Anticipation is high around Wembley tonight, and not just because the League Cup final is tomorrow! Tonight, the famous Wembley Arena in London plays host to a sold out show from alt rock anarchist YUNGBLUD, and it’s his fans that make their mark around Wembley Way.
Soon enough the hordes of brightly coloured fans file into the venue and await their hero. First up though they are treated the special guests Neck Deep, who could under the right circumstances probably make a go of headlining this venue themselves.
The mission for the Welsh rockers this evening is to win over a new cross-section of the rock audience and make a load of new fans. Through openers ‘Motion Sickness’ and ‘Lowlife’, it’s clear that whilst there are some existing fans in attendance, the work will need to be done to get the whole arena on board.
Thankfully for Neck Deep, they are a well rehearsed touring machine and they are well versed in winning over audiences. As their time on stage progresses the audience becomes more engaged and by the time we get to mid-set sing-a-long ‘December’, they have an open goal to score in.
While they round out their set with the hat-trick of ‘Can’t Kick Up the Roots’, ‘Gold Steps’ and ‘In Bloom’, it’s obvious that it’s victory and mission achieved for Neck Deep. As singer Ben Barlow delivers his final team-talk to the crowd, the response is affirmative and perhaps soon the band will be on their way to Wembley for their own show.
Attention is then turned back to YUNGBLUD who is set for his biggest headline show to date following his meteoric rise over the past few years. If we are sticking with the football analogies then YUNGBLUD has been fast-tracked from the youth team to the first team and is now making his international breakthrough. As such anticipation is at a fever-pitch as the packed Wembley wait to see if he can deliver the goods!
If there are any doubts in this venue, which you get the sense there isn’t, then it only takes mere moments for YUNGBLUD to dispel them. Kicking off with ‘21st Century Liability’, ‘The Funeral’ and ‘parents’, the crowd are instantly in awe of the raw talent on display.
The quality of the music is great tonight, but it’s the incredible stage presence of YUNGBLUD and the stunning presentation of the show which makes this an elite level concert. All the bells and whistles are here as the likes of ‘fleabag’, ‘California’ and ‘mars’ are interspersed by some dramatic imagery.
To his credit YUNGBLUD is able to make this rather large venue feel as intimate as possible. His charisma has many of the audience members zombified as they take in the spectacular experience that is created tonight. Even an enforced break due to an emergency in the crowd can’t dampen the atmosphere.
By the time the show closes with ‘Loner’, you’d think YUNGBLUD had just won the World Cup! Even if we strip away the football theme, what is clear on tonight’s showing is that YUNGBLUD is here to take over the world as one of rocks next superstars!
In December, folk favourite Beans On Toast broke with tradition slightly and instead of releasing a new album on his birthday, released a collection of well received children’s stories! Well, another tradition for Beans On Toast is touring and as per his latest single, that tradition is intact with the singer now ‘Back out on the Road’!
The road this evening leads to Norwich Arts Centre, a fantastic venue in the heart of the city and tonight is all but sold out. Early attendees are treated to a delicate and delightful opening performance from Ann Liu Cannon. You could hear a pin drop as the crowd absorb the tender words of a talented young songwriter.
BEANS ON TOAST
Soon enough it’s time for Beans On Toast to take to a stage complete with new backdrop, lighting and a table! Yes, Beans has gone big for this tour and even has a loose setlist written on the table.
The loveably unpredictable nature of a typical Beans show remains however with the singer regularly going off-piste with audience requests and stories from the road. Beans has always impressed with his ability to improvise and tonight he deals with some rather inebriated fans with veteran aplomb.
As for that setlist, there is a good mixture of old and new as you’d expect from a musician constantly churning out topical content. New songs include anti-war protests, odes to fabled venues and considerations of an AI future. The packed crowd hang off of every word and note, as Beans On Toast demonstrates his natural ability to hold an audience’s attention.
Old favourites are present too with the likes of ‘The War on War’, ‘The Chicken Song’ and set closer ‘On & On’ enticing some of the bigger sing-a-long moments. All in all, tonight is yet another successful show for a musician who has long since established himself as an underground national treasure!
Tonight is a sell out and anticipation is high for one of rocks brightest prospects as Nova Twins commence their UK Tour at the Waterfront in Norwich! This was already a hot ticket, but the added attention the band received at the Brits recently has raised the bar further.
