajectory is set to relaunch if the reaction to new single, ‘Trash’, is anything to go by. ‘She’s Casual’ and ‘Bonfire’ serve as a reminder of what the band is capable of, and leaves the audience fully pumped up for our Thursday headliners.
WATCH ‘TRASH’ FROM THE HUNNA ON YOUTUBE
The Hunna – ‘Trash’
Those headliners are indie stalwarts The Kooks. The band have been celebrating their debut album, ‘Inside In/Inside Out’, whilst they have also recently released a new album, ’10 Tracks to Echo in the Dark’. It’s no surprise then that 15 out of 21 songs tonight come from those two releases.
The new tracks manage to hold up well with the hits such as ‘Ooh La’, ‘She Moves In Her Own Way’, ‘Always Where I Need To Be’ and ‘Naïve’. All in all this equates to a fun headline show which sets the standard for the weekend to come.
Friday on paper is the best day musically for me heading in with a great mix of the new and established acts that Y Not Festival has managed to book so well.
It’s a new act we start with on the main stage as Lauran Hibberd brings her charismatic indie pop to Y Not Festival. The early risers are treated to a glimpse of a star in the making and those that make the effort don’t regret it. Hibberd’s debut album, ‘Garageband Superstar’ is out this month, and based on today’s showing it will be a breakthrough record.
Hibberd has featured previously on our ‘Discover’ New Music Playlist, and next we headed to the ‘Giant Squid’ stage for the first time to catch fellow playlist alumni Daytime TV.
Daytime TV showcase their incredible debut album, ‘Nothing’s On But Everyone’s Watching’, as they quickly blast out the likes of ‘We Can’t Be Friends’, ‘Hush’, ‘Ugly’ and ‘Zombie’. This is another band with a great future, and today they deliver the goods for the early crowd.
Watch our ‘Discover’ New Music Podcast with guests Daytime TV
‘Discover’ New Music Podcast – Episode 14 – Daytime TV
Continuing the run of fantastic young acts we catch MarthaGunn in the ‘Giant Squid’ and The Skinner Brothers in the ‘Allotment’. Two very different acts, but two more acts that make the very most of their time on stage, clearly winning over any fans not already converted.
We then return to the main stage for another newer act, but one that already feel established. The Snuts burst onto the scene with their debut album, ‘W.L.’, and have dominated festival stages this year. Today fans are treated to a look at what comes next with new songs ‘Burn the Empire’ and ‘Zuckerpunch’ sounding massive. Expect The Snuts to continue to climb festival bills over the next few years, and don’t be surprised when they are eventually headlining the likes of Y Not Festival.
The Pale White continue what has been a consistently brilliant day of music with a powerful set in the ‘Giant Squid’, before we head to the ‘Quarry’ for the first time this weekend.
Festival favourite and all round legend Beans On Toast assembles a huge crowd for a sing-a-long session. The heralded folk singer serenades his crowd with favourites such as ‘The War on War’, ‘M.D.M.Amazing’ and ‘On & On’. Really, there should be a law that dictates that Beans On Toast appears at every single festival.
Watch The Full Pelt Music Podcast with guest Beans On Toast
The Full Pelt Music Podcast – Episode 3 – Beans On Toast
Even before the major issues struck in 2017, one gripe I had about Y Not Festival was the apparent disorganisation in relation to set times. I worry next that perhaps this issue hasn’t been fixed as Manic Street Preachers fail to appear for their advertised start time. Eventually a message appears on the screens citing technical difficulties, and the band finally arrive almost an hour late on stage.
This of course has a knock on effect to our headliners Stereophonics, and also means when the Manics do arrive, they quickly depart again only playing for half their originally scheduled time. The technical difficulties seemingly continue to dog the band throughout their short time on stage, which causes more set changes on the fly. A lesser band may have given up, but Manic Street Preachers force their way through.
Stereophonics are a safe bet as a festival headliner, guaranteed to deliver the goods and give the audience a good time. That’s exactly what they do to close out Friday night, with a set mixed of hits and deep cuts from throughout their distinguished career.
The double header of of Welsh icons Manic Street Preachers and Stereophonics was a major selling point for many fans, so it’s disappointing that the technical issues leave a sour taste in the mouth.
Saturday soon arrives and we start off on the main stage for another double header of established acts. The Futureheads and Levellers bring the crowds in early as the festival rights the wrongs of last night. Both bands deliver solid sets which the audience lap up, and the party is in full swing as we head deeper into Saturday afternoon.
We refocus next however back to the fresh new acts that help to make this festival so appealing. Do Nothing, King No-One and the excellent The Mysterines all draw big crowds to the ‘Giant Squid’ stage and all three acts are able to produce perfect festival sets to the delight of the packed tent.
