Vol. 55
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Tag: Myles Kennedy
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Myles Kennedy
The Art of Letting Go
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MYLES KENNEDY – THE ART OF LETTING GO – ALBUM REVIEW
Across his various ongoing projects Myles Kennedy is nothing short of prolific with the frequency in which he lends his incredible voice to new albums. Full Pelt has only existed for four years and in this time he has already released albums with Slash, Alter Bridge and under his own name.
‘The Art of Letting Go’ marks his second solo release in this time and his third overall, and as with any release on which he features, it is his intense voice which is the greatest instrument!
His debut solo release, ‘Year of the Tiger’, found Kennedy showcasing a stripped back blues-tinged sound before 2021’s ‘The Ides of March’ brought a straighter rock sound to a world emerging from the pandemic.
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On this new record, Kennedy rachets things up another notch or two with some heavier, bolder riffs making this by far the most Alter Bridge adjacent solo release thus far. A big positive of this is of course that you find Kennedy in familiar territory and therefore the release is an easy digest for his followers.
On the flip side, it has been nice to see the different sides of Kennedy and this release therefore can feel a little safe. Still, any gripes are soon blown away by the sonic onslaught that delivers as many big moments as any Kennedy featuring release to date.
You would imagine that after some nineteen studio albums for various projects, Kennedy would be struggling for ideas, but instead after three decades of songwriting Kennedy shows that he is still thriving.
Indeed, it’s undeniable that this is Kennedy at his very best and that is saying something because Kennedy has long established himself as one of the artists of his generation.
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Full Pelt Magazine
Vol. 51
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Full Pelt Magazine
Vol. 41
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Full Pelt Magazine
Vol. 35
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The latest issue of the Full Pelt Magazine is here, and you can download your copy for free below!
Volume 35 features our cover star Frank Turner as announces show 3000 and shares his 10th studio album, ‘Undefeated’. Plus we review the new releases from Emily Barker, P.O.D., Dea Matrona, The Exact Opposite, DAYTIME TV and EEVAH.
Our News Report has all the latest music news including live announcements from Frank Turner, David Gilmour, Massive Wagons, The Lemon Twigs, Alien Ant Farm, LostAlone, Levellers, Don Broco and Myles Kennedy.
Plus all the best new releases including P.O.D., Robert Jon & The Wreck, Black Country Communion, Fire From The Gods, The Lovely Eggs, Mannequin Death Squad, FM, Blossoms, Jaret Ray Reddick, SAFIRE, Yours Truly, Hamish Hawk, Mt. Onsra, VOWER, Our Hollow, Our Home, Heriot, Lizzy Farrall, Raven Numan, Soft Play and Richie Kotzen!
Finally, we round up the latest additions to our ‘Discover’ New Music Playlist including SHADE UK, HRTLSS, Sleep Theory, Peter Bibby, The Fever Kings and Caroline Romano!
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Download Festival
Donington Park
10th to 12th June 2022
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With the pandemic taking a hold back in early 2020, Download Festival became one of the first major festival victims. It was perhaps fitting therefore that the small Pilot version of the event was the first step on the road back to normality last year.
Read our review of Download Pilot Festival
That does mean though that as we head into Donington Park in 2022, it is the first fully fledged festival since the 2019 edition. After three long years, it is finally time for rock and metal fans to convene again on these hallowed grounds.
There are a number of changes this year to the layout of the festival but the best change is the installation of a strange golden orb in the sky. The usual brown flooring has also been painted green. Yes, goodbye Drownload and hello sunburn!
The main changes to the festival relate to the layout of the campsites, parking and transport hubs. Given these new changes, a little extra signage may have assisted seasoned attendees finding their way around, but in general the changes work well. There is a lot of walking required, however there always is at Donington Park however the event is laid out.
Once inside the area the setup is pretty standard if a little cut back with smaller stages, fewer food stalls and no wrestling or other extra areas. But, it’s Download and everyone is just glad to be here.
FRIDAY REVIEW
So then, on to the music! Opening the main stage on Friday are NWOCR favourites Wayward Sons who make the most of their short time on stage. They are quickly followed by Canadians Theory (of a Deadman) who also only have a short time to show their stuff. Thankfully for them they are able to call upon some festival-perfect material as the crowd sing along to ‘Bitch Came Back’, ‘Hate My Life’ and ‘Bad Girlfriend’.
Recently rejigged Bury Tomorrow follow on the main stage and bring the first real taste of heavy to the festival. The band are clearly honoured by the opportunity and try their best to win over the audience, with our first pyro of the weekend helping to add to the occasion. By the time the band leave the stage and a pile of bodies in the audience, the set has to be considered a success.
