Vol. 75
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The latest issue of the Full Pelt Magazine is here, and you can download your copy for free below!
Volume 28 features our cover stars Feeder as they head back out on the road this month! We also review the latest releases from Kid Kapichi and Greywind!
Our News Report has all the latest music news including live announcements from Glastonbury Festival, Kendal Calling, Biffy Clyro, Nick Cave & The Bad Seeds, Interpol, NOFX and Samantha Fish!
Plus all the best new releases including The Treatment, The Warning, Soft Play, Scott Stapp, DragonForce, VEXED, Royal Republic, Blue Öyster Cult, Joanne Shaw Taylor, Ashen Reach, The Dandy Warhols, Gun, Sløtface, fakeyourdeath, The Lemon Twigs, Destroy Boys, Dea Matrona, Buzzard Buzzard Buzzard and BIG SPECIAL!
Finally, we round up the latest additions to our ‘Discover’ New Music Playlist including Gold Bloom, Attic Theory and Eville!
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It’s been another big revival year for the music industry following the pandemic years, and it’s been another year of growth for us at Full Pelt Music! We’ve reviewed 67 albums, 7 EP’s, 6 festivals and 38 gigs in 2022 as some level of normality or even stability has returned to our industry.
That said, there are still many issues facing the industry with livelihoods, venues and organisations at risk for a plethora of reasons. Whilst government action is required in many places, what we as fans can do is support the industry with our money. Times are tough for us all, but purchasing an album, buying a t-shirt, nabbing a ticket and grabbing a drink whilst at a gig does so much to support the industry that we love.
Our two great Podcasts have continued to grow and highlights this year came from guests such as Blood Red Shoes, The Treatment, Skinny Lister, Daytime TV, Pet Needs, The Ninth Wave, Sunflower Bean, James and the Cold Gun, Guise, October Drift, BERRIES, Asylums, As Sirens Fall and Jamie Lenman! We’ve already got some fantastic guests lined up for 2023, so ensure you subscribe and follow us across Social Media!
In our now annual end of year awards we’ll be giving out seven hotly contested awards looking at both the recorded and live sides of the industry. Adding to our well established Album of the Year award this year will be the new EP of the Year award. We’ll also once again be revealing our Single of the Year. All awards have seen fierce competition, as once again it’s been a high quality year for new releases.
On the live side of things, we’ll announce both our Gig and Festival of the Year awards. This year of course provided our first full calendar of music since 2019! We were able to witness many great performances this year and we can’t wait to share with you are favourites.
Lastly we’ll look at the artists who’ve had special years as we award our Artist and ‘Discover’ New Artist of the Year awards. So without further ado, let’s work through those award catagories!
It has been a truly magnificent year for album releases and getting a spot anywhere in our Top 50 was hard enough but in particular the Top 10 was incredibly tightly fought. You can read the full list here.
‘IMPERA’ from Ghost was able to take the crown this year but any of the top 10 could’ve taken that spot. ‘Reeling’ from The Mysterines in particular would likely have won in any other year, but the majesty and magnificence of ‘IMPERA’ proved unbeatable.
‘Impera’ by Ghost
‘Reeling’ by The Mysterines, ‘FTHC’ by Frank Turner, ‘Skinty Fia’ by Fontaines D.C. & ‘The Price of Life’ by Bob Vylan
2021 – ‘Blue Weekend’ by Wolf Alice
2020 – ‘Ultra Mono’ by IDLES
For the first time this year, we are separating EP’s out of our main award and giving them their own pedestal. That alone is the truest compliment to the quality of EP’s on offer this year.
Again, all EP’s in our top 5 are worthy of the number one spot, but it’s ‘coming of (r)age’ from As Sirens Fall that pips it. Catchy as hell single, ‘heaven (spat us back out)’, helps elevate the release to be crowed our first ever EP of the Year.
‘coming of (r)age’ by As Sirens Fall
‘False Start’ by James and the Cold Gun, ‘SCP’ by Oakman, ‘Tyrants’ by IOTA and ‘BLACKGOLD’ by BLACKGOLD
We look now at our Single or Song of the Year. In considering the award this year we’ve considered the ear worms that have stayed with us after live performances. We’ve also pondered which songs instantly struck a chord and created a buzz of excitement for the albums and live shows that would follow.
Songs which fell into both of these considerations competed for the award and it was again a tight decision, but ultimately for us this year ‘Dangerous’ from The Mysterines has not just ticked both boxes but also remained on heavy rotation throughout the year despite being an early arrival in 2022. That’s why that track is our 2022 Single of the Year!
Check out the winning single below:
‘Dangerous’ by The Mysterines
‘Talk Hard’ by Jamie Lenman, ‘Compliance’ by Muse, ‘Wicked Ways’ by Halestorm, ‘Spillways’ by Ghost
2021 – ‘Test of our Resolve’ from Press To MECO
2020 – ‘Obey’ by Bring Me The Horizon feat. Yungblud
2022 was the first full festival season since 2019 and what a return it was. All eyes were on Glastonbury once again, British Summer Time curated a stunning line-up, Download Festival breathed fire and 2000trees was able to remind everyone what’s so great about smaller festivals.
Our winner this year though is Reading & Leeds who went big, sold out and delivered an action packed weekend even with the huge loss of Rage Against The Machine amongst others. Always a perennial contender for this award, 2022 felt like the year the event reclaimed its identity.
Read our review of Reading Festival Saturday
Reading & Leeds
Glastonbury Festival, British Summer Time, Download Festival, 2000trees Festival
2021 – Download Pilot Festival
2020 – Wild Fields Festival
We’ve reviewed many gigs this year but in reality there could only ever be one winner. Rammstein’s tour is less of a concert and more of an experience; one that everyone, fan of the band or not, should experience at least once.
Beyond that there was still some incredible, top tier gigs in 2022 and our contenders are all worthy of glory, but Rammstein are currently on a whole different level.