Entering the venue, you know full well that this will likely be the last time Nova Twins are playing venues this small. A rocket has been strapped to their backs and rightly so, because they fitted it themselves. Everything coming their way has come from their own DIY ethics, their own creativity and their own natural talents.
Fittingly, the band has selected two more acts that fit that bill to open on this tour. Up first are Uninvited, who on their showing tonight will be invited to many more shows in the future. Not previously on our radar, they very much are now after an assured and intense opening set. Quickly winning the packed crowd over with their blistering pace, keep an eye on this band, we certainly will be!
Next up are a band further down their career path as it were. Opening slots with My Chemical Romance last summer may have placed Witch Fever on many people’s maps, but the group has been making a noise for a little while now with a steady stream of increasingly impressive singles.
Tonight, they are clearly playing to a crowd in the know and that creates a fantastic atmosphere as the band demonstrate the raw power that has been the base of their early work. The likes of ‘Bloodlust’, ‘Congregation’ and ‘Blessed Be Thy’ sound absolutely massive in this relatively small venue and you again would expect Witch Fever to be moving on to headlining these sized rooms in the near future.
Nova Twins have quickly established themselves on the scene through two very well received albums and a string of support slots and festival appearances. Having caught them play a number of these shorter sets, our main question tonight is how do the band translate over a full headline set. The answer, as was expected, is very well indeed!
Starting off with the likes of ‘Fire & Ice’ and ‘Cleopatra’, the band quickly asserts their ferocious energy on the stage. Audience participation comes naturally and at times it feels like the band and audience are in fact one with each other.
The likes of ‘Taxi’ and ‘Play Fair’ still go hard and the likes of ‘Sleep Paralysis’ simply leave you in awe of the majesty emanating from the stage. Even we opened this review by calling Nova Twins prospects, but that isn’t the case, no, this band are the present and they are ready to take over the world!
An encore of ‘Antagonist’, ‘Undertaker’ and ‘Choose Your Fighter’ is just the cherry on top of the cake. Tonight has shown the sheer quality of new rock acts out there at the moment, with all three bands clearly set for bigger things.
Ipswich isn’t a regular touring stop, especially for rock acts, so it’s a nice treat to get this three band bill in town. There is certainly an opportunity for growth in this area for live music and hopefully the Corn Exchange in Ipswich can pick up some more shows like this.
Opening the evening are Phil Campbell and the Bastard Sons, who work hard to get the early attendees warmed up. Consummate professionals the band are slick and tight, the proverbial well-oiled machine if you will!
New singer Joel Peters seems to have fit in very well with the Campbell clan and handles material from their first two albums extremely well. The best crowd reactions may be reserved for Motörhead classics ‘Born to Raise Hell’ and ‘Ace of Spades’, but the highlights tonight are the likes of ‘Freak Show’ and ‘Dark Days’. With two quality albums already under their belts, it’ll be interesting to see what the band has up their sleeves next.
MICHAEL MONROE
Our second act is Michael Monroe, who has undoubtedly influenced many over the course of his career and who the fans in attendance welcome warmly. Monroe though is an act that has passed me by over the years and tonight it’s hard to see what the fuss is about as he calamitously stalks the stage like a rock n’ roll Jar Jar Binks!
A health and safety nightmare waiting to happen Monroe manages to get stuck in a scarf, hit himself in the head with his mic, spill drink over the stage and causes many band, audience and crew members to duck for cover with his various escapades.
During all of this there is some classic rock by numbers played by a competent collection of musicians but the cartoon caricature strutting the stage proves more of a distraction then a centrepiece. Again, though there are those in the audience that lap up the performance, so Monroe must be doing something right! A niche act perhaps, and whilst not mine, many others would be (and were) delighted by this performance.
BLACK STAR RIDERS
Finally, it’s time for our headliners Black Star Riders who are celebrating both the past and the future with their set tonight. First, there is their fantastic new album, ‘Wrong Side of Paradise’ and arrival of new guitarist Sam Wood. Then, there is the small matter of their 10th Anniversary and return for this tour of original members Scott Gorham and Jimmy DeGrasso.
The first portion of the show focuses on the new with main man Ricky Warwick leading Wood, DeGrasso and bassist Robbie Crane through the likes of ‘Pay Dirt’, ‘Better Than Saturday Night’, ‘Riding Out the Storm’ and ‘Wrong Side of Paradise’. This early selection showcases the future of the band and confirms that there is still plenty in the tank. Wood fits the mould and helps to breathe new life into the group.