We go walkabout next and visit first the second stage for a man who has already played Download Festival with both Alter Bridge and Slash, Myles Kennedy. With two solo albums now to his name, Kennedy only grows his legacy with another top class performance.
Read our review of ‘The Ides of March’ from Myles Kennedy
Secondly we head to the Avalanche Stage for something new. American pop-punk band Meet Me @ the Altar have intensifying hype around them, and keeping with the tone of the day they are able to grasp this opportunity with both hands. Expect bigger things from the band in the near future.
As day one begins to draw to a close with catch two of Download’s house bands with Skindred on the main stage and Airbourne over on the second stage. Both bands attract big crowds, because fans know what to expect from them. High energy, entertaining rock shows are delivered by both as fans get to revel in what they have missed over the last three years.
Read our review of Airbourne live in Norwich
Having delivered an incredible headlining performance at the Pilot event last summer, Frank Carter & The Rattlesnakes return to Donington Park next to headline the second stage. Carter and co show the crowd what they missed last year with another stunning performance. This band must be considered one of the best live bands on the planet and who would put it past them headlining the main stage in the future.
Read our review of ‘Sticky’ from Frank Carter & The Rattlesnakes
Download Festival after all needs to begin focusing on that next generation of headline acts, because many of the old guard are saying farewell. It is the ‘End of the Road’ for KISS, but not before one final triumphant showcase this year.
The band are able to deliver all the pageantry of a KISS show with every party trick played with precision. As the fans walk away with ‘Rock and Roll All Nite’ stuck in their heads, the band have brought the party and night one is closed out in style.
SATURDAY REVIEW
Saturday morning brings a fresh day with the sun still shining bright, but early risers at the main stage are left waiting with opening act The Raven Age almost forty minutes late. When the band do arrive they are able to show their continued growth with a matured performance.
This delay subsequently leads to a 30+ minute lag on main stage times throughout the rest of the day which plays havoc with fans carefully curated schedules. It does mean however that we can head to the second stage and catch the energetic Cassyette who is capitalising on the momentum earned over the last year.
It’s then back to the main stage for the classic rock sounds of Those Damn Crows and Monster Truck. Both bands continue the impressive start to the festival. Clearly every act is out to cast off the shackles of recent years and make an impression.
Both of these bands leave the fans wanting more, which is all a band can do with these early festival slots. It’s probably a good thing then, that these two bands will be touring the UK together later this year!
Up next for us is one of the performances of the weekend from Holding Absence over on the Avalanche stage. With songs like ‘Afterlife’ and ‘Wilt’ seemingly made for festival crowds to sing along to, the band completely own the packed tent during their time on stage.
Read our review of ‘The Greatest Mistake of My Life’ from Holding Absence
Shinedown are also a band that knows how to control a crowd, and they have a large crowd to play with next on the main stage. With a new album on the way, the band incorporate new tracks ‘The Saints of Violence and Innuendo’ and ‘Planet Zero’ into their tried and tested, crowd pleasing set.
It’s then back to the Avalanche stage for another standout performance. This time it’s Creeper on the stage, the band again showing an innate ability to hold the audience in the palm of their hands. Creeper continue to grow and evolve and it will be interesting to see where the band head next.
Read our review of Creeper live in London
We stick next to the Avalanche stage for headliners Funeral For A Friend. Perhaps it’s the fact that we’ve just witnessed two fantastic performances on this stage from Holding Absence and Creeper but something feels a little off for this set. It’s not a lacklustre performance as the band give it their all, but on a weekend full of great performances what is probably a really good one feels a little underwhelming.
There is never anything underwhelming however about Iron Maiden. The band are icons for a reason and their current stage show is possibly their best ever. With Maiden on form and a packed Donington Park in fine voice, this headline set was always going to be one for the ages, and it doesn’t disappoint.
Read our review of ‘Senjutsu’ from Iron Maiden
SUNDAY REVIEW
Now onto Sunday morning, with hangovers taking hold, feet aching and stamina’s waning. It’s up to Wargasm to blow away any cobwebs as they open the main stage, and that’s just what they do. The band are developing into something of a marmite band, but there is no doubting the passion and energy that they put into every performance; and judging by the reaction they go down very well this morning.
Sidetracking from the music for a moment, we commented in our Neck of the Woods Festival review about the cost of food and drink this year. There are no surprises therefore that prices are high at Download Festival, but the quality on offer at that price is disappointing. Inflation is one thing, but shrinkflation begins to rub, and more than one meal this weekend leaves a sour taste in our mouth (figuratively and literally in one case!).