Read our review of Rammstein live in Coventry
Rammstein @ Coventry Arena
Royal Blood @ O2 Arena, London, Ghost @ Resorts World Arena, Birmingham, Muse @ Eventim Apollo Hammersmith, London, The Killers @ Carrow Road, Norwich, The Hella Mega Tour @ London Stadium, London, Creeper @ Roundhouse, London, Idlewild @ O2 Kentish Town Forum, London
2021 – Bring Me The Horizon @ O2 Arena, London
2020 – Frank Turner @ Arboretum, Nottingham
Artist of the Year now and for this award we look for somebody who has had a huge, perhaps even career-defining year. Previous winners Frank Turner and Biffy Clyro have done so by delivering incredible feats, far above the norm.
This year was a big year for many acts, but we’ve gone for Bring Me The Horizon as a band that have had a career-defining twelve months. Long tipped as festival headliners at a major event, many felt that the time would never come for one of the best live bands on the planet. Big releases, sold-out tours, no matter what the group did they never seemed to be given that torch, that is until this year!
Watching Bring Me The Horizon step up and headline at Reading & Leeds this summer felt like a real moment, not just for the band but for the whole scene. For any metal band, let alone one once considered so unfashionable to headline the biggest festivals in the UK is massive.
Already announced to finally headline Download Festival in 2023, 2022 will forever be linked for Bring Me The Horizon to taking that final career-defining set. Throw in their genre-defying collaboration with Ed Sheeran, 2022’s Artist of the Year had to be Bring Me The Horizon.
Bring Me The Horizon
Ghost, Rammstein, Biffy Clyro, Muse
2021 – Biffy Clyro
2020 – Frank Turner
As a publication we always want to put new music at the heart of what we do, and that’s why our final award is perhaps our most important! Our ‘Discover’ New Artist of the Year is awarded to the act we’ve chosen to highlight on our ‘Discover’ New Music Playlist and Podcast who we feel has made the biggest impact this year.
At the beginning of 2022 we put the spotlight on new Colchester act PET NEEDS as they continued to promote their debut album, ‘Fractured Party Music’. From that point on the band never looked back with a world tour, a second album (‘Primtime Entertainment’) and a sold out hometown show all under their belts.
They even found the time to become the first (and only at the time of writing) band to progress from our ‘Discover’ New Music Podcast and appear on The Full Pelt Music Podcast! Yes, fighting off some stiff competition for the ‘Discover’ New Artist of the Year award in 2022 is PET NEEDS!
PET NEEDS
BERRIES, As Sirens Fall, Oakman, James and the Cold Gun, Daytime TV, MOSKITO
2020 – Miss Vincent
So, that’s it! Another year in the record books, it’s been another difficult year and it has again been particularly tough on the music industry. That said, we’ve had a full year of live music for the first time since 2019 and the creative juices remain flowing with some absolutely stunning new releases over the past twelve months.
Below you can enjoy some of our favourite gig photos of the year courtesy of our wonderful photographer Denis!
All 📸 (c) Denis Gorbatov / Full Pelt Music
We hope you’ve enjoyed our The Year in Review 2022 and we wish you a very Happy New Year. Here’s hoping 2023 is a good one!
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Biffy Clyro had just announced a UK Arena Tour when the world shut up shop in March 2020. Since then they’ve released two albums, headlined Reading & Leeds and Download Festivals and played an intimate run of UK dates. Now, two and a half years later the band finally gets to grace again the largest indoor venues the country has to offer.
Tonight that places them at the monstrous O2 Arena in London in front of a packed Saturday night crowd. Anticipation is high, and not just for the Scottish heroes, but for special guests Architects fresh from an arena tour of their own back in May.
Both bands will be hoping the crosspollination of their audiences will earn new admirers and for Architects up first there is clearly is mixture of diehard fans and trepidatious unfamiliar audience members.
Focusing on their more accessible recent material is a clever move from the band and tracks such as ‘deep fake’ and ‘tear gas’ ease inhibitions and start to win over those starting out on the fence.
A smooth and effortless run through of the likes of ‘Dead Butterflies’, ‘Doomsday’, ‘when we were young’ and closer ‘Animals’ ensures many new fans will have been found tonight. A random introduction from Joel Dommett stated that Architects are one of the best bands in the UK, and whilst our headliners have a major stake in that argument, tonight our guests have ensured that they are in the conversation.
Anybody that has seen Biffy Clyro live however will know that they are one of the most consistently impressive live forces on the circuit. Tonight, to the surprise of nobody, they are once again a level above the competition.
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Opening trio ‘DumDum’, ‘A Hunger In Your Haunt’ and ‘Tiny Indoor Fireworks’ perhaps provide a slow start to the set but from ‘Who’s Got A Match?’ onwards the venue comes alive as the band produce the proverbial banger after banger.
The composition of the setlist is well balanced with a good mix of new, old and the return of a couple of even older pre-mainstream Biffy Clyro numbers ‘57’ and ‘Glitter and Trauma’.
The stage is simple but effective with the music the focal point tonight, and with the likes of ‘Instant History’, ‘Mountains’, ‘Wolves of Winter’ and ‘Biblical’ on offer that’s all that is really needed.
Just watching the crowd reactions to the likes of ‘Living Is A Problem Because Everything Dies’, ‘The Captain’, ‘Bubbles’ and ‘Many of Horror’ makes is so obvious that Biffy Clyro are now fully established as an elite tier act. Mon the Biff!
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With the pandemic taking a hold back in early 2020, Download Festival became one of the first major festival victims. It was perhaps fitting therefore that the small Pilot version of the event was the first step on the road back to normality last year.
That does mean though that as we head into Donington Park in 2022, it is the first fully fledged festival since the 2019 edition. After three long years, it is finally time for rock and metal fans to convene again on these hallowed grounds.
There are a number of changes this year to the layout of the festival but the best change is the installation of a strange golden orb in the sky. The usual brown flooring has also been painted green. Yes, goodbye Drownload and hello sunburn!