Sea Girls are one of the bands leading the new wave of indie and they are next up on the main stage, where they are greeted by an army of their fans. The band and fans then reciprocate energy for the next forty-five minutes and the result is a very enjoyable watch.
Our Saturday night is then spent back in the ‘Giant Squid’ for two bands that personify the festival. First up is a hot new band on the cusp of greatness in the form of Yard Act. This is a band that has been touring solidly and making a name for themselves. Today they put the spotlight on debut album, ‘The Overload’, which gets the entire tent bouncing along.
Lastly is an established act of indie folklore, We Are Scientists! The band finish out the night with a fan pleasing set full of favourites such as ‘It’s A Hit’, ‘The Great Escape’ and ‘Nobody Move, Nobody Get Hurt’.
WATCH ‘THE GREAT ESCAPE’ FROM WE ARE SCIENTISTS ON YOUTUBE
We Are Scientists – ‘The Great Escape’
It’s during this time that the heavens open for the first time. Back in 2017 it was the Saturday night when the festival organisers decided enough was enough, come Sunday morning the last day was cancelled and a disorderly evacuation of the site commenced.
One massive criticism of the event that year was a lack of foresight with heavy rain predicted well in advance, the site saw little or no preparation for the weather. It’s great this year then that prior to the rainfall we see straw spread at key points in the arena.
The result is that despite a night of rain, the arena is still in good nick come Sunday morning and we are able to continue with the high quality entertainment. Kudos then to the present organisers for taking proactive action rather than waiting until the horse has already bolted!
So, onto my first Y Not Festival Sunday! We again are on the hunt for new talent early on and catch both Marty and Cucamaras in the ‘Quarry’ and Baby Queen capturing the imagination of the main stage. All three showing that the future is bright.
Sunday really sinks it teeth in on the main stage with back to back performances from Amy MacDonald and Jake Bugg. Two more established acts with stacked back catalogues, two more artists that are able to deliver polished and well received sets as the shine really starts to break through.
After some sing-a-long action with MacDonald and Bugg, it’s back to the fantastic new music offerings as The Hara and Rews in the ‘Giant Squid’, and Vistas and Dream Wife in the ‘Quarry’ all deliver blistering performances which really rile up the audience.
Soon there is a great moment on the main stage where The Vaccines get to announce the incredible result of the Football mid-set. The atmosphere is electric as fans celebrate with more great music.
For us that great music sees us conclude our weekend back in the ‘Giant Squid’, firstly with Blood Red Shoes, who have released one of the albums of the year in ‘Ghosts On Tape’. Their belated set is an intense and ferocious explosion of rock which instantly enters the race for performance of the weekend.
Watch The Full Pelt Music Podcast with guests Blood Red Shoes
The Full Pelt Music Podcast – Episode 4 – Blood Red Shoes
That honour is hotly contested as across four days of music we somehow haven’t seen a bad performance. The pure quality on offer despite the multiple line-up changes since 2020 is a testament of the work of the booking team for Y Not Festival.
The last band of the weekend for us is Black Honey, who decide that the crown for set of the weekend belongs to them. They deliver an energetic yet majestic performance that is the perfect way to end what has been a great weekend.
I must admit scepticism coming into the event, and whilst I hoped that a great weekend would be had, I wasn’t sure. The organisers have rectified the issues of 2017 and have earned themselves a clean slate from me.
Whether you just want to chill at the main stage, or go hunting for the best kept secrets in the tents, Y Not Festival had it all this year. The ghosts of the past have been put to bed by the acts of the future!
Who is going to make the Full Pelt Music Top 20 Albums of the Year List?
2020 – a year we would all much sooner forget. Certainly not the year we had all envisaged. Real life has been traumatic and upsetting for many. The effects of the virus have been disastrous for the music industry, with the collapse of live music and many delays and production issues for albums.
You’d think therefore that selecting an Album of the Year list would be difficult due to a lack of new music! We are however talking about the most creative and adaptable industry and in fact compiling this list has been hard for the opposite reason. Even through all the sadness and despair this year, we have been graced with some amazing new music.
More so, the uniqueness of this year has created a special connection to the music released during the most troubling times. This is therefore a highly competitive list and all 20 entries deserve high praise!
We have been counting down the list as part of our #AdventCalendar of music over on our Twitter Page. Be sure to follow us on Twitter, Facebook and Instagram by clicking the icons below!