Well, if the amenities on offer are disappointing, thankfully the music isn’t. As we have said, the quality of performances this weekend is consistently high. Both The Velveteers in the Dogtooth tent and The Last Internationale on the second stage are fine examples of this quality from top to bottom.
Massive Wagons follow on the second stage and again appear on top form. As many bands have this weekend, they tailor their set list perfectly for their time on stage and it’s wall to wall bangers as the kids would say.
Tremonti next are more methodical as they display their technical prowess. Mark Tremonti and co are mightily impressive and the audience are equally receptive.
Read our review of ‘Marching In Time’ from Tremonti
We shoot then across to the main stage where Rise Against are another band that fail to meet expectations. The band are an incredible force, but sadly today they struggle to translate from the stage for whatever reason.
Read our review of ‘Nowhere Generation’ from Rise Against
Volbeat have no problems though as they are instantly able to grab the audience. They deliver a career spanning setlist to the delight of the field, which shows just why they have established themselves as potential future headliners.
Read our review of Volbeat live in London
We then find time to dart across to the Avalanche stage one last time as Trash Boat showcase one of the albums of last year, ‘Don’t You Feel Amazing?’. Trash Boat have really come into their own and have the entire tent bouncing along.
Read our review of ‘Don’t You Feel Amazing?’ from Trash Boat
Korn are the penultimate band to play the main stage this weekend and they make the most of their position with one of the best performances of the festival. The band are longtime Download Festival favourites and they evidence today just why that is.
Read our review of ‘Requiem’ from Korn
There is another look at the future next as Yonaka pack out the Dogtooth tent. Those that have made the effort to catch the band are rewarded by an incredible performance from one of the most exciting young rock bands around.
Read our review of ‘Seize the Power’ from Yonaka
Last but certainly not least with have Biffy Clyro who are one of the biggest rock bands in the UK, but seemingly another marmite band amongst regular Download Festival goers.
One thing for certain is that those that chose to the stay until the end are rewarded by way of a sublime headlining performance. Biffy Clyro are another level live act and tonight they deliver a superb closing show fitting of closing this event.
Read our review of Biffy Clyro live in London
Consistent high calibre performances have encapsulated the return of Download Festival this weekend. The event has a special place in the hearts of its fan base and will celebrate next year with a special four day 20th anniversary celebration. We can’t wait!
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Read our review of My Chemical Romance live in Milton Keynes
4
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SLASH FEAT. MYLES KENNEDY AND THE CONSPIRATORS – 4 – ALBUM REVIEW
Nobody could’ve predicted the match made in heaven between Slash and Myles Kennedy back in 2010 when Kennedy featured on the guitarists’ debut solo album. Soon enough however it was evident to those that mattered and Kennedy was chosen to front the live band and contribute an additional song.
Now, here we are some 10+ years later and that solo project has morphed into the mouthful that is Slash feat. Myles Kennedy and the Conspirators, and the group are releasing their fourth album together, simply titled ‘4’.
WATCH ‘CALL OFF THE DOGS’ ON YOUTUBE
Yes a lot can change in 10 years of course, and despite Slash now finding himself back in Guns N Roses, this collective is just too good to leave in the past. The band has grown in cohesiveness and credibility and with the addition of ‘4’ they now have a solid back catalogue themselves. So much so, that they no longer need to rely so heavily on GNR tracks live.
‘4’ continues the momentum created by its predecessors and kicks straight in with single ‘The River Is Rising’ setting the foundations for another 45 minutes of good old reliable rock and roll.
Listen to ‘The River Is Rising’ on our ‘Hard & Heavy’ Playlist!
For ‘4’ the band has worked with renowned country producer Dave Cobb and mixed up their recording practices with the album captured as live, but the result remains very much a SMKC record. Do you want old school rock and roll? Well, you got it! You want blistering guitar solos? Naturally! You want Kennedy’s sublime soaring vocals? It’s all here on ‘4’.
With new Guns N Roses songs not instantly hitting it off, we should be glad that this group remains a viable vessel for this legendary guitarist and his band of mercenaries to deliver the effortlessly groovy and dirty rock n rock that we want.
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Watch Episode 5 of The Full Pelt Music Podcast with guests The Treatment
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Album of the Year 2021
We countdown our Top 50 Albums of 2021
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2021 has been another tough year to live through. There have been some signs of normal life, for example the return of live music, but we end it as we started with true normality a distant memory.