The main changes to the festival relate to the layout of the campsites, parking and transport hubs. Given these new changes, a little extra signage may have assisted seasoned attendees finding their way around, but in general the changes work well. There is a lot of walking required, however there always is at Donington Park however the event is laid out.
Once inside the area the setup is pretty standard if a little cut back with smaller stages, fewer food stalls and no wrestling or other extra areas. But, it’s Download and everyone is just glad to be here.
So then, on to the music! Opening the main stage on Friday are NWOCR favourites Wayward Sons who make the most of their short time on stage. They are quickly followed by Canadians Theory (of a Deadman) who also only have a short time to show their stuff. Thankfully for them they are able to call upon some festival-perfect material as the crowd sing along to ‘Bitch Came Back’, ‘Hate My Life’ and ‘Bad Girlfriend’.
Recently rejigged Bury Tomorrow follow on the main stage and bring the first real taste of heavy to the festival. The band are clearly honoured by the opportunity and try their best to win over the audience, with our first pyro of the weekend helping to add to the occasion. By the time the band leave the stage and a pile of bodies in the audience, the set has to be considered a success.
We go walkabout next and visit first the second stage for a man who has already played Download Festival with both Alter Bridge and Slash, Myles Kennedy. With two solo albums now to his name, Kennedy only grows his legacy with another top class performance.
Secondly we head to the Avalanche Stage for something new. American pop-punk band Meet Me @ the Altar have intensifying hype around them, and keeping with the tone of the day they are able to grasp this opportunity with both hands. Expect bigger things from the band in the near future.
As day one begins to draw to a close with catch two of Download’s house bands with Skindred on the main stage and Airbourne over on the second stage. Both bands attract big crowds, because fans know what to expect from them. High energy, entertaining rock shows are delivered by both as fans get to revel in what they have missed over the last three years.
Having delivered an incredible headlining performance at the Pilot event last summer, Frank Carter & The Rattlesnakes return to Donington Park next to headline the second stage. Carter and co show the crowd what they missed last year with another stunning performance. This band must be considered one of the best live bands on the planet and who would put it past them headlining the main stage in the future.
Download Festival after all needs to begin focusing on that next generation of headline acts, because many of the old guard are saying farewell. It is the ‘End of the Road’ for KISS, but not before one final triumphant showcase this year.
The band are able to deliver all the pageantry of a KISS show with every party trick played with precision. As the fans walk away with ‘Rock and Roll All Nite’ stuck in their heads, the band have brought the party and night one is closed out in style.
Saturday morning brings a fresh day with the sun still shining bright, but early risers at the main stage are left waiting with opening act The Raven Age almost forty minutes late. When the band do arrive they are able to show their continued growth with a matured performance.
This delay subsequently leads to a 30+ minute lag on main stage times throughout the rest of the day which plays havoc with fans carefully curated schedules. It does mean however that we can head to the second stage and catch the energetic Cassyette who is capitalising on the momentum earned over the last year.
It’s then back to the main stage for the classic rock sounds of Those Damn Crows and Monster Truck. Both bands continue the impressive start to the festival. Clearly every act is out to cast off the shackles of recent years and make an impression.
Both of these bands leave the fans wanting more, which is all a band can do with these early festival slots. It’s probably a good thing then, that these two bands will be touring the UK together later this year!
Up next for us is one of the performances of the weekend from Holding Absence over on the Avalanche stage. With songs like ‘Afterlife’ and ‘Wilt’ seemingly made for festival crowds to sing along to, the band completely own the packed tent during their time on stage.
Shinedown are also a band that knows how to control a crowd, and they have a large crowd to play with next on the main stage. With a new album on the way, the band incorporate new tracks ‘The Saints of Violence and Innuendo’ and ‘Planet Zero’ into their tried and tested, crowd pleasing set.
It’s then back to the Avalanche stage for another standout performance. This time it’s Creeper on the stage, the band again showing an innate ability to hold the audience in the palm of their hands. Creeper continue to grow and evolve and it will be interesting to see where the band head next.
We stick next to the Avalanche stage for headliners Funeral For A Friend. Perhaps it’s the fact that we’ve just witnessed two fantastic performances on this stage from Holding Absence and Creeper but something feels a little off for this set. It’s not a lacklustre performance as the band give it their all, but on a weekend full of great performances what is probably a really good one feels a little underwhelming.
There is never anything underwhelming however about Iron Maiden. The band are icons for a reason and their current stage show is possibly their best ever. With Maiden on form and a packed Donington Park in fine voice, this headline set was always going to be one for the ages, and it doesn’t disappoint.
Now onto Sunday morning, with hangovers taking hold, feet aching and stamina’s waning. It’s up to Wargasm to blow away any cobwebs as they open the main stage, and that’s just what they do. The band are developing into something of a marmite band, but there is no doubting the passion and energy that they put into every performance; and judging by the reaction they go down very well this morning.
Sidetracking from the music for a moment, we commented in our Neck of the Woods Festival review about the cost of food and drink this year. There are no surprises therefore that prices are high at Download Festival, but the quality on offer at that price is disappointing. Inflation is one thing, but shrinkflation begins to rub, and more than one meal this weekend leaves a sour taste in our mouth (figuratively and literally in one case!).
Well, if the amenities on offer are disappointing, thankfully the music isn’t. As we have said, the quality of performances this weekend is consistently high. Both The Velveteers in the Dogtooth tent and The Last Internationale on the second stage are fine examples of this quality from top to bottom.
Massive Wagons follow on the second stage and again appear on top form. As many bands have this weekend, they tailor their set list perfectly for their time on stage and it’s wall to wall bangers as the kids would say.
Tremonti next are more methodical as they display their technical prowess. Mark Tremonti and co are mightily impressive and the audience are equally receptive.
We shoot then across to the main stage where Rise Against are another band that fail to meet expectations. The band are an incredible force, but sadly today they struggle to translate from the stage for whatever reason.
Volbeat have no problems though as they are instantly able to grab the audience. They deliver a career spanning setlist to the delight of the field, which shows just why they have established themselves as potential future headliners.