Finally, before we talk through our Top 20 Albums of the Year, a special mention to Yungblud and his new album ‘Weird!’ which we recently reviewed here. Released after the compilation of this list, the album is a stunning piece of work and had it been released earlier would have been competitive at the top of the list! But, now to the countdown…
20
HAYLEY WILLIAMS ‘Petals For Armor’
In a year that doesn’t seem to want to end, January seems a lifetime ago when Paramore’s Hayley Williams announced her debut solo album ‘Petals For Armor’. By the time that album arrived, the world had descended into chaos and all touring plans had been cancelled. When the album did emerge in May it represented a ray of light in dark times, and showed Williams has a lot to offer outside of Paramore.
we suggest you check out:
Hayley Williams – ‘Simmer’
19
DOVES ‘The Universal Want’
When Doves returned from an eight year hiatus in 2018 the band initially basked in that reformation glory. Thankfully for fans though it hasn’t taken long for the band to head back into the studio and the resultant album ‘The Universal Want’ is a timely reminder of what we had been missing.
we suggest you check out:
Doves – ‘Prisoners’
18
AC/DC ‘Power Up’
After a tumultuous few years with the tragic loss of Malcolm and departures of Cliff, Phil and Brian, AC/DC could have been easily forgiven for riding off into the sunset having had one of the greatest careers of any heavy rock band. But then that wouldn’t be the AC/DC way of doing things would it? Instead we get another classic AC/DC album in ‘Power Up’ with Williams, Rudd and Johnson back in tow!
we suggest you check out:
AC/DC – ‘Shot In The Dark’
17
REWS ‘Warriors’
The Shauna Tohill led REWS have somehow managed to equal if not surpass their debut album with sophomore release ‘Warriors’. Packed with punchy, catchy, bouncy rock and roll, we challenge you not to throw your heart and soul into this album just as Tohill clearly has.
we suggest you check out:
REWS – ‘Birdsong’
16
THE STRUTS ‘Strange Days’
With The Struts you should always expect the unexpected. This is not a band that plays by any kind of rule book. So why wouldn’t they team up with guests as diverse as Tom Morello, Phil Collen & Joe Elliott, Albert Hammond Jr and yes the actual Robbie Williams? ‘Strange Days’ solidifies The Struts reputation as the future of rock.
we suggest you check out:
The Struts – ‘Strange Days’
15
ALL TIME LOW ‘Wake Up Sunshine’
‘Wake Up Sunshine’ is somehow the eighth studio album for All Time Low, which makes me feel very old. Thankfully this isn’t an album that rests on any laurels and the band continue to deliver the goods with another very solid album added to that back catalogue.
we suggest you check out:
All Time Low – ‘Monsters’
14
THE KILLERS ‘Imploding The Mirage’
By now we know exactly what to expect from The Killers and thankfully their first album without lead guitarist Dave Keuning still delivers that classic feel. With the likes of Lindsay Buckingham instead contributing on ‘Imploding The Mirage’, there is even an air of freshness to their sound.
we suggest you check out:
The Killers – ‘My Own Soul’s Warning’
13
PHIL CAMPBELL AND THE BASTARD SONS ‘We’re The Bastards’
When Phil Campbell And The Bastard Sons released their debut album, to the surprise of many they delivered a classic rock masterpiece. Any doubters thinking they couldn’t do it again have now been proven wrong with the release of ‘We’re The Bastards’ In our recent review (here) we stated “The bands fans are the loyal kind hence their lyrics proclaim “…’cause we’re the bastards, and you’re a bastard too…”. If you’re in to good old fashioned rock and roll, give this album a listen and you too will be in that club”.
we suggest you check out:
Phil Campbell And The Bastard Sons – ‘Son Of A Gun’
12
GREEN DAY ‘Father Of All…’
‘Father Of All…’ may not sit highly amongst the bands back catalogue if we are being honest, but an average Green Day album is still a very good album in the grand scheme of things. Despite this album pre-dating national lockdowns the album has remained on rotation throughout the year which is a testament to its real qualities.
we suggest you check out:
Green Day – ‘Oh Yeah!’
11
BOSTON MANOR ‘Glue’
Nobody should be surprised at the quality of Boston Manor’s albums anymore. With the release of their third album ‘Glue’, the band have now delivered three high quality albums with plenty to unpack.
we suggest you check out:
Boston Manor – ‘Liquid’
10
HAIM ‘Women In Music Pt. III’
With ‘Women In Music Pt. III’, Haim have let it all hang out with a statement of an album that takes listeners on a musical journey of wonder. Taking elements of various genres and given them that now classic Haim twist, this album is a stunning piece of musicianship.
we suggest you check out:
Haim – ‘Now I’m In It’
9
PVRIS ‘Use Me’
With the release of third album ‘Use Me’, PVRIS have continued their evolution into something majestic, enormous and vital. The bands growth had been put out there for all to see and this album just encapsulates the power of Lynn Gunn.
we suggest you check out:
PVRIS – ‘Dead Weight’
8
BLACK STONE CHERRY ‘The Human Condition’
On ‘The Human Condition’ we get the Black Stone Cherry that we all love, just doing what they do best. Full of head banging and foot stumping this record sees the band confirm that they are here to stay, and that they have plenty left in the creative tank.