Soon enough though the iconic Scott Gorham strides across the stage to take position for the next hour or so of celebration. Seeing Gorham and Warwick side by side again is a treat and it’s nice that the band throw in a couple of Thin Lizzy numbers in a nod to the roots of the band.
Throughout the set though you are reminded just how good of a back catalogue that Black Star Riders have amassed in the last ten years. ‘All Hell Breaks Loose’, ‘The Killer Instinct’, ‘Before the War’, ‘Testify or Say Goodbye’, ‘Kingdom of the Lost’ and ‘Bound For Glory’ all sound huge tonight as Warwick and co prove that they were right to believe in themselves and the new music they could create together when faced with such criticism a decade ago.
Closing the evening with Lizzy classic ‘Jailbreak’ and Black Star Riders favourite ‘Finest Hour’, the rock fans of Ipswich are sent into the mild evening having witnessed one of the most consistently good bands of the past decade at their finest. The past decade has been sublime and thankfully the next decade looks just as good!
As Independent Venue Week continues we head to one of the country’s finest, the wonderful Colchester Arts Centre. Seriously though, those toilets will have you feeling like royalty – toilet-circuit indeed!
In town tonight are Holding Absence who are towards the end of a tour of the UK’s off the beaten track venues and the locals are clearly excited with the show a sell out.
Most of the audience are in the venue early to catch the support (always a wise move!) and up first the crowd are treated to the ferocious Your Misery. Controlling the stage as if they were seasoned veterans, the band are able to not just warm up the crowd but fully win them over. Certainly one to keep an eye on, Your Misery couldn’t have done any more tonight to make a statement.
Our second act, Australians Void of Vision, most definitely feel like a band that know how to make a statement of their own. The group burst onto stage and fill the venue with their huge sound. It’s an audio onslaught for the next forty-five minutes as the likes of ‘DOMINATRIX’, ‘THE LONELY PEOPLE’ and ‘INTO THE DARK’ leave the crowd desperate for more.
There may not be any more Void of Vision tonight, but you can expect to hear much more in the future. With a new EP coming soon, this could be a breakthrough year for the band.
Our headliners, Holding Absence, have felt like they are breaking out for a few years now. Certainly not ones to rest on their laurels; their touring schedule has been intense. The majority of those shows though have been support slots, so it’s refreshing to catch them at a headline show finally.
The core fanbase of the band appear very committed and there is anticipation in the air in this old church tonight. That anticipation boils over as the band arrive on stage and quickly run through ‘Monochrome’, ‘Beyond Belief’ and ‘Like A Shadow’ much to the delight of those fans.
The setlist tonight is a real mix of the bands releases with highlights including ‘Gravity’, ‘In Circles’ and new song ‘Aching Longing’. You’d perhaps expect a little more from a headline show, but I guess the old adage is to leave the audience wanting more.
After a finale of ‘Afterlife’ and ‘Wilt’, Holding Absence most definitely do just that. With so many sing-a-long anthems or bangers as the kids would say, and an engaging stage presence you’d hope that the band will live up to their early promise.
Three bands at different stages of their budding careers tonight all make a valuable impression. It’s worth remembering that nights like this are happening up and down the country, night in night out. It’s tough out there and venues and bands need your support, so perhaps think twice on spending hundreds of pounds on those Beyonce tickets and pop down to your local independent venue instead!
BLACK STONE CHERRY & THE DARKNESS – BIRMINGHAM – LIVE REVIEW
One fateful night many years ago in the depths of the forests of Thetford a relatively spontaneous pairing occurred as Black Stone Cherry jumped in to support The Darkness after an infamous festival cancellation.
I was there that momentous evening to witness the magic that transpired. I was rather pleased then when the two bands announced a co-headline arena tour a decade or so later. So, tonight I head to the Resorts World Arena in Birmingham to relive that fine evening.
Opening on this tour is Danko Jones, who always delivers the goods. You know that you are in for a good rocking with Jones and tonight is no different. When your time onstage is short, you need to make the most of it and that’s exactly what Jones does with a fast paced rock n roll romp.
The first of our two headliners to take to the stage are The Darkness and as their set progresses I find myself reminiscing of that night in 2012. I remember that the band were fresh into their return and finding their feet again as a live act. The Darkness have always been considered a fantastic live act, but tonight I realise just how much further they’ve come.