We then find time to dart across to the Avalanche stage one last time as Trash Boat showcase one of the albums of last year, ‘Don’t You Feel Amazing?’. Trash Boat have really come into their own and have the entire tent bouncing along.
Korn are the penultimate band to play the main stage this weekend and they make the most of their position with one of the best performances of the festival. The band are longtime Download Festival favourites and they evidence today just why that is.
There is another look at the future next as Yonaka pack out the Dogtooth tent. Those that have made the effort to catch the band are rewarded by an incredible performance from one of the most exciting young rock bands around.
Last but certainly not least with have Biffy Clyro who are one of the biggest rock bands in the UK, but seemingly another marmite band amongst regular Download Festival goers.
One thing for certain is that those that chose to the stay until the end are rewarded by way of a sublime headlining performance. Biffy Clyro are another level live act and tonight they deliver a superb closing show fitting of closing this event.
Consistent high calibre performances have encapsulated the return of Download Festival this weekend. The event has a special place in the hearts of its fan base and will celebrate next year with a special four day 20th anniversary celebration. We can’t wait!
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Read our review of My Chemical Romance live in Milton Keynes
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2020 was a year that we all wish we could forget. Could 2021 be any better? Well, it started off just as the previous year ended; with the live music industry on its knees. Lockdown restrictions still ruled out any live in person shows, with even socially distanced shows initially outlawed.
Come late spring, things began to look up and a number of “test” events were planned. We were lucky enough to attend the Pilot Download Festival and the euphoria of being amongst fellow music fans in a field can’t truly be put into words. Things were looking up!
Live music would eventually make a full return but sadly as we write this The Year In Review 2021 feature, the sector is once again holding its breath waiting for the Government to take action. Alas, true normality may still be a long way off, but for a few months this year we got to feel alive again.
That alone elevates 2021 above 2020, but there is plenty more to unpack. We recently undertook our now annual countdown of our top albums of the year over on our social media. 2021 was a truly exceptional year in terms of album quality. Those musicians kept in lockdown last year certainly found their creativity and compiling a list of the top 50 albums of the year was highly competitive.
In our The Year In Review 2021 article, we will be revealing our end of year award winners. As with last year we will announce our Album of the Year, Single of the Year, Artist of the Year, Gig of the Year and Festival of the Year.
This year however we have an additional award to hand out. 2021 was a big year for Full Pelt Music, our first full year in existence. We’ve grown and we’ve enhanced our focus on new music. We launched initially our ‘Discover’ New Music Playlist on Spotify through which we highlight the best up and coming artists.
We also launched not one but two Podcasts this year, including the accompanying ‘Discover’ New Music Podcast where we truly shine the spotlight on your new favourite acts. As such, this year we will also be awarding the ‘Discover’ New Artist of the Year award!
Before we get to those awards though, let’s run you through a few of our highlights this year. First of all, as mentioned we also launched The Full Pelt Music Podcast this year. Fittingly our inaugural guest was Frank Turner, the winner of both our Gig of the Year and Artist of the Year awards in our 2020 Year In Review.
Across the Podcasts this year we’ve had the pleasure to talk with Press To Meco, Beans On Toast, Miss Vincent, Planet Fatale, Mercutio, Light By The Sea, Freddie and the Fabs, The Damned Few, Project Renegade, Icarus and Smoke! Be sure to check out these conversations, and also to Subscribe on Youtube or wherever you listen to your Podcasts. After all, we will have plenty more for you to enjoy in 2022.
The Music Industry has seized on the opportunity to entertain this year both live and on record. We’ve reviewed 66 albums, 2 festivals and 27 gigs in 2021 as fans have been treated to incredible releases and some truly stunning live shows. Again, perhaps the enforced break has allowed creativity to breed innovation.
So with that in mind, let’s work through those award catagories!
As we’ve already referenced, the pure quality of releases this year made compiling our Top 50 Album of the Year List very tricky. It was hard work but we did it, and you can read the full list here.
The quality is demonstrated best by last year’s winners IDLES only reaching a still respectable number 7. The winner however had to be ‘Blue Weekend’ from the incredible Wolf Alice who continue to go from strength to strength. After three stunning albums, there is no ceiling for this band and we can’t wait to catch songs from the album live in 2022.
‘Blue Weekend’ by Wolf Alice
‘Written & Directed’ by Black Honey, ‘Typhoons’ by Royal Blood, ‘Seize the Power’ by Yonaka and ‘Transmute’ by Press To MECO
2020 – ‘Ultra Mono’ by IDLES
We move on now to our award for the Single or Song of the Year. This year has again seen us locked down for considerable amounts of time and many will have sought solace in Playlists such as our Spotify Hot List.
In selecting our track of the year we considered which songs we’ve come back to time and time again, which songs remain as fresh now as they did on first listen and what songs simply just resonate on a different level.
Our winner is an incredible track from the fantastic album ‘Transmute’ from Press To MECO. ‘A Test Of Our Resolve’ ticks all of the criteria and also sounds absolutely massive live.
‘A Test Of Our Resolve’ by Press To MECO
‘My Town’ by Frank Carter & The Rattlesnakes, ‘Afterlife’ by Holding Absence, ‘Midnight’ by Creeper and ‘Haven’t Been Doing So Well’ by Frank Turner
2020 – ‘Obey’ by Bring Me The Horizon feat. Yungblud
Artist of the Year now and for this award we look for somebody who has had a huge, perhaps even career-defining year. Last year we gave the award to Frank Turner for his incredible work for the #SaveOurVenues campaign through his Independent Venue Love series.
This year our winners are a band that also dabbled with livestreams during that first lockdown. This year however has been a hugely important year for Biffy Clyro. A new album, ‘A Myth of the Happily Ever After’ came hot on the heels of last year’s ‘A Celebration of Endings’. It’s another quality album from a band that continue to deliver consistently great music.