This year has however been a stunning year for new music releases. Yes, lockdown musicians and the odds are their creativity will take over. In Full Pelt Music’s first full year of existence we have reviewed 65 albums and the quality of those releases has been exceptional.
Last year we counted down our Top 20 albums of the year, with a special Advent Calendar countdown on our Twitter. This year we have expanded! Our 2021 countdown has taken place across all our social platforms, and has listed our Top 50 albums of the year!
With that social media countdown completed, it’s now time to compile our completed Top 50 in one place. So let’s get started!
What we said:
“there are stunning moments spread throughout the album”
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What we said:
“there are plenty of songs on this album that rate amongst the best that the band has produced”
Read our review of ‘Waiting For Good Luck’
Check out:
What we said:
“Garbage are an incredible musical force”
Read our review of ‘No Gods No Masters’
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What we said:
“we have thrashing guitars, thumping drums, bizarre lyrics and plenty of bells and whistles to emphasise his brilliantly quirky musicianship”
Read our review of ‘The Lunar Injection Kool Aid Eclipse Conspiracy’
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What we said:
“was anybody craving a new album from The Offspring in 2021? Perhaps not, but actually in this messed up world we live in, maybe, just maybe, we needed it!”
Read our review of ‘Let The Bad Times Roll’
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What we said:
“this is an artist pouring all of their self into their creation and discovering magic”
Read our review of ‘Watch Me Break Apart’
Check out:
What we said:
“this record manages to encapsulate the sound that the band has nurtured over the past few years both on record and in the live setting”
Read our review of ‘How to Ruin Your Life’
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What we said:
“remind you how gloriously heavy yet anthemic the band can get”
Read our review of ‘The Bitter Truth’
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What we said:
“it won’t take long for people to stop and take notice of this great young band”
Read our review of ‘Fractured Party Music’
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What we said:
“this is Volbeat at their very best”
Read our review of ‘Servant of the Mind’
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What we said:
“vitality shouldn’t be mistaken for relevance and whilst the band may have peaked commercially, they remain of utmost importance to a generation of music fans”
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What we said:
“anybody that had any doubts about the natural talents of this group of musicians, they should now acknowledge a new force”
Read our review ‘The Battle at Garden’s Gate’
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What we said:
“over the top, outlandish, brash and most of all fun, the album not only lives up to but surpasses all expectations”
Read our review of ‘Van Weezer’
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What we said:
“quality continues to run throughout the entire record and there is very little ease on the throttle”
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What we said:
“another very good release from a band overdue commercial success”
Read our review of ‘Into the Blue’
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What we said:
“a middle finger up at the haters”
Read our review of ‘Still Sucks’
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What we said:
“a delicate masterpiece from a songwriter of the highest level”
Read our review of ‘The Hole Around My Head’
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What we said:
“an enjoyable listen and the band clearly still has something to say”
Read our review of ‘The Ultra Vivid Lament’
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What we said:
“up there with the best that Beans On Toast has released”
Read our review of ‘Survival of the Friendliest’
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What we said:
“it really is time to stop being surprised by the quality in this band”
Read our review of ’21st Century Love Songs’
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What we said:
“the extravagance of the band is what makes them great and thankfully their 7th studio album has it in abundance”
Read our review of ‘Motorheart’
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What we said:
“for their tenth album the band has set out to create their masterpiece”
Read our review of ‘Coral Island’
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What we said:
“a strong debut album that lays the foundations of what will likely be a long and successful career”
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What we said:
“this is a stunning pop rock album”
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What we said:
“the album is laced with quality and shows the ease with which AFI are able to produce catchy songs”
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What we said:
“Iron Maiden doing exactly what you’d expect Iron Maiden to do”
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What we said:
“this is very much Numan at the top of his game“
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What we said:
“the signature of a band comfortable in their skin”
Read our review of ‘Pressure Machine’
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What we said:
“the very thing that identifies their sound is their lack of boundaries, their quirkiness and willingness to experiment”
Read our review of ‘The Myth of the Happily Ever After’
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What we said:
“well crafted and superbly delivered album that is well worth your time and attention”
Read our review of ‘A Matter of Life & Love’
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The quality of this year’s releases has been truly phenomenal as our opening 30 albums attests. The competition is extremely tight for the coveted top spot and that is clear throughout the prestigious Top 20 that follows.