we suggest you check out:
Black Stone Cherry – ‘Again’
7
TRIVIUM ‘What The Dead Men Say’
‘What The Dead Men Say’ is a stunning piece of work that captures a band that has hit their peak. Trivium have mixed the lessons learnt from their past with their recently rejuvenated vigour and have come out the other side with an album that stands up that anything that they have previously released.
we suggest you check out:
Trivium – ‘Catastrophist’
6
CREEPER ‘Sex, Death & The Infinite Void’
The release of ‘Sex, Death & the Infinite Void’ was a rocky road for Creeper, and not just because of a global pandemic. Various internal struggles and personal demons had to be overcome before Creeper could make their grandiose return. Sadly this return coincided with a certain virus which hampered the typical over the top promotion of a Creeper release. Thankfully for the band the record itself is brilliant enough to shine through even the darkest times.
we suggest you check out:
Creeper – ‘Born Cold’
5
BIFFY CLYRO ‘A Celebration Of Endings’
As we hit the top five Albums of 2020, things are very tight. A terrible year has thankfully seem some amazing music emerge to see us through. Biffy Clyro are another band whose plans were destroyed by this horrible virus, with tours cancelled and the album delayed. The early single releases from ‘A Celebration of Endings’ however provided much joy in the early period of lockdown.
When the full album finally found his way into the public domain, little did fans realise the treat that was in store for them. Biffy Clyro always evolve with each release, but they somehow manage to retain that Biffyness to their music. This is a unique band and ‘A Celebration of Endings’ is a unique record that mixes both the beautiful and the heavy as only Biffy Clyro seem to be able to.
we suggest you check out:
Biffy Clyro – ‘End Of’
4
ENTER SHIKARI ‘Nothing Is True & Everything Is Possible’
Another band whose releases were a small positive in the huge negative that was the first national Lockdown was Enter Shikari. It was clear from the start that ‘Nothing Is True & Everything Is Possible’ was going to be a very special album. The connection felt now with certain tracks only serves to ensure that this album will forever be seen as one of, if not the best Enter Shikari album.
All the normal quirkiness is there, along with the more mainstream elements incorporated into 2017’s ‘The Spark’. In fact, on this album Enter Shikari may have actually made the perfect Enter Shikari recipe and in turn the perfect Enter Shikari album!
we suggest you check out:
Enter Shikari – ‘satellites**’
3
BRING ME THE HORIZON ‘Post Human: Survival Horror’
Yes, ‘Post Human: Survival Horror’ is technically an EP, but it is just so outrageously good that it had to feature and feature high. Precursors such as ‘Ludens’ and ‘Parasite Eve’ had promised something special but I don’t think anybody predicted anything this good.
When we recently reviewed the record (here) we told you “This new EP takes the best elements from throughout their career and combines them in one stunning masterpiece of an album.”. Bring Me The Horizon prove with this album that the best is still to come!
we suggest you check out:
Bring Me The Horizon – ‘Obey’
2
FONTAINES D.C. ‘A Hero’s Death’
The battle for the number one spot this year was fierce. Actually, the battle for the top 5 was fierce this year. Fontaines D.C. are the band that gets the number two spot, but this album deserves Album of the Year. ‘A Hero’s Death’ shows that the band are no flash in the pan and builds on the basis of debut ‘Dogrel’. This album actually feels a step above that debut album, and is another that has created a huge personal connection during this tough year.
This record has already rightfully brought the band much acclaim and we can’t wait to hear these songs live. Fontaines D.C. are an unstoppable songwriting force and with ‘A Hero’s Death’ they have placed their claim to be the band of their generation.
we suggest you check out:
Fontaines D.C. – ‘I Don’t Belong’
1
IDLES ‘Ultra Mono’
It has been a crazy year, and this list has been heavily influenced by that. As mentioned the top of this list is massively impacted by new music I heard during the height of the initial lockdown. ‘Ultra Mono’ was an album that I was already extremely excited to hear; and the stream of songs released during Lockdown only served to raise that excitement to a fever pitch.
Thankfully IDLES didn’t disappoint and when the album arrived it was a pure masterpiece. It shows a natural progression on the bands first two records and grows the bands sound. It still captures what made us all fall in love with the band but by incorporating new elements into the bands sound the album shows that IDLES are no one trick pony.
Above all other releases this year and those that feature in this list, this was the album that we needed this year. In a year where we have all been knocked down one way or another, IDLES and ‘Ultra Mono’ has been a call to arms, to pick ourselves up, dust ourselves down and keep going.
we suggest you check out:
IDLES – ‘Model Village’
So, there you have it, the Top 20 Albums of 2020 as considered by Full Pelt Music. We are sure that your lists will be different to ours and we want to hear them, so why not share yours with us on social media!