The band also had a huge impact on the live music scene this year. Firstly, the band rode to the rescue by stepping in as late replacements for Queens of the Stone Age to once again headline Reading and Leeds Festivals.
Secondly, the band played huge outdoor shows in Cardiff, Glasgow and Margate to help signal the return of live music after around 16 months of lockdown. Highlights of both their Reading and Glasgow performances aired on the BBC.
Lastly, the band played a completely sold out and very intimate ‘Fingers Crossed’ Tour across the UK. Their shows this year giving fans an opportunity to witness songs from not one but two albums live for the first time.
Biffy Clyro
Enter Shikari, Bring Me The Horizon, Creeper and Wolf Alice
2020 – Frank Turner
Festivals made a belated return from lockdown restrictions in late summer, although the majority of the usual seasons events were still cancelled. For our Festival of the Year however we can’t look anywhere other than the special event that laid the groundwork for all events to return, the Download Pilot Festival!
Back in June the Government test event was the first opportunity for music fans to camp in a field and rock out for three days. The camaraderie and atmosphere this situation created, combined with the uniquely intimate Download layout and line-up made for a once in a lifetime experience.
British bands took centre stage and delivered an incredible weekend of music; with bands and fans both desperate to experience live music again. Thanks to all involved we can hopefully experience a full fat Download Festival again this summer.
Read our review of the Download Pilot Festival!
Download Pilot Festival
Reading Festival and Lost Evenings
2020 – Wild Fields Festival
Last year’s winner of Gig of the Year was a socially distancing outdoor affair, this year however true live music returned! Picking a winner this year is difficult because the pent up frustration of lockdown on both musicians and fans vented fully across some amazing gigs.
We reviewed 27 of those shows this year and there were some very special moments amongst them. The winner however must go to Bring Me The Horizon who stormed the O2 Arena with You Me At Six and Nova Twins in tow.
The night was a massive middle finger to any remaining doubters and the band solidified themselves not just as arena fillers but as festival headline ready. Fitting therefore that they have recently been revealed as headliners for Reading & Leeds Festivals next year.
Read our review of Bring Me The Horizon live in London
Bring Me The Horizon @ O2 Arena
Creeper @ O2 Kentish Town Forum, Idlewild @ Electric Brixton, The Offspring @ Wembley Arena, Biffy Clyro @ O2 Kentish Town Forum, Vukovi @ Norwich Waterfront Studio and Royal Blood @ Norwich UEA
2020 – Frank Turner @ Nottingham Arboretum
Our final award is a new award for this year where we shift focus on to the future. Having launched our ‘Discover’ New Music Playlist and Podcast this year we wanted to honour an act that we have featured and for whom the future is bright.
With their debut album ‘A Funeral For Youth’ cracking our top 20 for the year, Miss Vincent take the inaugural ‘Discover’ New Artist of the Year award!
Miss Vincent
Planet Fatale, Dead Nature and Thumper
So, it hasn’t been a usual year again, in fact at times it has been just as hard as 2020. 2021 has however reminded us of what we were missing. Stunning new music, incredible live shows and a return to some normality (nobody say ‘new’ normal!), make 2021 a year that will live long in the memory for many reasons.
We hope you’ve enjoyed our The Year in Review 2021 feature and we wish you a very Happy New Year. Here’s hoping 2022 is a good one!
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2021 has been another tough year to live through. There have been some signs of normal life, for example the return of live music, but we end it as we started with true normality a distant memory.
This year has however been a stunning year for new music releases. Yes, lockdown musicians and the odds are their creativity will take over. In Full Pelt Music’s first full year of existence we have reviewed 65 albums and the quality of those releases has been exceptional.
Last year we counted down our Top 20 albums of the year, with a special Advent Calendar countdown on our Twitter. This year we have expanded! Our 2021 countdown has taken place across all our social platforms, and has listed our Top 50 albums of the year!
With that social media countdown completed, it’s now time to compile our completed Top 50 in one place. So let’s get started!
“there are stunning moments spread throughout the album”
“there are plenty of songs on this album that rate amongst the best that the band has produced”
Read our review of ‘Waiting For Good Luck’
“Garbage are an incredible musical force”
Read our review of ‘No Gods No Masters’
“we have thrashing guitars, thumping drums, bizarre lyrics and plenty of bells and whistles to emphasise his brilliantly quirky musicianship”
Read our review of ‘The Lunar Injection Kool Aid Eclipse Conspiracy’
“was anybody craving a new album from The Offspring in 2021? Perhaps not, but actually in this messed up world we live in, maybe, just maybe, we needed it!”
Read our review of ‘Let The Bad Times Roll’
“this is an artist pouring all of their self into their creation and discovering magic”
Read our review of ‘Watch Me Break Apart’
“this record manages to encapsulate the sound that the band has nurtured over the past few years both on record and in the live setting”
Read our review of ‘How to Ruin Your Life’
“remind you how gloriously heavy yet anthemic the band can get”
Read our review of ‘The Bitter Truth’
“it won’t take long for people to stop and take notice of this great young band”
Read our review of ‘Fractured Party Music’
“this is Volbeat at their very best”
Read our review of ‘Servant of the Mind’
“vitality shouldn’t be mistaken for relevance and whilst the band may have peaked commercially, they remain of utmost importance to a generation of music fans”
“anybody that had any doubts about the natural talents of this group of musicians, they should now acknowledge a new force”
Read our review ‘The Battle at Garden’s Gate’
“over the top, outlandish, brash and most of all fun, the album not only lives up to but surpasses all expectations”
Read our review of ‘Van Weezer’
“quality continues to run throughout the entire record and there is very little ease on the throttle”
“another very good release from a band overdue commercial success”
Read our review of ‘Into the Blue’
“a middle finger up at the haters”
Read our review of ‘Still Sucks’
“a delicate masterpiece from a songwriter of the highest level”
Read our review of ‘The Hole Around My Head’
“an enjoyable listen and the band clearly still has something to say”
Read our review of ‘The Ultra Vivid Lament’
“up there with the best that Beans On Toast has released”
Read our review of ‘Survival of the Friendliest’
“it really is time to stop being surprised by the quality in this band”
Read our review of ’21st Century Love Songs’
“the extravagance of the band is what makes them great and thankfully their 7th studio album has it in abundance”
Read our review of ‘Motorheart’
“for their tenth album the band has set out to create their masterpiece”
Read our review of ‘Coral Island’
“a strong debut album that lays the foundations of what will likely be a long and successful career”
“this is a stunning pop rock album”
“the album is laced with quality and shows the ease with which AFI are able to produce catchy songs”
“Iron Maiden doing exactly what you’d expect Iron Maiden to do”
“this is very much Numan at the top of his game“
“the signature of a band comfortable in their skin”
Read our review of ‘Pressure Machine’
“the very thing that identifies their sound is their lack of boundaries, their quirkiness and willingness to experiment”
Read our review of ‘The Myth of the Happily Ever After’
“well crafted and superbly delivered album that is well worth your time and attention”
Read our review of ‘A Matter of Life & Love’
The quality of this year’s releases has been truly phenomenal as our opening 30 albums attests. The competition is extremely tight for the coveted top spot and that is clear throughout the prestigious Top 20 that follows.