What we said:
“a sublime collection of upbeat, heartfelt and powerful songs that is bound to be stuck on repeat for the foreseeable future”
Read our review of ‘A Funeral For Youth’
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What we said:
“The Pretty Reckless have solidified themselves in the upper echelons of Hard Rock”
Read our review of ‘Death by Rock and Roll’
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What we said:
“you are fully absorbed by the mix of heavy hooks and catchy sing-a-long pop vocals”
Read our review of ‘Dark & Beautiful Secrets’
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What we said:
“Trash Boat have delivered their best work yet and they appear ready to lead the charge for British rock”
Read our review of ‘Don’t You Feel Amazing?’
Check out:
What we said:
“there are moments of grandeur that harness the bands expansive sound spread throughout”
Read our review of ‘The Greatest Mistake of My Life’
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What we said:
“the album attacks your senses and gets your feet stomping and your head banging”
Read our review of ‘When Life Was Hard And Fast’
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What we said:
“Trivium have well and truly earned their place at the top table of metal”
Read our review of ‘In the Court of the Dragon’
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What we said:
“a stunning release from a band assumedly at the peak of their powers”
Read our review of ‘American Noir’
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What we said:
“there is a real good mix of sounds on this album which together encompass Kennedy’s various alter egos”
Read our review of ‘The Ides of March’
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What we said:
“the power of this album doesn’t just lie with Bennett of course and the rest of the band have summoned even more power and majesty then before”
Read our review of ‘The Hope List’
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What we said:
“the album really feels like a love letter to both the bands own history and the music of those that influenced the members”
Read our review of ‘Medicine at Midnight’
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What we said:
“an album packed with rock club dancefloor fillers, designed to get you moving”
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What we said:
“there are grandiose ambitions spread throughout the album with the band obviously striving for more”
Read our review of ‘For Those That Wish To Exist’
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What we said:
“IDLES continue to be one of the most exciting and vital bands around”
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What we said:
“an album of pure, unadulterated, adrenaline-filled pop rock pleasure”
Read our review of ‘Amazing Things’
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What we said:
“Press To MECO have always had a knack for creating ferocious yet catchy songs and this album is packed full of tasty rifftastic bangers”
Read our review of ‘Transmute’
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What we said:
“the band are still able to mix catchy pop melodies with hard hitting beats to create a sound equally at home in front of mosh pits and dancefloors”
Read our review of ‘Seize the Power’
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What we said:
“the duo however manage to amplify these electronic elements without losing their rock attitude and resonance”
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What we said:
“a rare talent that have now reinforced their passion and ability to create great music for anybody who wants to listen but without concession on their vision”
Read our review of ‘Written & Directed’
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What we said:
“this record feels like it comes from a band at the peak of their powers, but knowing this group, they will still have plenty more to come”
Read our review of ‘Blue Weekend’
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Well there you have it! What a truly magnificent year for new music 2021 has been. What will 2022 have in store? Remember to discover the best new acts by following our ‘Discover’ New Music Playlist’!
Stay tuned for our 2021 Year in Review coming very soon.
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Myles Kennedy
The Ides of March
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MYLES KENNEDY – THE IDES OF MARCH – ALBUM REVIEW
Nobody should be shocked anymore at the quality of output from Myles Kennedy. He has set a high benchmark with his work with both Alter Bridge and Slash. He then produced a stunning piece of art with his debut solo album, ‘Year of the Tiger’. Therefore it shouldn’t be a surprise where this review is heading!
The disbelief perhaps comes with that Kennedy has once again managed to capture magic. With his output stretched between various projects, you could actually forgive him for the odd misstep and maybe that time will come. But ‘The Ides of March’ certainly isn’t that time.
WATCH ‘THE IDES OF MARCH’ ON YOUTUBE
Despite featuring a more expansive and traditional to Kennedy sound, the record still manages to showcase Kennedy in a different way to his well known day jobs. What sets Kennedy apart is how he has now solidified a third project at a high standard. His role with Slash now far outstrips the use of the phrase side-project. Now his solo work has also reached the echelons of a main project.
It will be interesting to see how Kennedy splits himself into three going forward, but clearly his solo work now will be seen in an equally accomplished light. The likes of the titular ‘The Ides of March’ are magnificent and elevate this album to magnum opus proportions.
Listen to ‘In Stride’ on our Spotify Hot List!
There is a real good mix of sounds on this album which together encompass Kennedy’s various alter egos. You could say that ‘The Ides of March’ acts like a greatest hits record, just without any of his established hits. What is meant by that is that this album would be the perfect introduction to Kennedy and the work that his astonishing voice has soundtracked.
In conclusion, ‘The Ides of March’ is Myles Kennedy at his very best, which as we know is very good indeed. The biggest challenge for Kennedy going forward will be to keep up his track record for quality.
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Read our review of ‘The Battle at Garden’s Gate’ from Greta Van Fleet