Consistently good new material over the past decade has helped, but the band has really fine tuned themselves with drummer Rufus Taylor having a large role in that. The Showmanship of Justin Hawkins, the flamboyance of Frankie Poullain and the flair of Dan Hawkins now have a harnessing force that makes them incredibly slick.
When you then throw in plenty of pyrotechnics, you have a recipe for a stunning show and that’s exactly what The Darkness deliver tonight. From opening number ‘Growing on Me’ through to theatrical set closer ‘Love on the Rocks With No Ice’, The Darkness not only reassert themselves as one of the best live acts around but demonstrate the progress that they’ve made in the last decade.
WATCH ‘OUT OF POCKET’ ON YOUTUBE
Black Stone Cherry – ‘Out of Pocket’
Progress is a key word also when considering Black Stone Cherry who close the night this time around. They’ve come a long way in the last ten years and are now a regular arena filling act in the UK.
Tonight their time onstage is perhaps slightly shorter than usual, but they still manage to pack a career spanning setlist into that time. Less theatrical then The Darkness, Black Stone Cherry have always been happy to let the music do the talking and the crowd tonight are more than content with that.
Newer material like ‘Burnin’’, ‘Again’ and their latest single, ‘Out of Pocket’ feel at home in the set and evidence the great work produced by the band since 2012. Of course though tracks from that time like ‘White Trash Millionaire’ and ‘Blame It On The Boom Boom’ elicit huge response from the audience.
These are three different performances tonight from three different bands all bound by the love of rock. I knew walking into the arena that I’d be catching three of the most consistently good live acts on the circuit, so the quality of the evening isn’t a surprise tonight. Walking out of the venue however, I’m most impressed by the growth and evolution shown since that memorable evening in the woods!
It’s once again Independent Venue Week and it’s a fantastic time to celebrate the integral network of grassroots venues that play such a pivotal role in the music ecosystem. It bears repeating – no local venues, no opportunities for new talent and ultimately no superstars.
Tonight we head out to one such venue, the fantastic Voodoo Daddy’s. Pizza, beer and live music are a great mix and that’s exactly what you’ll find tucked down a vibrant Norwich alley.
You’ll also find some brilliant entertainment! Up first tonight are Ecto Peach who cross the border from Ipswich. There’s no football rivalry here though and the already packed venue gives the group a warm welcome.
That welcome is returned tenfold with a superb performance from the tight and energetic four-piece. A short set of catchy rockers, the band are evidence of why it’s ever so important to get to shows early!
The mood changes next as songwriter (the best in the world some would say!) Ben Brown graces the intimate stage surrounded by fairy lights. He proceeds to serenade the audience with delicate melodies and comical stage banter.
A change of pace indeed but one which the audience takes in their stride and welcomes with open arms. Brown will certainly leave with more fans than when he arrived after a delightful little show.
Finally though it’s time for those fans filling the venue with Pet Needs t-shirts to enjoy the band of the moment! Pet Needs are one of the brightest prospects in the country right now; after all they did win our ‘Discover’ New Artist of the Year Award for 2022!
Yes, crowds are getting larger, venues are getting bigger and t-shirt sales are booming. The reason? Well, perhaps you should pop along to a show and see for yourselves, but given that it’s our job to tell you we’ll keep it simple! If you could bottle the energy of the band to sell, you’d be a Billionaire overnight.
It takes more than energy to be a great band though and two albums in, the band already have belters for days. Both of their albums have produced multiple live staples which exemplify the quality of song writing within the band. These songs are catchy as hell with sing-a-longs infectiously mandated at Pet Needs shows.
The setlist tonight is well structured and represents a good mix of their albums. The pace never relents and the audience laps up tracks such as ‘Pavlovian’, ‘Spirals’, ‘Punk Isn’t Dead; It’s Just Up For Sale’ and ‘Toothpaste’.
The highlight tonight though is new track, ‘Yeah!’, which whets the appetite for what’s to come next. The future is clearly very bright for Pet Needs, and tonight has been a great night for those making the effort.
There are great nights like this happening all across the country every night of the week. So this Independent Venue Week, please remember folks that an independent venue isn’t just for Independent Venue Week – it’s for life!
We’re fully embedded in the new year now, so it must be time for music fans to get back into the UK’s fine music venues. In fact we are close to the ever important, Independent Venue Week, so it’s great to start the year at one such venue – Epic Studios in Norwich.