“a sublime collection of upbeat, heartfelt and powerful songs that is bound to be stuck on repeat for the foreseeable future”
Read our review of ‘A Funeral For Youth’
“The Pretty Reckless have solidified themselves in the upper echelons of Hard Rock”
Read our review of ‘Death by Rock and Roll’
“you are fully absorbed by the mix of heavy hooks and catchy sing-a-long pop vocals”
Read our review of ‘Dark & Beautiful Secrets’
“Trash Boat have delivered their best work yet and they appear ready to lead the charge for British rock”
Read our review of ‘Don’t You Feel Amazing?’
“there are moments of grandeur that harness the bands expansive sound spread throughout”
Read our review of ‘The Greatest Mistake of My Life’
“the album attacks your senses and gets your feet stomping and your head banging”
Read our review of ‘When Life Was Hard And Fast’
“Trivium have well and truly earned their place at the top table of metal”
Read our review of ‘In the Court of the Dragon’
“a stunning release from a band assumedly at the peak of their powers”
Read our review of ‘American Noir’
“there is a real good mix of sounds on this album which together encompass Kennedy’s various alter egos”
Read our review of ‘The Ides of March’
“the power of this album doesn’t just lie with Bennett of course and the rest of the band have summoned even more power and majesty then before”
Read our review of ‘The Hope List’
“the album really feels like a love letter to both the bands own history and the music of those that influenced the members”
Read our review of ‘Medicine at Midnight’
“an album packed with rock club dancefloor fillers, designed to get you moving”
“there are grandiose ambitions spread throughout the album with the band obviously striving for more”
Read our review of ‘For Those That Wish To Exist’
“IDLES continue to be one of the most exciting and vital bands around”
“an album of pure, unadulterated, adrenaline-filled pop rock pleasure”
Read our review of ‘Amazing Things’
“Press To MECO have always had a knack for creating ferocious yet catchy songs and this album is packed full of tasty rifftastic bangers”
Read our review of ‘Transmute’
“the band are still able to mix catchy pop melodies with hard hitting beats to create a sound equally at home in front of mosh pits and dancefloors”
Read our review of ‘Seize the Power’
“the duo however manage to amplify these electronic elements without losing their rock attitude and resonance”
“a rare talent that have now reinforced their passion and ability to create great music for anybody who wants to listen but without concession on their vision”
Read our review of ‘Written & Directed’
“this record feels like it comes from a band at the peak of their powers, but knowing this group, they will still have plenty more to come”
Read our review of ‘Blue Weekend’
Well there you have it! What a truly magnificent year for new music 2021 has been. What will 2022 have in store? Remember to discover the best new acts by following our ‘Discover’ New Music Playlist’!
Stay tuned for our 2021 Year in Review coming very soon.
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It’s been a long road for Biffy Clyro to arrive at the O2 Kentish Town Forum in London, and I’m not talking about the M1 from their last show in Sheffield!
The band released their album, ‘A Celebration of Endings’ in August 2020 (which itself was delayed from May), having announced an arena tour to promote it, only to cancel said tour in the wake of the pandemic.
Subsequently the ‘Fingers Crossed’ tour of intimate venues was announced in the hope that live music would return in time. Sadly, this was also postponed from April until now. In the meantime the band even managed to record and release another album with ‘The Myth of the Happily Ever After’ arriving last month.
Well after two albums, a cancelled tour and a postponement we are finally here, but up first is our support act. That act is the incredible Bob Vylan, a band who have created a lot of talk over the opening dates. Their politically-charged punk rock anthems have proven somewhat divisive thus far amongst the Biffy Clyro fanbase.
Tonight the duo are in their hometown and the crowd are overwhelmingly onside. They are treated to an energy-filled and impassioned performance from one of the hottest new acts around. The likes of ‘Northern Line’, ‘Pretty Songs’ and ‘We Live Here’ showcase their talents and get the bodies moving tonight. A great set from a band I’m sure you’ll be hearing a lot more from for one reason or another!
Finally, it’s then time for Biffy Clyro to grace what is now a very intimate stage for the mammoth rockers. After performing their latest album in full on the first night of the tour, the band has settled into a more traditional setlist for the subsequent dates. It is however two songs from that album that commence proceedings as ‘DumDum’ and ‘A Hunger in Your Haunt’ kick things off.
You’d not know that live music had vanished for nigh-on two years. Tonight Biffy Clyro are on top form and the well-oiled machine runs as if it has been on track the whole time. The audience respond in kind and are also on top form, which helps to create a magical atmosphere.
Biffy Clyro are a relentless artist both live and on record. Tonight the newer tracks such as ‘North of No South’, ‘Instant History’, ‘Unknown Male 01’, ‘End Of’ and ‘Space’ fit perfectly with fan favourites like ‘Biblical’, ‘Mountains’, ‘Machines’ and ‘Wolves of Winter’.
The way that the band is able to control an audience, building slowly before exploding is unteachable. The band are in their natural state as they finish off the set with ‘Living Is a Problem Because Everything Dies’, ‘Bubbles’ and ‘Many of Horror’ to the delight of those in attendance.
An obligatory encore of ‘Black Chandelier’ and ‘Cop Syrup’ is enough to send the crowd home happy, remind us of what we’ve been missing and lay claim to the fact that Biffy Clyro are one of the best live acts on the planet. Most definitely worth the wait!
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How does the saying go? Eat. Sleep. Release Album. Tour Album. Repeat? Well, it’s something like that normally isn’t it, but a certain pandemic has thrown best laid plans out the window for artists.
Take Biffy Clyro as a prime example. The release of ‘A Celebration of Endings’ was set to see the band play an arena tour which was even announced to the public. Alas the tickets never even went on sale due to the impact of the pandemic. Then the ‘Fingers Crossed’ tour was announced, a run of intimate dates that fingers crossed would go ahead.
Read our review of ‘For Those That Wish To Exist’ from Architects
Well, even that got postponed until the end of this month. Now before even that tour gets to happen we have another album from the band! ‘The Myth of The Happily Ever After’ is said to be the sister album for ‘A Celebration of Endings’. The fact is the band will now be touring the albums hand in hand so how do the records sit with each other?
Biffy Clyro have never really had a set formula, the very thing that identifies their sound is their lack of boundaries, their quirkiness and willingness to experiment. ‘A Celebration of Endings’ was already an album packed with musical nuance and ‘The Myth of The Happily Ever After’ gleefully continues to ebb and flow.
This is a band that has been pretty prolific both in quantity and quality for some time now, so it’s no surprise that this is another solid album which only adds to their legacy. It’s unlikely to be held up like Simba by Rafiki as the future king, but that’s due to its unique birth and relationship to its predecessor.
The description as a sister record feels right. This is a continuation of the creative process for ‘A Celebration of Endings’ and is basically the second record of another double album for the band. When held together the two albums are certainly up there in terms of the bands releases.
‘A Hunger In Your Haunt’, ‘Witch’s Cup’ and ‘Unknown Male 01’ lead the way for the record and ensure the likely dynasty for the album in future set lists. All in all this is another Biffy Clyro album that earns your attention and continues the bands momentum on their path to glory.
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What a year to pick to review. It’s been a year like no other and not for good reasons.
On a personal level as detailed within my first blog, ‘The Reluctant Blogger’, I was made redundant from a job I loved, just before Christmas and during a global pandemic! Not nice, but realistically I wouldn’t be writing this blog on this website if that hadn’t happened! The decision to return to writing about music also allowed me to take a look at the relationship between music and my mental health in ‘Mental Health, Music and Me’.
For the world it has been a year of pain, struggle and despair. From the fires of Australia to the flooding of the UK early in the year and now again just before Christmas; there has been no restpite in the year of the coronavirus. Unprecedented is the word of the year, but with Brexit and the ongoing pandemic looming large, the word for next year is probably uncertain.
Everybody has struggled this year, personally and professionally. This struggle is not limited to the music industry but our industry has struggled greatly. The live side of the industry is built on bringing people together and of course that has not been possible since March. The recorded side of the industry has also struggled with delays in recording, producing and distributing.
Recovery for the grassroots of the industry is far from guaranteed. The stark and sad reality is that many musicians and hard working crew members will have needed to have sought alternative employment and the actuality here is that many will never return to the music industry. The fact is many government schemes setup to alleviate the financial pressures on individuals and businesses simply bypassed these people.
Unfortunately the pandemic has also hastened the plight of many grassroots, independent music venues. We have sadly already lost many venues and there are still many more at imminent risk of permanent closure. We have written extensively about the issues surrounding our industry in our blog ‘Why We Need To #SaveOurVenues’, and we encourage you to get involved in the initiatives highlighted.
This is of course a creative and innovative industry and through struggle we evolve. Much like the loss of my own job bred this website, the loss of touring and live shows has seen the evolution of the livestream. Many musicians have embraced technology and sought new ways to engage with their audiences. We have looked at the rise of this phenomenon in our blog ‘Livestreams: Good or Bad for the Music Industry’.
When looking back on 2020 in the future, the memories will fill everybody with dread. There has however been some fantastic musical highlights despite everything else. We recently revealed our Album of the Year in our ‘2020 Album of the Year’ blog; and the Top 20 list was highly competitive.
2020 has produced some incredible music and that’s where we are going to focus this end of year review. In order to celebrate the successes of a very difficult year we going to look at the following awards – Album of the Year, Single of the Year, Gig of the Year, Festival of the Year and Artist of the Year!
As mentioned we recently listed our Top 20 Albums of the Year here. This was a highly competitive list as 2020 saw some truly phenomenal releases.
We said “It has been a crazy year, and this list has been heavily influenced by that. As mentioned the top of this list is massively impacted by new music I heard during the height of the initial lockdown. ‘Ultra Mono’ was an album that I was already extremely excited to hear; and the stream of songs released during Lockdown only served to raise that excitement to a fever pitch.
Thankfully IDLES didn’t disappoint and when the album arrived it was a pure masterpiece. It shows a natural progression on the bands first two records and grows the bands sound. It still captures what made us all fall in love with the band but by incorporating new elements into the bands sound the album shows that IDLES are no one trick pony.
Above all other releases this year and those that feature in this list, this was the album that we needed this year. In a year where we have all been knocked down one way or another, IDLES and ‘Ultra Mono’ has been a call to arms, to pick ourselves up, dust ourselves down and keep going.”