The versatile venue can host events of all sorts but on this bitterly cold January evening, it hosts lots of denim and leather rockers as British Lion come to town!
The final night of a full UK Tour, the band led by the legendary Steve Harris of Iron Maiden, attract a very healthy crowd tonight. Those in attendance are treated to not one but two accomplished support acts with the first of those, Airforce, in full effect as most attendees enter the venue.
Musically very suitable to supporting a member of Maiden, Airforce make the most of their short time on stage with a succinct and vociferous performance which no doubt wins over any uninitiated in the audience.
VOODOO SIX
Next up is Voodoo Six, a band that Maiden/Lion fans will be very familiar with. The band stepped in on short notice to fill the void left by Canadian group Coney Hatch being unable to fulfil the tour.
Disappointing for some, for others like myself, this was actually an upgrade. Voodoo Six have consistently put out quality music and put on great shows for two decades now. Numerous line-up changes haven’t prevented the band putting out six albums and playing shows all over the world.
Tonight, they are on top form once again with an assured performance, mixing tracks old and new, to the delight of the crowd. Perennially tipped for bigger things, perhaps that ship has sailed but the constant of quality music and great shows doesn’t appear to be going anywhere as Voodoo Six once again show themselves to be criminally underrated.
BRITISH LION
Finally the time arrives for British Lion to take to the stage and they naturally receive a hero’s welcome. It’s the last show of the tour but also a (close to) hometown show for a number of the members, so the atmosphere is relaxed and the band let the music do the bulk of the talking.
The group have two albums in the bank at this point and the set list is a good mix of the two. Harris and co are able to give a good account of themselves, with singer Richard Taylor even acknowledging the apparent identity crisis that the band often have thrust upon them by others.
Long since dispelled as a mere solo project for Harris, since their inception in 2012 the group has evolved and that’s evident tonight with the stage presence of Taylor as exhibit A. This is a package now and not a vessel for Harris alone.
That makes the spectacle greater as far as the live show goes and places more emphasis on the music as opposed to the “oh look there’s Steve Harris” feeling for their early shows. It’s great to see and will hopefully lead to greater longevity from the project.
As this tour draws to a close with ‘Eyes of the Young’, British Lion may take a step back to Iron Maiden once again, but with performances like tonight you know it won’t be long before the band are reunited onstage again.
It’s been another big revival year for the music industry following the pandemic years, and it’s been another year of growth for us at Full Pelt Music! We’ve reviewed 67 albums, 7 EP’s, 6 festivals and 38 gigs in 2022 as some level of normality or even stability has returned to our industry.
That said, there are still many issues facing the industry with livelihoods, venues and organisations at risk for a plethora of reasons. Whilst government action is required in many places, what we as fans can do is support the industry with our money. Times are tough for us all, but purchasing an album, buying a t-shirt, nabbing a ticket and grabbing a drink whilst at a gig does so much to support the industry that we love.
In our now annual end of year awards we’ll be giving out seven hotly contested awards looking at both the recorded and live sides of the industry. Adding to our well established Album of the Year award this year will be the new EP of the Year award. We’ll also once again be revealing our Single of the Year. All awards have seen fierce competition, as once again it’s been a high quality year for new releases.
On the live side of things, we’ll announce both our Gig and Festival of the Year awards. This year of course provided our first full calendar of music since 2019! We were able to witness many great performances this year and we can’t wait to share with you are favourites.
Lastly we’ll look at the artists who’ve had special years as we award our Artist and ‘Discover’ New Artist of the Year awards. So without further ado, let’s work through those award catagories!
ALBUM OF THE YEAR
It has been a truly magnificent year for album releases and getting a spot anywhere in our Top 50 was hard enough but in particular the Top 10 was incredibly tightly fought. You can read the full list here.
‘IMPERA’ from Ghost was able to take the crown this year but any of the top 10 could’ve taken that spot. ‘Reeling’ from The Mysterines in particular would likely have won in any other year, but the majesty and magnificence of ‘IMPERA’ proved unbeatable.
Winner:
‘Impera’ by Ghost
The contenders:
‘Reeling’ by The Mysterines, ‘FTHC’ by Frank Turner, ‘Skinty Fia’ by Fontaines D.C. & ‘The Price of Life’ by Bob Vylan
Previous Winners:
2021 – ‘Blue Weekend’ by Wolf Alice 2020 – ‘Ultra Mono’ by IDLES
EP OF THE YEAR
For the first time this year, we are separating EP’s out of our main award and giving them their own pedestal. That alone is the truest compliment to the quality of EP’s on offer this year.
Again, all EP’s in our top 5 are worthy of the number one spot, but it’s ‘coming of (r)age’ from As Sirens Fall that pips it. Catchy as hell single, ‘heaven (spat us back out)’, helps elevate the release to be crowed our first ever EP of the Year.
Winner:
‘coming of (r)age’ by As Sirens Fall
The contenders:
‘False Start’ by James and the Cold Gun, ‘SCP’ by Oakman, ‘Tyrants’ by IOTA and ‘BLACKGOLD’ by BLACKGOLD
SINGLE OF THE YEAR
We look now at our Single or Song of the Year. In considering the award this year we’ve considered the ear worms that have stayed with us after live performances. We’ve also pondered which songs instantly struck a chord and created a buzz of excitement for the albums and live shows that would follow.
Songs which fell into both of these considerations competed for the award and it was again a tight decision, but ultimately for us this year ‘Dangerous’ from The Mysterines has not just ticked both boxes but also remained on heavy rotation throughout the year despite being an early arrival in 2022. That’s why that track is our 2022 Single of the Year!
Check out the winning single below:
The Mysterines – ‘Dangerous’
Winner:
‘Dangerous’ by The Mysterines
The contenders:
‘Talk Hard’ by Jamie Lenman, ‘Compliance’ by Muse, ‘Wicked Ways’ by Halestorm, ‘Spillways’ by Ghost
Previous Winners:
2021 – ‘Test of our Resolve’ from Press To MECO 2020 – ‘Obey’ by Bring Me The Horizon feat. Yungblud
FESTIVAL OF THE YEAR
2022 was the first full festival season since 2019 and what a return it was. All eyes were on Glastonbury once again, British Summer Time curated a stunning line-up, Download Festival breathed fire and 2000trees was able to remind everyone what’s so great about smaller festivals.
Our winner this year though is Reading & Leeds who went big, sold out and delivered an action packed weekend even with the huge loss of Rage Against The Machine amongst others. Always a perennial contender for this award, 2022 felt like the year the event reclaimed its identity.
Glastonbury Festival, British Summer Time, Download Festival, 2000trees Festival
Previous Winners:
2021 – Download Pilot Festival 2020 – Wild Fields Festival
GIG OF THE YEAR
We’ve reviewed many gigs this year but in reality there could only ever be one winner. Rammstein’s tour is less of a concert and more of an experience; one that everyone, fan of the band or not, should experience at least once.
Beyond that there was still some incredible, top tier gigs in 2022 and our contenders are all worthy of glory, but Rammstein are currently on a whole different level.
Royal Blood @ O2 Arena, London, Ghost @ Resorts World Arena, Birmingham, Muse @ Eventim Apollo Hammersmith, London, The Killers @ Carrow Road, Norwich, The Hella Mega Tour @ London Stadium, London, Creeper @ Roundhouse, London, Idlewild @ O2 Kentish Town Forum, London
Previous Winners:
2021 – Bring Me The Horizon @ O2 Arena, London 2020 – Frank Turner @ Arboretum, Nottingham
ARTIST OF THE YEAR
Artist of the Year now and for this award we look for somebody who has had a huge, perhaps even career-defining year. Previous winners Frank Turner and Biffy Clyro have done so by delivering incredible feats, far above the norm.
This year was a big year for many acts, but we’ve gone for Bring Me The Horizon as a band that have had a career-defining twelve months. Long tipped as festival headliners at a major event, many felt that the time would never come for one of the best live bands on the planet. Big releases, sold-out tours, no matter what the group did they never seemed to be given that torch, that is until this year!
Watching Bring Me The Horizon step up and headline at Reading & Leeds this summer felt like a real moment, not just for the band but for the whole scene. For any metal band, let alone one once considered so unfashionable to headline the biggest festivals in the UK is massive.
Already announced to finally headline Download Festival in 2023, 2022 will forever be linked for Bring Me The Horizon to taking that final career-defining set. Throw in their genre-defying collaboration with Ed Sheeran, 2022’s Artist of the Year had to be Bring Me The Horizon.