WINNER: ‘Ultra Mono’ by IDLES
The Contenders: ‘A Hero’s Death’ by Fontaines D.C., ‘Post Human: Survival Horror’ by Bring Me The Horizon, ‘Nothing Is True & Everything Is Possible’ by Enter Shikari, ‘A Celebration of Endings’ by Biffy Clyro, and ‘Sex, Death & the Infinite Void’ by Creeper
It’s been a good year for both Bring Me The Horizon and Yungblud, with both releasing stunning new records. Yungblud recently hit the number one spot with ‘weird!’ which we reviewed here, and Bring Me The Horizon silenced their doubters with ‘Post Human: Survival Horror’ which we reviewed here.
It shouldn’t therefore be so much of a surprise that their collaboration together is our standout single of the year. Accompanied by an over the top video, ‘Obey’ is a rip roaring tale of corruption and brainwashing, so perfectly fitting for 2020!
WINNER: ‘Obey’ by Bring Me The Horizon feat. Yungblud
The Contenders: ‘Model Village’ by IDLES, ‘Space’ by Biffy Clyro, ‘Trouble’s Coming’ by Royal Blood, and ‘Protect The Land’ by System Of A Down
I was lucky enough to catch some fantastic shows early in the year, you know BC (before Covid!), and Stereophonics, Frank Carter & The Rattlesnakes, Kaiser Chiefs and Fontaines D.C. all deserve special mention.
For my Gig of the Year however I’m again looking to the Covid era.
When life has drastically changed and you’ve been deprived of the opportunity to do something you love, you learn to savour those moments more. For me, as somebody that in 2019 attended some 93 gigs, the loss of live music was devastating. Of course, many people have endured much worse in 2020, particularly at the height of the initial national lockdown; for me however, I was just desperate for live music.
The opportunity to watch real, live music again thankfully emerged (if only for a short time) at the end of summer. Frank Turner lives by the moto “Always on Tour”, and he wasn’t going to let a global pandemic get in the way. An innovative location for a socially distanced gig was Nottingham Arboretum, basically a bandstand in a park. The result was a stunning if unusual setting for a gig which came to life when night fell and Turner serenaded the sold out crowd with his biggest hits.
A great supporting cast including Tash Bird, Holly Carter and Beans On Toast helped to make this show one to remember. The musicianship on show was fantastic, as was the togetherness and gratefulness of an audience desperate to once again forget life’s stresses and enjoy an evening of music. It was a powerful evening that brought tears to many an eye, and that’s why it wins our Gig of the Year award.
WINNER: Frank Turner @ Nottingham Arboretum (20/09)
The Contenders: Stereophonics @ Kentish Town Forum (21/01), Kaiser Chiefs @ Brighton Centre (30/01), Frank Carter & The Rattlesnakes @ Alexandra Palace (15/02), and Fontaines D.C. @ Norwich UEA (24/02)
The coronavirus pandemic completely obliterated the 2020 festival season, as early optimism that some festivals would survive was eventually swallowed whole by this horrible virus. With social distancing in place, festivals just were not possible. But didn’t I say that the music industry is the most creative and innovative industry? Whilst some promoters attempted to arrange socially distant shows, tours and festivals, few succeeded; with even Live Nation cancelling a huge programme of drive in shows.
I was lucky enough however to venture to two such festivals at the Norfolk Showground near Norwich. A mixture of entertainment was laid on in a specially designed arena with socially distanced ‘pods’ maintaining the necessary safety measures. Brickfest was a one day festival focussing on covers band with a handful of original acts like headliners Bad Touch thrown in. The day was a huge success given the circumstances, as was our 2020 Festival of the Year – Wild Fields Festival!
Wild Paths Festival debuted in Norwich last year with acts gracing venues across the fine city. This year the event embraced the outside arena and rebranded as Wild Fields Festival over two days was an eclectic line-up on offer. The first day featured great sets from many young artists including Lauran Hibberd, Indoor Pets, Another Sky and headliners Gengahr.
Even through the greatest adversity the power of the arts shines through and Wild Paths was a shining example of how to put on a safe, fun and thoroughly entertaining festival during a global pandemic.
WINNER: Wild Fields Festival
The Contenders: Brickfest
Our final award is for Artist of the Year. In a such an unprecedented and difficult year this award is going to an act that has considerably contributed to making the year better. Fantastic new music has played a hugely positive role in improving a hard year. With this in mind that means that IDLES, Biffy Clyro, Enter Shikari, Bring Me The Horizon, Fontaines D.C. and Yungblud are all in the running for this award.
Beyond that however real live music when possible has been an even greater high than normal. As such Frank Turner enters the running as an act I somehow managed to catch live this year some four times including the aforementioned Gig of the Year.
But this year is different, new albums and live shows whilst normally the lifeblood of our industry almost feel insignificant when you look at the horrors witnessed across society, both inside and outside the music industry. One saving grace for many this year has been the arrival of the music livestream. A number of those already mentioned have dabbled if not excelled in this activity.
Our winner however has taken this new outlet to heart. They have provided joy and distraction to thousands of people during what must be a record setting number of livestreams. More than that, they have managed to raise an amazing amount of money for a cause I have already championed in this blog. That cause is of course the Save Our Venues campaign and our Artist of the Year is clearly that man again, Frank Turner!
In 2020, Frank Turner has probably played more real shows and more livestreams than anybody else. He has recorded and released new music including collaborations with NOFX and Jon Snodgrass. He has produced the fantastic new Beans On Toast record. He has thoroughly entertained and provided much needed distraction from the real world to thousands; and he has raised an incredible amount of money for charity.
In reality Turner deserves a medal, but what we can give him is our Artist of the Year award!
WINNER: Frank Turner
The Contenders: IDLES, Biffy Clyro, Enter Shikari, Bring Me The Horizon, Fontaines D.C., and Yungblud
2020, a year we will all be hoping to forget very quickly, but there has been some great music released. All focus now however is on 2021 and those vaccinations. We hope that sooner rather than later we will be able to safely gather again in those venues and fields to watch our favourite artists in the flesh.
There will also likely be an avalanche of new music coming our way with artists having been isolated with their creatively for company. Let’s just hope that not every song is about lockdown!