Winner:
Bring Me The Horizon
The contenders:
Ghost, Rammstein, Biffy Clyro, Muse
Previous Winners:
2021 – Biffy Clyro 2020 – Frank Turner
‘DISCOVER’ NEW ARTIST OF THE YEAR
As a publication we always want to put new music at the heart of what we do, and that’s why our final award is perhaps our most important! Our ‘Discover’ New Artist of the Year is awarded to the act we’ve chosen to highlight on our ‘Discover’ New Music Playlist and Podcast who we feel has made the biggest impact this year.
At the beginning of 2022 we put the spotlight on new Colchester act PET NEEDS as they continued to promote their debut album, ‘Fractured Party Music’. From that point on the band never looked back with a world tour, a second album (‘Primtime Entertainment’) and a sold out hometown show all under their belts.
They even found the time to become the first (and only at the time of writing) band to progress from our ‘Discover’ New Music Podcast and appear on The Full Pelt Music Podcast! Yes, fighting off some stiff competition for the ‘Discover’ New Artist of the Year award in 2022 is PET NEEDS!
Winners:
PET NEEDS
The Contenders:
BERRIES, As Sirens Fall, Oakman, James and the Cold Gun, Daytime TV, MOSKITO
Previous Winners:
2020 – Miss Vincent
So, that’s it! Another year in the record books, it’s been another difficult year and it has again been particularly tough on the music industry. That said, we’ve had a full year of live music for the first time since 2019 and the creative juices remain flowing with some absolutely stunning new releases over the past twelve months.
Below you can enjoy some of our favourite gig photos of the year courtesy of our wonderful photographer Denis!
All 📸 (c) Denis Gorbatov / Full Pelt Music
We hope you’ve enjoyed our The Year in Review 2022 and we wish you a very Happy New Year. Here’s hoping 2023 is a good one!
As the year draws to a close, music publications such as us turn our attention to our end of year lists. There will be nods to the best albums, singles, festivals and gigs as December progresses towards it festive finale. The only problem is that 2022 isn’t quite done yet!
Tonight for example the O2 Arena in London welcomes a fantastic package tour with three incredible acts set to grace the stage. Perhaps then those engravers should hold fire on etching the award winner’s names just yet!
This evening is the final night of a tour that has hit five other UK and Irish arenas already this month having first made its way around Europe, and there’s an end of tour / end of year atmosphere in the venue.
The first band up is Mammoth WVH led by Wolfgang Van Halen who showcases his natural talent and feels right at home on this massive stage. Playing a blistering set of material from their self-titled debut release, the band finish with ‘Don’t Back Down’ and leave the stage with many more fans than when they arrived.
Next up are a band who debatably should be headlining arenas themselves these days, as the screams of Lzzy Hale welcome Halestorm to the stage. Opener, ‘The Steeple’, sets the theme with new album, ‘Back From The Dead’ taking centre stage. That’s no bad thing though as it’s a fantastic album as demonstrated by the likes of ‘Wicked Ways’, ‘Mine’ and the title track.
All the usual Halestorm fun is packed into an abridged set where we still get crowd interaction, over-sized drumsticks and massive rock songs such as ‘Love Bites (So Do I)’ and ‘Familiar Taste of Poison’. ‘I Miss The Misery’ closes out the short but sweet set and leaves you thinking surely a Halestorm arena headline tour must be next on the cards.
WATCH ‘SILVER TONGUE’ FROM ALTER BRIDGE ON YOUTUBE
Alter Bridge – ‘Silver Tongue’
A band very familiar with headlining arenas at this point though is our headline act tonight, Alter Bridge. Another band with a new album to show off, the huge ‘Silver Tongue’ gets the ball rolling as the group once again demonstrate their obscene talents.
A musically sublime performance features their debut album more than recent tours with ‘Shed My Skin’, ‘Burn It Down’ and ‘In Loving Memory’ all highlights. The set list weaves between albums and highlights the musical dexterity of the band along with the commitment of their fans that stand in awe through hits and deep cuts alike.
‘This Is War’ and title track ‘Pawns & Kings’ show that the band remain very much on form as far as new material goes, but naturally it’s favourites such as ‘Metalingus’ and ‘Blackbird’ that elicit the best audience responses tonight.
An encore of ‘Rise Today’ and ‘Open Your Eyes’ seals the deal and sends the crowd into the wintery embers of 2022 happy and thoroughly entertained. It’s tours like this that remind us what we’ve been missing in the past couple of years, and serve as grounds to hold back on those end of year awards until all the entries have made their case!
